In their broadest sense, the book arts are at the core of our inventory. To be sure, the category encompasses the specialties that you see on our homepage, such as Fine Printing, Fine Binding, and Illustrated Books. However, it also includes such things as writing books and calligraphy, fore-edge paintings, books on papermaking, and leaf books.
Read more about one of the book arts, Fore-edge Painting
Connecticut River Valley, MA: SAW Press, 2018. Ashes to Ashes was originally a performance piece held in 2016, in which Whitaker organized the first-ever funeral service to commemorate and mourn the thousands of African Americans who have been lynched and denied their last rites. Whitaker then worked with printer Michael..... More
NY: Fuchs & Lang Mfg. Co., (1943). A catalog of hundreds of examples of offset lithography inks, in an array of colors, from "Tomato Red" to "Deep Milori Green" to "Bronze Blue", all exemplified through a rotation of several decadent Art Deco images. The inks are displayed in a range..... More
Bangor, ME: Eastern Corporation, 1946-1948. Quarto. Twenty-two folded broadside specimens, each with exemplar card bearing historical and stylistic notes on the typeface. Broadsides and cards are printed in red and black. The typefaces include Garamond, Baskerville, Perpetua, Futura, Cloister Black and the "Lost" Goudy Types. Among the designers of the..... More
Ogdensburg, NY: Caliban Press, 2020. A delightful and inquisitive survey of typography and typographic potential, making use of a wide variety of types, inks, papers, and paper sizes, the result of which is a fanciful review of the Caliban Press' collection of wood type. Octavo. Unpaginated. One of 100 copies..... More
Loughborough: Plough Press, 1981. Quarto. (62)ff. One of 120 copies. Contains nineteen fascicles with actual samples of eighteen different printing methods, from woodcut to photomechanical printing, and ranging from the sixteenth to the twentieth century. Explanatory text is printed on the wrappers, and the samples are loose so as to..... More
1930-1950. Forty-six quarto volumes, including the following: the original series (1930-1935) in twenty volumes; New Series (1935-1938) in twelve volumes; The Annual of Bookmaking (1938); New Graphic Series (1939) in four volumes; The New Colophon (1948-1950) in eight volumes; and the index to the original series. Lacks the New Colophon..... More
NY: Elston Press, 1901. Small quarto. (xv), 68pp. One of 485 copies on Holland hand-made paper, in boards with vellum spine. Unopened. Decorated with initials by H. M. O'Kane, floral devices, and a printer's device on the title page. The text is a 1345 treatise on book collecting written by..... More
(Paris: c. 1910-1914). 6ff., loose. A collection of six designs for binding elements, three completed in pencil and watercolor, and the others incorporating pencil, ink, watercolor, gouache, and gilt accents. Two of the designs are monogrammed "CM" for Charles Meunier and were likely made into bindings by the bindery of..... More
Oxford: Oxford Polytechnic Press, 1984. Revised first edition. Robinson’s classic introduction to the craft of bookbinding, with the inclusion of the original artwork for the book’s jacket design. The artwork is rendered in oil on board, painted in black and white on a gray background, and is framed in natural..... More
San Francisco: Lawton Kennedy, 1958. Small quarto pamphlet. (6)ff. One of 175 copies. A tongue-in-cheek guide to the lexicon of the rare book trade. For example, the entry for "Fore-Edge Painting" states "These are always 'exquisitely executed' even when done by someone's Aunt Esmerelda on a wet Sunday afternoon." Fine..... More
(London): Fortune Press, (1922). One of 100 deluxe copies with a limited, signed color etching. Warmly inscribed by Jean de Bosschère, "with greetings of spiritual brotherhood." With a color frontispiece, twenty-one full-page plates printed in black & white and sanguine, and numerous black & white illustrations throughout. The volume opens..... More
(Wakefield, Yorkshire): Fleece Press, (1986). Large quarto. (10)pp., + (19)ff. From an edition of 200 copies, this is one of twelve bound by James Brockman. Illustrated with twenty wood engravings printed on handmade paper from the original blocks that were cut by Underwood in the 1920s and ‘30s. Underwood’s Brook..... More
Boston, MA: Bromer Booksellers, (c. 1991). Small quarto. (56)pp. With photographic reproductions throughout in black & white. Catalogue number 66 issued by Anne and David Bromer of Bromer Booksellers. This catalogue, released in conjunction with a lecture delivered by Anne Bromer and an exhibition, celebrates "the fine art of calligraphy..... More
Bromer Booksellers. (96) pp. Our most ambitious catalogue to date, featuring fifty exemplary works in literature, illustration, miniature and children's books, fine printing and artistic bindings. Includes many rare, unique, and autographed items from the 16th century to the present. More
Watertown, MA: Bromer, Anne & David, 1978. 30pp. One of 150 copies printed at the Bird & Bull Press and signed by Henry Morris. This was the first—and last—miniature to be printed at the Bird & Bull Press, and the first Bird & Bull checklist to appear in print. Fine..... More
Los Angeles: Cotsen Occasional Press, 2009. Two volumes: one folio, one oblong quarto. (vi), 141; 231pp. A brightly printed history of Alunno, with frontispiece and examples in the first volume, the second being a facsimile of his Cartoni. Both bound in blue cloth with blind stamping to upper cover and..... More
Henley-on-Thames, UK: 1957. Small octavo. (i), (9)pp. Calligraphic manuscript on paper written in green and black ink with first line and small text initials in gold. Text opens with a large illuminated initial "O" with the watercolor figure of an owl; the text closes with another watercolor owl, this one..... More
(San Francisco): 2017. Folio. (9)ff. Ingmire's artistry—his illumination, his calligraphy, his illustrative brushstrokes—here grasps the tactility of poetry alluded to in Robert Sheppard's lines. To Ingmire, "how to scan camouflage orchestrations" is to respond impulsively and boldly; his colors and lines are blissfully unrestrained, and his calligraphy embraces the joy..... More
Northampton, MA: Catawba Press, 1984. 39pp. One of 155 copies, designed by Barbara Blumenthal. With a history of the early Shaker herb business and herb medicine. Tipped-in are four labels from the first American Shaker colony, at Watervliet, NY. Very fine in pale green printed boards. (2 3/8 by 2..... More
(Portland, OR: Chamberlain Press, 1980-85). A collection of 105 engravings, all signed and numbered in pencil by Sarah Chamberlain. These hail from her major publications printed in the early 1980s via the Chamberlain Press: The Pied Piper of Hamelin (1979), A Frog He Would A-Wooing Go (1981), Beasts from Belloc..... More
(Portland, OR: Chamberlain Press, 1980-85). Small octavo. (112)ff. A collection of 105 engravings, all signed and numbered in pencil by Sarah Chamberlain. These hail from her major publications printed in the early 1980s via the Chamberlain Press: The Pied Piper of Hamelin (1979), A Frog He Would A-Wooing Go (1981)..... More
(Easthampton, MA): Cheloniidae Press, 1986. Octavo. (54)pp., frenchfold. One of 231 copies, signed by Alan James Robinson. The alphabet and the Latin and common names of the birds are printed in two colors after lettering by Suzanne Moore. The opening text is from "Animate Creation," a popular edition of "Our..... More
(Solihull, UK: Cherub Press, 1996). (10)pp., + 6 samples of Japanese papers. One of 95 copies. The paper specimens exemplify some of the major styles of Japanese papers, including Chiyogami, Suminagashi, lace-paper, and Kimburi Tairei paper. Butcher's text is a concise and accessible outline of the various methods employed in..... More
Cisco, IL: CHEC-Chess Enterprises, 1982. Broadside measuring 24 by 18 inches. Printed in green and red on ochre-colored paper, this piece offers humorous commentary on every square of a chessboard, from g6 ("Gee, Dad, it's a dragon!") to h2 ("An insignificant square which deserves no consideration"). Of d1, the starting..... More
NY: Random House, 1931. Octavo. 116pp. One of 500 copies, inscribed by the bibliography's compiler, Louis Henry Cohn. Illustrated with a frontispiece facsimile note from Hemingway to the bibliography's author. With a presentation card from Cohn's wife and a 1961 Playboy Magazine article with Hemingway quotations laid in. Some rubbing..... More
