In their broadest sense, the book arts are at the core of our inventory. To be sure, the category encompasses the specialties that you see on our homepage, such as Fine Printing, Fine Binding, and Illustrated Books. However, it also includes such things as writing books and calligraphy, fore-edge paintings, books on papermaking, and leaf books.
Read more about one of the book arts, Fore-edge Painting
(NY: Spiral Press), 1953. First edition. One of 587 copies with Frost's imprint. Decorations by Philip Grushkin. This copy bears an inscription by Frost on the title page to William Sloane and his wife, Julie. Sloane was Frost's editor at Holt and headed up the trade department from 1938 to... More
Paris: Librairie Gründ, 1950. Quarto. 237pp., + 48 plates, nine of which are in color. One of 700 copies. This authoritative text and bibliography on the French “Game of the Goose” and its derivatives is illustrated throughout with images relating to the game, including many whimsical geese. The plates are... More
1896-1905. A collection of nine color Christmas cards for the years 1897 through 1905, designed by Georgie Gaskin for Laurence W. Hodson and his family. The cards feature delicate vining borders intertwined with banners that extend the Christmas greeting for that year. The subjects of the cards include the Hodson... More
1896-1905. 5ff. An original pen & ink drawing and two proofs, one hand-colored and one printed, plus a final printed copy of a Christmas card designed by Georgie Gaskin for Laurence W. Hodson and his family. The card is for the year 1896 and depicts Santa Claus, heavily laden with... More
(Northampton, MA: Gehenna Press, 1967). Quarto. (31)ff. One of 250 copies, this one inscribed in pencil from Leonard Baskin to Ben Tighe, a well-known bookseller in the Northampton area. The inscription is curiously dated "1947" in Baskin's hand. Using the collection of type ornaments owned by Bruce Rogers, Baskin has... More
1924. On paper measuring 6 1/4 by 5 3/8 inches (159x137mm), mounted to a bifolium sheet. One of six copies signed by Gill in graphite at the lower corner. This is one of eight of Gill's delicate white line engravings that is featured in Enid Clay's Sonnets and Verses, published... More
Berkeley, CA: Pacific Film Archive, 1973. Broadside measuring 24 by 18 1/4 inches. One of 500 copies. Designed by California artist David Lance Goines and printed in 10 colors, this advertisement for a film series at the Pacific Film Archive features an image of Veronica, daughter of Solome, who took... More
Oakland, CA: Karl Kardel Co. 1974. Broadside measuring 24 by 18 1/4 inches. One of 1,850 copies. Designed by California artist David Lance Goines and printed in 8 colors, this advertisement for Karl Kardel Co. features a bumblebee over an ochre background. The design was inspired by an unknown philosopher's... More
Boston: Bromer Booksellers, 1996. Small quarto. 26 pp. From an edition of 2,000 copies, this is one of 200 copies signed and numbered by Edward Gorey. Bromer special holiday catalog with previously unpublished, full-color cover design by Gorey, who created the artwork originally for a Nieman Marcus holiday catalogue. When... More
NY: Abrams, 1996. First edition. Contains an interview with Gorey, analysis by art critic Karen Wilkin, and 200 illustrations. Very fine in illustrated dust wrapper. More
San Francisco: Book Club of California, 1959-1965. Folio. Four volumes: "Figure Prints of Old Japan." 1959. (110)ff., + 52 plates. One of 400 copies. "Landscape Prints of Old Japan." 1960. (110)ff., + 50 plates. One of 450 copies. "Ukiyo-e: The Floating World." 1962. (92)ff., + 28 plates. One of 400... More
London: Medici Society, (1970). Small folio. (266) pp. One of 1050 copies signed by Francis Russell Flint, the artist's son. This richly illustrated work covers the varied career of this Scots artist, perhaps best known for his work with the Riccardi Press. It was published on what would have been... More
Lexington: Anvil Press, 1963. Tall octavo. 70 pp. One of 134 copies printed by Carolyn Hammer. Contains articles by Paul Standard, Victor Hammer, R. Hunter Middleton, and Carolyn Hammer. Illustrated with 20 pp. of examples from the Press, which are bound-in. One of the scarcer titles in the Hammer canon... More
1785. Handwritten and hand-illustrated broadside. This broadside, adorned with flourishes in brown ink and a center illustration in full color, presents Castle's scornful opinion of gambling. It begins with a short definition of gaming—"The Diversion of Cards and Dice"—followed by the warning that it is an activity leading to "Avarice"... More
(Vancouver): Heavenly Monkey, 2008. 20ff.,+ 4 tipped-in paper samples. Second edition. One of 50 copies. Printed to mark the tenth anniversary of its original publication, El Autobus Azul was the first book printed by Rollin Milroy, and this new edition adds a Foreword by him. Four samples of papers collected... More
NY: Random House, 1931. Octavo. 116pp. One of 500 copies, inscribed by the bibliography's compiler, Louis Henry Cohn. Illustrated with a frontispiece facsimile note from Hemingway to the bibliography's author. With a presentation card from Cohn's wife and a 1961 Playboy Magazine article with Hemingway quotations laid in. Some rubbing... More
(England: n.d.). Octavo broadside. The first four quatrains of this poem by Bridges, consisting of sixteen lines. The poem was published as Number 4 in Book IV of his Shorter Poems (1890). Calligraphed on vellum by William Graily Hewitt, one of the foremost calligraphers in the revival of the art... More
(Paris: Perrigot-Masure, c. 1922). Framed sheet of handmade paper with a chiaroscuro watermark portrait of Dard Hunter as a young man, based on a photograph by Clara Ragna Johnson. To the left, his name is lettered in the style characteristic of the Arts and Crafts Movement. Sheets of this handmade... More
(Vienna): Jugend & Volk Wien Verlag, (1969). Oblong quarto. 210pp. One of 99 copies, signed and numbered by the artist, Wolfgang Hutter. Bound-in are three original lithographs, also signed and numbered by Hutter. An essay on the style of the Austrian neosurrealist artist, followed by a catalog of his works... More
![Aun Aprendo: A Comprehensive Bibliography of the Writings of Aldous Leonard Huxley [TRADE]. David J. Bromer.](/pictures/thumb/23629.jpg?v=1434431961)
Boston: Bromer Booksellers, 2011. Octavo. 408pp. First trade edition. Aun Aprendo: A Comprehensive Bibliography of the Writings of Aldous Leonard Huxley is the culmination of over twenty years of research, fact-finding, and detective work undertaken by David J. Bromer. With over 2,000 entries, Aun Aprendo is the most current and... More
![[DELUXE]. Aun Aprendo: A Comprehensive Bibliography of the Writings of Aldous Leonard Huxley. David J. Bromer.](/pictures/thumb/23630.jpg?v=1434431961)
Boston: Bromer Booksellers, 2011. Octavo. 408pp. One of 50 deluxe copies signed by the bibliographer, of which 40 are available for sale. The deluxe edition includes a previously unpublished poem by Huxley dedicated to his first wife Maria. Aun Aprendo: A Comprehensive Bibliography of the Writings of Aldous Leonard Huxley... More
Offenbach am Main: Gebr. Klingspor, 1930. Oblong 32mo. 24pp., frenchfold. Illustrated with elegant silhouettes of men and women dressed in the height of fashion, each framed by a colorful border. Facing each silhouette or pair of silhouettes is a passage of German verse. This particular copy is specially bound as... More
Paris: Libraire Henri LeClerc, 1907-1914. Six volumes (Première Partie Tomes I-III, Seconde Partie Tomes I-II, Troisième Partie). Variously paginated. First edition. One of 300 copies. Extensively illustrated with reproductions of 2,000 woodcuts. A monumental and exhaustive bibliography on the illustrated book in Venice from 1450-1525. Essling provides lengthy and thorough... More
Utrecht: 1958. Quarto. 45, (iii)pp. One of 175 numbered copies. With six black-and-white engravings, with an extra suite of the engravings in sanguine secured by a cloth band on the inside back cover. Maurits Cornelius Escher (1898-1972) was a Dutch graphic artist who challenged the bounds of printmaking. His prints... More
London: John and Arthur Arch, 1816. Small quarto. Two volumes. xxii, 478, 478*pp. + (9)ff. plates; (479)-836pp. + (13)ff. plates. A valuable reference on the history of engraving in Europe, illustrated with numerous examples throughout the text and on inserted plates. Handsomely bound in full red straight-grain morocco, decorated with... More
