Senta: 1979. Three volumes, all unpaginated. All feature hand-printed woodcuts by Andruskó that show images of the island of Tenerife, one of Spain's Canary Islands; Puerto de la Cruz, a city on Tenerife; and the neighboring island of La Gomera. All fine in cork wrappers, printed with the title information..... More
Novi Sad: Organization of the Jugoslavian Collectors, 1975. (16)pp. + 59ff. plates. One of 900 copies. Produced on the occasion of Andruskó's 60th birthday, containing black & white reproductions of many of his paintings. Text in Hungarian, Croatian, and English. Fine in gilt-stamped leatherette, with a fine illustrated dust wrapper..... More
Cambridge, MA: Dept. of Printing and Graphic Arts, Harvard College, 1968. Square 16mo. (8)ff. One of 500 copies, signed by the artist. Marie Angel, who also contributed illustrations to A. Colish's 1974 edition of The Velveteen Rabbit, here adorns Dickinson's two poems with a diverse array of butterflies set softly..... More
(N.p.): Angelica Press, 1976. Octavo. xi, 99pp. Illustrations primarily in green with black and white outlining. Running titles in green. Travels to places fictional and real, from Laputa to Lilliput to Japan, as told in the first person. Bound in quarter red cloth and buckram, with green and black illustration..... More
(N.p., n.d.). An original linoleum block print measuring 8 by 10 inches, tastefully matted and framed. Valenti Angelo here employs bold use of line and cross-hatching to show the texture of these trees, which are in the foreground, set against a predominantly black backdrop. Inscribed by the artist to Henry..... More
(c. 1970s-80s). Pictorial Arabic alphabet poster, each letter of which is presented beside an image of an object beginning with that letter, with the full word beneath. The full word is written with the harakat or tashkil phonetic aids, which provide the correct pronunciation for children who are learning to..... More
![Item #30146 Los Fusilamientos [The Shootings]. Ildefonso Manuel Gil](https://bromer.cdn.bibliopolis.com/pictures/30146.jpg?width=320&height=427&fit=bounds&auto=webp&v=1667508557)
Aurora, NY: Wells College Press, 2003 (but 2014). Folio. (9)ff. One of thirty copies, signed by the author, Ildefonso Manuel Gil, before his passing in 2003. Each lithograph titled, numbered, signed, and dated by the artist as well. A suite of four lithographs, plus an original drawing, by Roberts embrace..... More
(Northampton, MA): Apiary Press, 1961. 16mo. (10)ff. One of fifty copies, signed by the artist. Eight etched portraits of Hemingway, all in different sizes and some in color. Heimburg's hand reflects, as do many such acolytes, the instruction and style of her mentor, Leonard Baskin. As preface to the portraits..... More
Poestenkill, NY: Kaldewey Press, 2017. Quarto. 16ff + 10ff. From an edition of forty-five, this is one of ten deluxe copies specially bound, and with an extra suite of the metal cuts. Apollinaire's erotic poem is illustrated with metal cuts after brush drawings by Gunnar Kaldewey, printed in red, blue..... More
Lewisburg, PA: Appletree Alley, 1992. Octavo. 45, (3)pp. One of 150 copies, signed by the illustrator, Linda Plotkin, at the colophon. Four of Plotkin's illustrations punctuate Valentine's poetry. Composed of highly saturated colors abstractly cast over dark backgrounds, the images reflect and enhance the surges of anxiety, love, and nostaglia..... More
La Plata, Argentina: 2015. 16mo. (v), (30)pp. One of seven copies. Apo's poetry, which meditates on loss, impermanence, and despair, appears on the versos, facing on the rectos Cecilia Blu Blau's woodcuts. Blu Blau is a tattoo artist and illustrator, and her images shine with the bold lines and black..... More
San Francisco: Arion Press, 1982. Folio. (64)pp. From an edition of 165, this is one of fifteen hors commerce copies, signed by Jim Dine and by Andrew Hoyem, the printer. This publication marks only the second artist's book from the Press, in addition to being its first collaboration with Dine..... More
San Francisco: Arion Press, 2003. Octavo. 12pp. One of 500 copies. A talk presented by John T. Shawcross at the Arion Press on January 29, 2003, during its celebration of the publication of a new edition of John Milton's Paradise Lost. Bound in gray paper wrappers. Fine. (Arion Bibliography, p...... More
San Francisco: Arion Press, 2014. Small folio. (156)pp. One of 275 copies. With an Introduction by Helen Vendler. For the one hundredth publication of the Arion Press, Andrew Hoyem pays homage to his mentors, Edwin and Robert Grabhorn - whose 1930 edition of Whitman's seminal text is echoed in the..... More
Fairfax, CA: Jungle Garden Press, 1994. Quarto. (18)ff. One of only three copies, signed by the illustrator, Carl Dern, and the printer, Marie Dern. A portfolio of eight pieces of original art by Carl Dern, mixing printing, watercolors, pen drawings, and collage. Playing with the concept of the livre d'artiste..... More
San Francisco, CA: Hosfelt Gallery, 1997. One of 100 copies, signed by Wegner in the volume titled "Remarks on Color." The other volumes are titled "Remarks" and "Color," and, as the division of names suggests, these first two volumes' disparate parts are combined in the third volume, to great poetic..... More
NY: Viking Press, 1933. First edition. Inscribed by the illustrator, Boris Artzybasheff, to Dorothy Lathrop. Twenty of Artzybasheff's inventive, cartoonish wood engravings illustrate ninety of Aesop's famed fables. Artzybasheff's work, both in book illustration and commerical art, adopted the graphic and the grotesque, imbuing humanity, both in implicit emotion and..... More
Portland, ME: Ascensius Press, 1989. Octavo. (viii), 37, (4)pp. One of fifty copies. Signed by the author, Kenneth Rosen, and the artist, Richard Wilson, at the colophon. Wilson's compelling woodcuts illustrate Rosen's lauded poems, underscoring their wit and emotion with sharp lines and deep blacks. An extra suite of the..... More
(N.p.): Miniature Book Society, 1993. 32pp. One of 500 copies, designed and produced by Rebecca Saady Bingham in tribute to the books and memory of Don Hildreth. Usual spine toning, else fine in black cloth with printed metal plate onlaid to upper cover. (2 11/16 by 2 7/8; 68x73mm). More
Poestenkill, NY: Edition Kaldewey, 1987. Oblong small quarto. (18)pp. One of forty-five regular copies. Signed by John Ashbery and Jonathan Lasker. Three original drawings by Lasker capture his real-time reactions of Ashbery's poem (and, presumably, the act of repetition with variation throughout an entire edition). Printed and executed on handmade..... More
![Item #25424 Original Unbound Sheets [from the Ashendene Press], 1923-1935](https://bromer.cdn.bibliopolis.com/pictures/25424.jpg?width=320&height=427&fit=bounds&auto=webp&v=1667508392)
(Los Angeles: Dawson's Book Shop, 1961). Small folio portfolio. One of seventeen portfolios distributed by Dawson's Book Shop. Contains Dawson's contents sheet, plus 20 leaves of proof, trial, and discarded sheets, which were purchased from the daughter of C. H. St. John Hornby. These are: an eight-page signature from The..... More
(Moscow: 1929). Six pen-and-ink drawings colored with watercolor, with an expressionistic look, each measuring 7 3/4 by 6 1/2 inches. These delicate, stylized illustrations are tinted with shades of orange, purple, and green. The first drawing has the title and illustrator’s name, Ausbrey, below it in Russian. The images recount..... More
New Haven: Babcock, Sidney, (c. 1845). 16mo. 16pp. Illustrated with title-page vignette of the Crucifixion and seven wood engravings. A collection of seven stories from the Old and New Testaments, retold for children: Moses Viewing Canaan; Samson Carrying Away the Gates of Gaza; David and Goliath; John Baptizing Christ; Water..... More
New Haven: S. Babcock, 1840. 32mo. 16pp. A moral chapbook with many engraved illustrations throughout. The titular explanations are told from a mother to her daughter. They primarily deal with the origins and uses of various textiles, but by the end of the story they encompass all living things designed..... More
c. 2014. Watercolor on paper measuring 8 1/4 by 11 3/4 inches (image area 4 1/8 by 3 1/4 inches). Matted. The illustration reproduced from this watercolor appears on page 45 of the printed work, accompanying the following text: "And some few small aunts, not wanted in the kitchen, nor..... More
