N.p. (1930). (28)ff. An informative watercolor manuscript describing the wing and rudder markings of aircraft from the United States, Latin America, Asia, and Europe. Most of the markings date from around the end of World War I, charting the rise of military aviation. The wing marking included under the description..... More
New Haven: Babcock, Sidney, (c. 1845). 16mo. 16pp. Illustrated with title-page vignette of the Crucifixion and seven wood engravings. A collection of seven stories from the Old and New Testaments, retold for children: Moses Viewing Canaan; Samson Carrying Away the Gates of Gaza; David and Goliath; John Baptizing Christ; Water..... More
New Haven: S. Babcock, 1840. 32mo. 16pp. A moral chapbook with many engraved illustrations throughout. The titular explanations are told from a mother to her daughter. They primarily deal with the origins and uses of various textiles, but by the end of the story they encompass all living things designed..... More
New Haven: S. Babcock, (c. 1840). 48mo. 16pp. Seven full-page illustrations of elephants. An naturalistic and moral introduction to elephants, including their habits, environments, and uses, with unsubtle scoffs toward animal cruelty. Minimal expected wear, else fine in yellow printed wrappers. More
New Haven: Sidney Babcock, (c. 1840). 64mo. 16pp. A near-miniature chapbook illustrated with nine woodcuts, including a frontispiece of Emma, the older sister, giving her baby sister Caroline a flower, and a title-page vignette of girls jumping rope. A tale about learning to share and being patient and kind to..... More
New Haven: S. Babcock, (c. 1835). 64mo. 8pp. Three hymns written by Barbauld in prose, with an engraving on the title page and full-page illustrations for each of the hymns. Barbauld was a poet and the author of several children's books. She ran a boarding school with her husband, a...... More
Portland, ME: Bailey & Noyes, n.d. 64mo. 16pp. A moral tale of two orphaned children and the retribution of their wicked uncle, with six woodcut illustrations. The images show a depth of detail, with particular care applied to the leaves on the trees and the feathers on an angel's wings..... More
Portland, ME: Bailey & Noyes. 32mo. 16pp. Illustrated with woodcuts throughout. A volume filled with short, lyrical hymns aimed at simplifying and presenting moral lessons to children. The woodcuts emphasize this point of childhood learning; the largest of them, which occupies a full page, depicts a boy and a girl..... More
London: Constable, (1920). Small quarto. (76)ff. One of fifty copies printed on Japon, signed by the artist, and with an extra hand-colored illustration. Illustrated with six full-color plates and thirty-two in black & white, some of which have touches of color, as well as numerous smaller line drawings throughout. Balfour's..... More
Mission, British Columbia, Canada: Barbarian Press, 2013. Folio. (50)pp., + 134ff. plates. One of 120 copies of the regular edition. Illustrated with 134 examples of Brett's wood engravings. Number four in the Barbarian Press Endgrain Edition series of books on individual wood engravers. This volume includes an autobiographical Introduction by..... More
Paris: Meynial, 1924. Small quarto. 12pp., + (12)ff. of colored plates. One of 600 copies. Art Deco legend George Barbier contributed fashion plates to several albums and almanacs starting in 1912 before finally starting his own publication in 1922 titled Falbalas et Fanfreluches. Each annual issue included an almanac for..... More
(Paris): M. François Bernouard, (1919-1920). Small quarto. 11 fasicles, each one of out of 800 copies. Complete, with 60 hors-texte plates by George Barbier, Umberto Brunelleschi, Domergue, Cadogan, Bonnette, Blanche, A. Rome, Cito, Tacquoy, Wegener, Vallée, and other leading Art Deco designers and illustrators. In addition to the plates, there..... More
1934, 1950. (1)ff. autograph letter, dated July 25th, 1934. A letter from J. M. Barrie to William Maldon "Bill" Woodfull, the Australian cricketer who captained both the Victoria and Australia cricket teams. Barrie comments on the fourth game of the 1934 Ashes series, in which Australia played against England, saying..... More
London: Basilisk Press, 1979. Quarto. 180pp., + (10)ff. From an edition of 500 copies, this is one of twenty-five with ten original wood engravings bound-in subsequent to the text, five of which are signed by the book's illustrator, Edward Gordon Craig. For decades, Craig nurtured an interest in Daniel Defoe's..... More
1973. Lithographic print, 22 inches tall by 16 inches wide, printed on Arches paper. One of fifty, signed by the artist. Leonard Baskin was an American artist, sculptor, and printmaker. He founded the Gehenna Press while still a student at Yale, and he taught at Smith College in Massachusetts from..... More
(c. 1956). Watercolor and ink on paper, measuring 11 by 8 1/2 inches (28x22cm). Matted and framed. Signed by Bemelmans. This shoulder-length portrait of Bemelmans’s most enduring character is done in the later, bold style encountered in Madeline and the Bad Hat, and it shows red-headed Madeline wearing her characteristic..... More
Nevada City, CA: Berliner, Harold, 1988. Quarto. 105pp. One of 150 copies. This copy inscribed by the printer to wood engraver John DePol, with his bookplate and signature to front paste-down. Design and frontispiece illustration by Lederer. Translated by C. F. MacIntyre and printed in French and English, on opposing..... More
Bristol: Wright & Albright, (c. 1840's). 27pp. An extract from the Biblical Book of Daniel. Bound in glazed brown wrappers, embossed to a woven design. Fine. (1 5/16 by 1 1/16; 33x26mm). More
Minneapolis: Bieler Press, 1985. Octavo. (13)ff. One of 200 copies. Signed by the author. Drawing of a pine tree on the title page. Evocative poetry from Hart, bound in gray wrappers. Fine. Prospectus laid in. More
Minneapolis: Bieler Press, 1985. Octavo. 67pp. One of 150 copies, signed by the author. Trace rubbing to corners, else near fine in patterned blue paper backed in navy cloth. Prospectus laid in. More
NY: G. P. Putnam's, 1899. First edition, first issue. A collection of 243 "updates" of many classic fables, including a section titled "Aesopus Emendatus." Inscribed in pencil by Bierce to Dr. J. W. Robertson, noted bibliographer of Edgar Allan Poe, in the year of publication. Robertson was a prominent physician..... More
San Francisco: W. E. Wood, 1903. First edition, second issue. A collection of Bierce's later poems. Inscribed in pencil by Bierce to Dr. J. W. Robertson in the month of publication. Robertson was a bibliographer of Edgar Allan Poe and a prominent physician in Livermore, California, whose daughter married Edwin..... More
Davis, CA: Library Associates, University Library, University of California, Davis, 1979. Two copies of a poster designed by Richard Bigus announcing the "Five Fine Printers" exhibit and related events at the Memorial Union Art Gallery at the University of California, Davis. The exhibit ran from February 22 to April 10..... More
(Torrance): Labyrinth Editions, 1977. Translated by Enrique Sacerio-Gari. Tall quarto. (15)ff., frenchfold. One of 100 copies. Neruda's long poem celebrating the joys of the printed letter arranged in concrete typography by Bigus, who learned the craft of printing under the tutelage of William Everson and Jack Stauffacher at U.C. Santa..... More
Richard Bigus, 1978. Broadside measuring 21 3/8 by 14 3/4 inches. From an edition of 200 copies, this is a proof copy signed by Richard Bigus. Designed and printed by Bigus in two colors. Fine. More
