At Bromer Booksellers, we focus on the visual book, with fine images that both enhance narrative and stand alone as independent creations. Among our holdings in this area are costume books, emblem books, examples from the Art Nouveau and Art Deco periods, the fantasy illustrators in the tradition of Arthur Rackham, and modern books with original graphics. We look for the successful fusion of picture with text from any century, any country, and across a variety of artistic movements and media. We are especially fascinated with books of other cultures, and you will occasionally find items such as Japanese illustrated woodblock books and Eskimo tales without words ...
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San Francisco: Book Club of California, 1959-1965. Folio. Four volumes: "Figure Prints of Old Japan." 1959. (110)ff., + 52 plates. One of 400 copies. "Landscape Prints of Old Japan." 1960. (110)ff., + 50 plates. One of 450 copies. "Ukiyo-e: The Floating World." 1962. (92)ff., + 28 plates. One of 400..... More
San Francisco: Grabhorn Press, 1953. Small quarto. (vi), 191pp. One of 180 copies printed in French Lettre Bâtarde on handmade paper. Illustrated with six striking color woodcuts by Mary Grabhorn. The most beautiful of the Grabhorn Press Shakespeare series. Slight separation at title page gutter, faint foxing to one page..... More
(San Francisco: Richard A. Gleeson Library, 1970). Large quarto. French-folded single sheet. Sketch of the poet Robert Graves to the front cover. On the interior, the printed text faces a facsimile of the original, handwritten poem. Printed by Lawton and Alfred Kennedy and presented to the joint meeting of hte..... More
NY: E. P. Dutton and Company, (c. 1870's). 16mo. (62)pp., including illustrations and advertisements. Part of the "Our Boy's Little Library" series. Copiously illustrated with nearly forty black & white engravings and sixteen three-line initials. Artists include noted English engravers Kate Greenaway, Robert Paterson, William Luson Thomas, and George Pearson..... More
(Berkeley): Rasmussen Press, 1974. 81pp. One of 200 copies, this one being an unnumbered gift edition inscribed "To Doris- In memory of K.G." Illustrated with five sets of verses and drawings compiled by Lucile Rasmussen from those published in the Ladies' Home Journal, which were never published in book form..... More
(Newtown): Gregynog Press, 1929. Quarto. 189pp. One of 225 copies. Ornamented throughout with initial capitals, calligraphed by Horace Bray, printed in red and blue. Four of the psalms, as well as the title-page, show extra decoration by Bray, with wood-engraved flowering vines printed in red and black. Bound in half-morocco..... More
North Wales: Gregynog Press, 1991. Folio. 72pp. One of 450 copies. Contains a frontispiece portrait of the author and seven more large wood engravings in color by Gaylord Schanilec. Cut with exquisite precision, and printed in deep, strong colors, this suite of realistic illustrations suits the powerful sequence of Civil..... More
(New Haven): Gillett Good Griffin, 1951. Oblong 16mo. (16)ff. Unknown limitation. Printed as Griffin's dissertation for his BFA from Yale. Cleverly illustrated with the mouse's adventures integrated into the book's typography, including a cut doorway on the front flyleaf that opens to reveal the mouse on the title page. The..... More
Categorey, Pomegranate, n.d. Donald and the..., Abrams, 2004. Dracula Toy Theater, Pomegranate, n.d. Eclectic Abecedarium, Pomegranate, n.d. The Gashlycrumb Tinies, signed label, Harcourt, 1997. The Iron Tonic, Harcourt, n.d. The Unstrung Harp, Harcourt, 1999. The Wuggly Ump, Adama, 1963. More
The Curious Sofa, Harcourt, 1997. The Eclectic Abecedarium, Pomegranate, n.d. Donald Has a Difficulty, Abrams, 2004. The Gashlycrumb Tinies, Harcourt, 1997. The Gilded Bat, Pomegranate, n.d. The Twelve Terrors of Christmas, Pomegranate, 2006. The Unstrung Harp, Harcourt, 1999. More
Wales: Gwasg Gregynog, 2003. Quarto. xv, (3), 99pp. One of 215 copies. Van Niekerk's wood engravings throughout, including frontispiece portrait of Herbert and a rendering of the Vitruvian Man on the whole of page 36. Edited, with introduction and notes, by The Earl of Powis. Bound in quarter-leather by Alan..... More
Lond Crendon, Bucks: Seven Acres Press, 1926. Quarto. 45pp. One of 600 copies. Signed by Haberly, and from the library of Haberly's wife, Virginia, with her bookplate to the front free endpaper. The second book of the Press. Illustrated throughout by Haberly with fantastical illustrations of beasts real, like the..... More
Paris: Moreau, (1983). Oblong 12mo. (26) pp. Illustrated by Baltazar. From an edition of 220 copies, this is one of forty signed by the author and by the illustrator, and hand-colored. Reproduced entirely by serigraphy, the text is from the author's own manuscript. The abstract black and white illustrations have..... More
(Lexington, KY: Anvil Press, 1979). Quarto. (12)pp., (37)ff. One of 50 copies printed in American Uncial on Canson paper. A compilation of 36 plates printed from blocks cut or engraved by Victor Hammer. Several plates are hand-colored and all are tipped-in. Book compiled and designed by Carolyn R. Hammer and..... More
London: J. Harris, 1806. 32mo. (16)ff. First edition, Moon's fourth state with 1806 date on front wrapper, but with SMC initials on the earliest-state engraved dedication page. Illustrated with fifteen hand-colored copperplate engravings. According to Moon, this is the most significant children's book published by Harris, and surely one of..... More
Boston: James R. Osgood and Company, 1883. Octavo. First edition of the second Uncle Remus collection of stories. Widely illustrated with scenes from the familiar tales, including images of Brother Fox, Brother Bear, and Brother Rabbit. Bound in full yellow cloth elaborately stamped in black and with the title in..... More
Boston: Houghton, Mifflin and Company, 1892. Octavo. First edition of Harris's third collection of Uncle Remus stories. Illustrated with twelve plates, including a frontispiece, by popular illustrator and comics artist A. B. Frost. Replete with the well-known moralizing short stories and jolly songs. Bound in green cloth decorated in black..... More
London: Rainbow Press, 1975. First edition. One of 150 copies signed by the author. With full page two-color illustrations by Barrie Cooke. Handsomely printed early limited edition prints eight poems thematically related to Heaney's poetic pursuit of the archaeology of Ireland's violent past. These poems were published a month ahead..... More
Dublin: Hieroglyph Editions Ltd, 1991. First edition. From an edition of 100 copies, this is one of 60 that were offered for sale. Illustrated with four lithographs by Felim Egan, who designed the book. Signed by Heaney and Egan. This is the first separate appearance of twelve poems from the..... More
Dublin: Andrew Carpenter, 1979. First edition. From an edition of 125, this is one of 30 copies issued in black morocco and offered for sale. Illustrated with two lithographs by Louis Le Brocquy. Signed by Heaney, Le Brocquy, Liam Miller the designer, and the publisher, Andrew Carpenter. The book was..... More
(Vancouver): Heavenly Monkey, 2007. Quarto. (5)ff. One of fifty copies signed by the contemporary Canadian artist Charles van Sandwyk. With six tipped-in plates, five of which are from the artist's earliest etchings, and one etching executed for this work. A brief essay about etching by van Sandwyk accompanies the artwork..... More
(Vancouver, BC): Heavenly Monkey, 2011. Quarto. 96pp. One of thirty copies, signed by the author/illustrator, Jim Westergard. Illustrated with forty wood engravings immortalizing infamous people, ranging from well-known oddballs such as Lizzie Borden and Hunter Thompson, to more obscure characters, including the tenth-century Icelandic poet Gunnlaug Wormtongue, who was known..... More
Boston: Heron Press, 1969. Octavo. (47)pp. One of 150 copies. Five illustrations in wood and metal by Chandler, printed on near-translucent tan paper. Introduction by Thomas Heffernan. Bound in cloth-backed marbled boards. Very fine. More
Boston: Heron Press, 1989. Folio. 33pp., unbound, as issued. From an edition of 115 copies, this is one of fifteen printed on handmade paper, with an extra etching laid in, and signed by Chandler and Lewis. Illustrated with eight etchings by Chandler, one of which is a double-page fold-out. The..... More
New Haven, CT: Jonathan Edwards College Press, 1974. Small quarto. (x), 13pp. One of 100 copies. Wood-engraved color frontispiece and textual diagram by Lance Hidy, elucidating Edwards' pronounced awe of spiders. Bound in black cloth over boards with paper spine label. Fine. More
