London: Clover Hill Editions, 1979. Quarto. 19pp. One of 100 copies, printed on Barcham Green’s RWS handmade paper by Will Carter at the Rampant Lions Press, with an extra set of the engravings on japon. Illustrated with thirteen wood engravings by David Jones, several of which frame the text. Jones..... More
(N.p,): 1927. Pencil, colored chalk, heightened with white on buff wove paper, measuring 11 by 15 inches. Signed and dated to left of sitter's foot. Additionally dated in upper right corner "11. 4. 27". As a fine artist, Jones is perhaps best-known for his landscapes and religious iconography; early in..... More
Paris: Fernand Mourlot, (1975). Elephant folio. (38)ff. One of 150 copies. Contains ten lithographs measuring 28 1/2 by 20 3/4 inches, each signed by the artist, Richard Lindner, and numbered and counter-initialed by Fernand Mourlot, the printer/publisher who produced the lithographs. In his introduction, Ionesco describes Lindner as "one of..... More
Brisbane: Locks' Press, 1983. Small quarto. 9ff., + 11 plates mounted on stubs, 3 of which are folding. One of thirty copies. Illustrated with thirteen etchings by Mona Ryder, a sculptor-turned-printmaker, who studied with Margaret Lock. In keeping with the Locks' ambition to rescue "unjustly neglected" texts, this book revives..... More
Cambridge, MA: Bow & Arrow Press, 1993. Small quarto. (iv), 16pp. Deluxe edition, one of fifty copies, signed by the author, Melinda Marble, and artist, Michael Mazur, and with two original drypoint etchings. This first book by Marble is the haunting tale of a girl troubled by her origins, and..... More
(Los Angeles): William Cheney, 1975. (30)ff. The famous verse from "A Apple Pie, B Bit It, C Cut It," etc. is illustrated with large calligraphic-style letters in this micro-miniature book. It is the smallest book printed in California and was executed by William Cheney for Dawson's Book Shop. A very..... More
(Boston): Bromer, Anne & David, 1980. 24pp. Although the colophon indicates that forty copies of this hand-colored manuscript were executed, Nancy Chandler Edwards completed only thirty copies. Of these, twenty-two were for sale. The artist used the theme of nature in decorating the letters of the alphabet. Illustrations of animals..... More
(Leipzig): Edition Leipzig, 1971. (28)pp. Ultra-miniature ABC, accompanied by a trifold information booklet, which describes in German the book's production and contributors. Bound in a gilt-stamped leather binding, and housed in translucent sliding case, together with booklet inside cloth-covered box. Fine. (3x2.5mm). More
Waltham Saint Lawrence: Golden Cockerel Press, 1931. Octavo. 66pp. One of 500 copies, signed by Powys. Five intertextual wood engravings by Nash. Backed in blue morocco with pattered paper covers. Spine somewhat sunned, faint edgewear, else near fine. (Chanticleer 76). More
Verona: Officina Bodoni, 1968. Folio. (96) (iv) pp. From an edition of 114 copies, this is one of 105 on Magnani paper, signed by the artist, Giacomo Manzù, on the colophon page. This copy also bears a contemporary inscription from Manzù on the front endpaper. Illustrated with seven full-page etchings..... More
Original artwork, signed by the artist, Tony Tallarico. Depicting the letters A, B, and C against an orange background, this vibrant piece juxtaposes the realistic style of the letter examples (an apple, a ball, and a cat) with the playful style of the letters themselves, which have been enhanced by..... More
Huddersfield, West Yorkshire: Fleece Press, 2000. Quarto. 87 pp. One of 44 deluxe copies with a print pulled from John Buckland Wright's copper plates entitled "Nymphe Surprise No.II", engraved during his period at the Atelier 17. It was a previously un-editioned copper engraving, printed by the Black Star Press and..... More
(London): Golden Cockerel Press, 1948. Tall octavo. 28pp. From an edition of 750, this is one of 100 copies specially bound and with an extra engraving. The twelve engravings by John Buckland Wright, with their supple lines and rich settings, perfectly complement Swinburne’s long erotic poem. In full sienna morocco..... More
