London: Heinemann, 1912. Quarto. xxx, 224pp. One of 1450 copies, signed by the artist, Arthur Rackham. Contains thirteen color plates tipped-in on brown paper, and 53 illustrations in black & white. Translated by V.S. Vernon Jones, with an Introduction by G.K. Chesterton. Bound in tan paper-covered boards backed with dark..... More
London: Heinemann, 1912. Quarto. xxx, 224pp. First trade edition. Contains thirteen color plates tipped-in on brown paper, and 53 illustrations in black & white. Translated by V.S. Vernon Jones, with an Introduction by G.K. Chesterton. Save for the smaller trim size, the trade edition is identical to the signed, limited..... More
London: Harrap, (1934). Octavo. 45pp. One of 410 copies signed by Rackham. With four color plates, numerous black & white illustrations, and pictorial endpapers. A pleasantly bright copy, fine in gilt-titled vellum wrappers. T.e.g. In slightly worn original slipcase with printed label. (Latimore & Haskell, p. 71). More
London/NY: William Heineman/Doubleday Page, (1907). Quarto. xi, 162pp., + 12ff. plates. One of 1,100 copies. Because Rackham was away from London while this book was in production, most copies of the deluxe edition went unsigned; however, this copy has been signed by Rackham on the limitation page. Contains thirteen large..... More
London & Philadelphia: Heinemann/Lippincott, (1920). Quarto. 110pp. One of 625 copies, signed by the artist. This copy bears an original pen-and-ink drawing by Rackham below the limitation statement, also signed. The drawing depicts the king and queen with their infant daughter. Illustrated with one tipped-in color plate and numerous silhouettes..... More
