London: G. Pickering, 1828. 512pp. Engraved frontispiece reproducing da Vinci's "The Last Supper." A sharp miniature printing of the New Testament in Greek, faithful to the language even in headers and frontis caption, and rendering in Latin the title page and dedicatory statements. Bound in brown calf over boards with..... More
London: G. Pickering, 1822. 2 vols. 374pp, paginated continuously. Engraved double-page title in first volume, including frontis portrait of Dante, whose masterwork is here dutifully printed entirely in Italian. As he was wont to do, Pickering also prints the parerga in the text's original language. Both volumes bound in brown..... More
London: G. Pickering, 1824. 93pp. A miniature printing of the Classical poetry of Catullus, Tibullus, and Propertius in Latin, faithful to the language even in headers, the title page, and dedicatory statements. Bound in brown calf over boards with gilt double rule as frame to upper and lower covers, spine..... More
London: G. Pickering, 1822. 237, (10)pp. Engraved frontispiece portrait of Petrarch, facing an engraved title page. An exacting miniature printing of the Rime in Italian, faithful to the language even in headers, the title page, and dedicatory statements. Bound in brown calf over boards with gilt double rule as frame..... More
London: G. Pickering, 1824. 220pp. Engraved frontispiece portrait of Terence, facing an engraved title page. Ornamental head- and tail-pieces. A miniature printing of Terence's plays in Latin, faithful to the language even in headers, the title page, and dedicatory statements. Bound in brown calf over boards with gilt double rule..... More
London: G. Pickering, 1822. 2 vols. (vii), 405pp, paginated continuously. Engraved double-page title in first volume, including frontis portrait of Tasso. Head- and tail-pieces divide the cantos of Tasso's imaginative poetic retelling of the Seige of Jerusalem, here dutifully printed entirely in Italian. As he was wont to do, Pickering..... More
