(Germany: 1834). 12 loose cards of paper and pink silk, plus two cover cards of metal, gold, and paper. Each month lists the dates with their corresponding days of the week and saintly figures. The cards are headed by an arch cutout, backed in mesh, upon which rests an embossed..... More
Canton, NY: Caliban Press, 2001. Quarto. 117pp. One of 125 copies. Printed on handmade papers by Velma Bolyard, La Papeterie St-Armand, and Barcham Green, along with Arches, Frankfurt, and Mexican amate papers. Set in fourteen-point Dante type by M & W Bixler, and rain cut by Greg Lago. The book..... More
Los Angeles: Cotsen Occasional Press, 2009. Two volumes: one folio, one oblong quarto. (vi), 141; 231pp. A brightly printed history of Alunno, with frontispiece and examples in the first volume, the second being a facsimile of his Cartoni. Both bound in blue cloth with blind stamping to upper cover and..... More
Los Angeles: Cotsen Occasional Press, 2011. Octavo. xvi, 261pp. With various diagrams, reproductions, and maps to support this scholarly text on Egyptian manuscripts and writing practices. Bound in gray decorative paper with blind-stamped design to upper cover, housed in matching slipcase. Fine. More
Henley-on-Thames, UK: 1957. Small octavo. (i), (9)pp. Calligraphic manuscript on paper written in green and black ink with first line and small text initials in gold. Text opens with a large illuminated initial "O" with the watercolor figure of an owl; the text closes with another watercolor owl, this one..... More
Darmstadt: (N.P.), 1775. Oblong quarto. 31pp. First edition. An instructional book for calligraphy, with an ornate engraved title page followed by thirty plates of calligraphic examples by Johann Menzzer. The plates demonstrate a variety of hands using quotations, biblical passages, and alphabets in Latin, French, and German, and include elaborate..... More
1951. Quarto. 2ff. A portion of Milton's masterpiece, beautifully calligraphed on vellum in blue, gold, black, and red by Joan Pilsbury. The passage describes God's crafting of light on the fourth day of creation. Known for her steady hand, and for her work as a Scribe and Illuminator to HM..... More
(San Francisco: 2010). Quarto. 10ff. Original calligraphic manuscript by Ingmire of the text from a section of Paz’s poem “Blanco.” This poem, which was published in 1967, has been linked to Paz’s time in India, and it can be read as a figurative exploration of Indian religious philosophy. “The spirit..... More
London: Harcourt Brace Jovanovich, 1983. Elephant folio. xvi, 44pp., + 50 facsimile drawings. One of 500 copies. A keen catalogue and academic exposition on Canaletto's corpus, cleverly blending biography and art criticism. Booklet bound in full brown cloth, gilt stamped. With portfolio housed in brown Solander box backed in brown..... More
Providence, RI: Skillman Avenue Press, 2016. Oblong 16mo. (27)pp. One of 150 copies. Signed by the author. Portraits of women appear on semi-translucent sheets laid over Cane's poems, which are structured as letters. Bound in pale blue paper with a cutout on the upper cover through which another portrait appears..... More
Birmingham: C. Caswell, (c. 1870). (16)pp. Engraved frontispiece. A moral tale on the ills of covetousness and theft, and the corresponding rights of honesty and confession. Bound in yellow paper wrappers. Untitled hymn (first line: "Among the deepest shades of night") appears on lower cover. Scant foxing and creasing to..... More
Zuilichem: Catharijne Press, 1997. 47pp. From an edition of 190, this is one of fifteen special edition copies. Illustrated with a frontispiece portrait of Morris. Twelve full-color plates are tipped in, showing wallpaper patterns designed by Morris from 1864-1897. Includes an Introduction by Guus Thürkôw. The special edition comes with..... More
![The History of Reynard the Fox [The Tormenting of Tibert]. Christopher Harrisson, trans](/pictures/thumb/27378.JPG?v=1493395954)
Zuilichem: Catharijne Press, 1991. 56pp. One of 175 standard copies. Wood engraved frontispiece by Pam Rueter, signed and numbered by the artist. Excerpts from four early texts, including Caxton's, with an introduction by E. Verzandvoort, which tells the printing history. Fine in red-brown cloth with printed label. (2 5/8 by..... More
![The History of Reynard the Fox [The Tormenting of Tibert]. Christopher Harrisson, trans](/pictures/thumb/27396.JPG?v=1488320862)
Zuilichem: Catharijne Press, 1991. 56pp. From an edition of 190 copies, this is one of fifteen deluxe copies with an extra wood engraving. Frontispiece engraving by Pam Rueter, signed and numbered by the artist. Extra engraving also signed and numbered, and held in a mat in a separate cloth bi-fold..... More
Zuilichem: Catharijne Press, 1995. 58pp. From a total edition of 190, this is one of fifteen special edition copies. Illustrated with a portrait of Anne Frank as the frontispiece. The special edition is bound in full red morocco, gilt-stamped with Anne Frank's signature and with a 14 carat gold plated..... More
Utrecht, The Netherlands: Catharijne Press, 1984. 20pp. One of 100 copies, with an artistic photogravure frontispiece by Johan de Zoete, which is signed and numbered. The two poems are "To Helen," and "Annabel Lee." Extremely fine oblong miniature; the first published by Catharijne Press. Bound in black morocco with a...... More
Zuilichem: Catharijne Press, 1995. 58pp. From a total edition of 190, this is one of fifteen special edition copies. Illustrated with a frontispiece portrait of Captain Lemuel Gulliver and a map showing the location of Lilliput, by Arne Zuidhoek. Includes an Introduction by Richard Sympson. The text is Chapter 1..... More
NY: McClure, Phillips, 1905. First edition, first binding. This copy belonged to Louise Pound and bears her signature on the front endpaper. Pound was an intimate friend of Cather's during their time at the University of Nebraska, where they were co-editors of "Lasso," a campus magazine. Pound went on to..... More
Boston: Richard G. Badger/Gorham Press, 1903. First edition. Cather's first book, a self-published collection of verse, and the only verse Cather published during her career. She reportedly bought remaining copies of this edition in 1908 and destroyed them. It was re-issued by Knopf as a limited edition in 1923 but..... More
Rome: Società Editrice Dante Alighieri, 1898. Oblong octavo. (60)pp. One of 200 copies. Illustrated with seventeen chromolithographed plates, which accompany a series of musical arrangements by Salvatore Saya, with lyrics by the Italian poet Ugo Fleres. Together with twenty-one of Giuseppe Cellini’s original watercolor and ink drawings for Calendario dell’Anno..... More
(NY): Center for the Book Arts, (2007). Octavo. 18ff. One of thirty-nine copies. A collection of thirteen poems from Blake’s Songs of Innocence and Experience, beautifully printed by nine compositor-printers at the Center for the Book Arts in New York. Each printer’s work occupies a single bifolium sheet, forming nine..... More
(Easthampton, MA): Chamberlain Press, 1978. 12mo. (12)ff. One of 120 copies, signed by the printer-illustrator. Printed in Goudy Bold, with titles and ornaments in pink, and ten wonderful wood engravings. Faint rubbing to extremities, else fine in paste-paper boards by Gray Parrot. Prospectus laid in. More
(Easthampton, MA): Chamberlain Press, 1978. Octavo. (6)ff., frenchfold. One of 100 copies, signed by the artist. Designed, printed, and illustrated by Chamberlain. Lear's poem tells of an old man "who invented a purely original dress"; it was edible. Printed in two colors on beige Japanese paper and illustrated with two..... More
(Portland, OR): Chamberlain Press, 1980. 24mo. (10)ff. One of 150 copies, signed by Chamberlain, with an ALs from her laid in. Illustrated with eleven wood engravings depicting rowdy rats and the hapless inhabitants of Hamlin. Printed on Hosho paper and bound in marbled paper boards with leather spine label. Spine..... More
(Vienna, VA): Jo Ann Reisler, (1982). (34)pp., accordionfold. One of 150 copies signed by the artist, Sarah Chamberlain. A panorama bestiary, in which each letter of the alphabet is illustrated with a different bird or animal in a winsome wood engraving. Fine in decorated paper-covered boards with a matching slipcase..... More
