Corte Madera, CA: Pomegranate Art Books, (1983). Octavo. (56)pp. Signed by the author/artist. Illustrated throughout in color and black and white. Near fine in spiral-bound pictorial wrappers. More
Philadelphia: American Music Theater Festival, 1992. Quarto. (8)pp. Signed by Gorey. A program for the renamed revival of "The Tinned Lettuce", which premiered in 1985. Two years later the production would move to Broadway, with the title "Amphigorey: A Musicale". Crisp in white printed wrappers. Fine. More
Worcester, MA: Metacom Press, 1989. Tall, thin quarto, measuring 11 1/4 by 2 1/4 inches. (4)ff., (or 36, depending on how you count). One of 500 copies signed by Gorey. This unusual cut-figure book follows two characters, V and W, who resemble salt and pepper shakers and experience changeable fates..... More
(NY): Random House, 1982. First edition. A macabre pop-up book, in which the family MacFizzit sets out "to visit the varied distractions of Hickyacket Hall." No price sticker, else fine in illustrated paper over boards. (Toledano A83a). More
NY: Gotham Book Mart, 1983. First edition. Signed by Gorey in his guise as "Dogear Wryde". A book of paper doll cutouts. Fine in illustrated wrappers. (Toledano A87). More
Boston: Anne & David Bromer, 1983. (61)pp. First edition of Gorey's first miniature book. Of 400 copies, this is one of 300 comprising the regular edition, signed by Gorey. The text is an alphabet of short humorous couplets patterned after early moral primers for children, as in "Find tasks to..... More
c. 1964. Four sheets, three of which measure 8 1/2 by 11 inches; the single sheet of text is smaller, measuring 8 by 6 inches, and is on blue paper. The pages reveal the unfolding of Gorey's creative process in developing the story and preliminary illustrations for his book, The..... More
Boston: Anne & David Bromer, 1989. (49)pp. First edition. From an edition of 400 copies signed by Gorey, this is one of 110 comprising the deluxe issue, with twenty-nine illustrations hand-colored by him in silver and gold metallic paint. An homage to Isaac Watts, Gorey's text is obscurely akin to..... More
Boston: Anne & David Bromer, 1989. (49)pp. First edition. From an edition of 400 copies signed by Gorey, this is one of 110 comprising the deluxe issue, with twenty-nine illustrations hand-colored by him in silver and gold metallic paint. An homage to Isaac Watts, Gorey's text is obscurely akin to..... More
Boston: Anne & David Bromer, 1983. (62)pp. First edition. From an edition of 400 copies signed by Gorey, this is one of 100 copies comprising the deluxe issue with the illustrations hand-colored by him. The text is an alphabet of short humorous couplets patterned after early moral primers for children..... More
Boston: Anne & David Bromer, 1989. (32)ff. From an edition of 400 copies, this is one of 110 hand-colored in metallic casein by the artist, and signed by him below the colophon. This Gorey rarity is bound in a one-of-a-kind designer binding by Brother Edgard Claes, a binder known for..... More
1978. First edition. Sixteen seemingly unrelated postcards housed in illustrated envelope, including "Emma Lorino or her doll, Summer 1892". Cards all fine, in an envelope toned at edges, else near fine. (Toledano A68). More
1978. First edition. Signed by Gorey. Sixteen seemingly unrelated postcards housed in illustrated envelope, including "Emma Lorino or her doll, Summer 1892". Cards all fine, in an envelope wrinkled at edges, else near fine. (Toledano A68). More
NY: Gotham Book Mart, 1973. First trade edition. Signed by the author. A picture of a black doll pasted to the front cover is the only illustration. Faint fading to spine, else near fine in plain covers and black paper dust wrapper. (Toledano A49a). More
NY: Dodd, Mead, 1976. First trade edition. Signed by Gorey. Illustrated throughout in color and black & white, cleverly combining "two subjects of consuming interest": postcards and bicycles. Some wear to corners, else near fine in very good dust wrapper. More
NY: Looking Glass Library, (1959). 24mo. (16)ff. True first edition. One of 600 copies. Inscribed by Gorey. A quirky vignette of bug social life, printed in four colors. This is Gorey's fifth book, and one of the most rare. Faintest soil, else fine in printed wrappers. (Toledano A5a). More
(N.p.): Fantod Press, 1997. First edition. One of 750 copies, signed by Gorey. An alphabetical murder mystery. Some sunning to illustrated wrappers, else near fine. More
(N.p.): Fantod Press, 1997. First edition. One of twenty-six lettered copies, signed by Gorey. An alphabetical murder mystery. Fine in original envelope. More
Boston: Anne & David Bromer, 1983. (61)pp. First edition of Gorey's first miniature book. Of 400 copies, this is one of 300 comprising the regular edition, signed by Gorey. The text is an alphabet of short humorous couplets patterned after early moral primers for children, as in "Find tasks to..... More
NY: Alpern, 1980. First edition. One of 400 copies, signed by Edward Gorey. A collection of ephemera containing thirty-two miscellaneous items, including illustrations completed for The Atlantic and Esquire, a Christmas card design featuring a robot, and a copy of Gorey's first published illustration, "Two Professors," which appeared on the..... More
NY: Dodd, Mead, (1971). First edition. Signed by Gorey. Illustrated with color plates and black & white line drawings by Victoria Chess. Slightest rubbing to spine ends, else about fine in dust wrapper. (Toledano A25). More
1993. A small oblong dos-à-dos flip book, which shows, as might be expected, an elephant floating when opened from one side, and a rock dancing when turned over and opened from the other. Signed twice on the verso of each cover by the artist, Edward Gorey, in his guises as..... More
(N.p.): Fantod Press, 1990. First edition. One of 500 copies, signed by Gorey. Full-page Gorey illustrations and facing pages of verse on the themes of settees, companionship, cake, and Q.R.V. Fine in illustrated wrappers featuring cushions reading Q.R.V. (Toledano A99). More
Yarmouth Port, MA: Edward Gorey House, 2013. Oblong octavo. (30)ff. loose sheets. One of twenty-six lettered copies. An "appalling alphabet" of the dooms of twenty-six children, ranging from Amy, who falls down the stairs, to Zillah, who drinks to much gin. As in all lettered copies, after the alphabet comes..... More
Yarmouth Port, MA: Edward Gorey House, 2013. Oblong octavo. (29)ff. loose sheets. One of 100 numbered copies. An "appalling alphabet" of the dooms of twenty-six children, ranging from Amy, who falls down the stairs, to Zillah, who drinks to much gin. Gorey's signature embossed on title and colophon cards. Housed..... More
