Pinner: Private Libraries Association, 1991. Two octavo volumes. 184pp; (26)ff. From an edition of 1650 copies, this is one of three special copies printed for the authors, signed by Morris Cox and with a second volume of twenty-six specimen leaves. Inscribed by Colin Franklin. Contains a selection of the writings..... More

Oakland, CA: Karl Kardel Co., 1974. Broadside measuring 24 by 18 1/4 inches. One of 1,850 copies. Designed by California artist David Lance Goines and printed in 8 colors, this advertisement for Karl Kardel Co. features a bumblebee over an ochre background. The design was inspired by an unknown philosopher's..... More

1980. Original artwork. Pen, ink, watercolor, graphite, and wash on stiff card. The bereaved gather around the deceased's coffin as the undertaker pulls back a veil to reveal a will, taped as a video message. The mourners are a typically Gorey-esque cast of characters, including a shrouded widow, a man..... More

c. 1970. Pen-and-ink on three leaves measuring 8 1/2 by 11 inches. The first sheet, on pale yellow stock folded into fourths, contains a panel of six roughed-out storyboards, a more detailed drawing of what became the cover of the published work, and in the upper left, a series of..... More

NY: E. P. Dutton, 1967. First edition. Numerous drawings by Gorey illustrate this amusing tale of Christmas decorations. Fine with a full color dust wrapper illustration by Gorey. More

San Francisco: Word Play Publications, 1996. First edition. One of 226 copies, signed by Gorey and by the authors. This illustrated reference work includes ephemera and collectibles, dramatic productions, a list of pseudonyms, and more. The first true Gorey bibliography. Bound in cloth-covered boards. Fine in near fine dust wrapper..... More

(N.p.): Press of the Woolly Whale, 1934. 32mo. 18pp. Signed and dated by the author. A short treatise on the essentials of book design. Bound in blue paper over boards with title stamped in black. Some toning to spine, else near fine. More

Berlin: Tyslander Pres, 1989. Octavo. (60)pp. One of forty deluxe copies issued with a separate color woodblock print, signed by the artist, Felix M. Furtwangler, both on the colophon and on the print. Furtwangler's disturbing woodcuts, brash in their direct confrontation with violence and raw in their emotion, underscore the..... More

Paris: Three Star Books, 2018. Square folio. (50)ff. One of forty copies, signed by the artist, A.A. Bronson. Fifty identical tearaway posters of “AIDS,” using an appropriative design based on Robert Indiana’s 1967 “LOVE.” The relation of AIDS to love, both conceptually and artistically, and its adaptation into a repetitive..... More

(Vancouver): Heavenly Monkey, (2015). Two large quarto volumes. (55); (50)ff. From an edition of thirty-six copies, this is one of thirty, signed by the two authors. Binder Claudia Cohen and book designer Barbara Hodgson, makers of The WunderCabinet, Cutting Paper, and a four-part series on color, come together once again..... More

(Vancouver): Heavenly Monkey, 2017. 16mo. (30)ff., printed rectos only. An artist's proof of an eventual edition of thirty-six copies. Signed by the calligrapher at the colophon. Inspired by a previous manuscript by calligrapher Francesca Lohmann, this publication is a calligraphic ABC consisting of twenty-six designs. The sequence begins with a...... More

Vancouver: Heavenly Monkey, 2003. 6ff., + 30pp. accordionfold strip. One of fifty copies signed and numbered by the author. Initial signature includes a brief introductory essay by Jim Rimmer of the Pie Tree Press and Typefoundry about the new typeface showcased here. The type is called Duensing Titling, named after..... More

(Santa Barbara, CA): Simplemente Maria Press, 2020. Octavo volume and strand of ten paper prayer flags. (22)ff., + 20ff. One of twenty copies, signed by the artist. Mary Heebner's flags bear her five invocations to a distressed planet, with one prayer for each element: fire, earth, air, water, and aether..... More