At Bromer Booksellers, we focus on the visual book, with fine images that both enhance narrative and stand alone as independent creations. Among our holdings in this area are costume books, emblem books, examples from the Art Nouveau and Art Deco periods, the fantasy illustrators in the tradition of Arthur Rackham, and modern books with original graphics. We look for the successful fusion of picture with text from any century, any country, and across a variety of artistic movements and media. We are especially fascinated with books of other cultures, and you will occasionally find items such as Japanese illustrated woodblock books and Eskimo tales without words ...
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NY: Young Scott Books, 1970. Oblong octavo. (40)pp. First edition. Signed by Gorey on the title page. An imaginative exploration of why the night is dark, printed in orange, black, and white. The text was written in collaboration with Peter Neumeyer. Dust jacket shows the slightest some soiling at edges..... More
NY: Chelsea House, (1965). Octavo. 47pp. Miss Phypps' "simple rules of propriety and common sense" tell a girl what to say when deflowered on a blind date, at a seance, by a marimba player, on an American Express tour, etc. Rubbing to extremities of pictorial boards, else very good. More
NY: Abrams, 1996. First edition. Contains an interview with Gorey, analysis by art critic Karen Wilkin, and 200 illustrations. Very fine in illustrated dust wrapper. More
NY: Abrams, 1996. First edition. One of 300 copies, signed by Edward Gorey, Karen Wilkin, and Clifford Ross. Contains an interview with Gorey, conducted by Ross, with analysis by art critic Wilkin and 200 illustrations of Gorey's work. Fine in an illustrated dust wrapper. Housed in a black cloth slipcase..... More
NY: Barnes & Noble, 1996. Quarto. One of 750 copies, signed by Gorey. Illustrations, endpapers, and cover artwork all by Gorey. In silver stamped black cloth over boards. Together with an original lithograph of Lady Westenra, signed and numbered by Gorey, housed in a separate red folder. Both extremely fine..... More
San Francisco: Word Play Publications, 1996. First edition. One of 226 copies, signed by Gorey and by the authors. This illustrated reference work includes ephemera and collectibles, dramatic productions, a list of pseudonyms, and more. The first true Gorey bibliography. Bound in cloth-covered boards. Fine in near fine dust wrapper..... More
NY: Gotham Book Mart, 1993. First edition. One of 100 copies, signed by Updike and Gorey. Gorey perfectly illustrates each of Updike's darkly humorous holiday fears, ranging from the unsettling character of "Santa: The Man" to the threat of a Christmas tree toppling over "under its weight of explosive baubles."..... More
Boston: Houghton Mifflin, (1973). Two square octavo volumes. 30pp. Both signed by Gorey. Printed in blue ink. A children's language-arts schoolbook with whimsical illustrations throughout by Edward Gorey, collecting limericks by Edward Lear, Ogden Nash, Gorey himself, and many others. The unexpurgated edition features two limericks and one illustration missing..... More
NY: Holt, Rinehart and Winston, 1968. First edition. Signed by Gorey. A delightful comedy of errors, headed by the clumsy Flemming Flanders. Holt Library Edition, bound in pictorial boards. Faint bumps to corners and creasing at hinges, else near fine in very good dust wrapper. More
Boston, MA: Earthlight Gallery, 1980. Poster for the exhibition of paintings and drawings by fantasy artists Barry Windsor-Smith and Robert Gould at the Earthlight Gallery in Boston. The exhibit was held from November 22 through December 31, 1980. The exhibit poster features the illustration "The Head of Perseus" by Windsor-Smith..... More
(San Francisco: Richard A. Gleeson Library, 1970). Large quarto. French-folded single sheet. Sketch of the poet Robert Graves to the front cover. On the interior, the printed text faces a facsimile of the original, handwritten poem. Printed by Lawton and Alfred Kennedy and presented to the joint meeting of hte..... More
NY: E. P. Dutton and Company, (c. 1870's). 16mo. (62)pp., including illustrations and advertisements. Part of the "Our Boy's Little Library" series. Copiously illustrated with nearly forty black & white engravings and sixteen three-line initials. Artists include noted English engravers Kate Greenaway, Robert Paterson, William Luson Thomas, and George Pearson..... More
(Berkeley): Rasmussen Press, 1974. 81pp. One of 200 copies, this one being an unnumbered gift edition inscribed "To Doris- In memory of K.G." Illustrated with five sets of verses and drawings compiled by Lucile Rasmussen from those published in the Ladies' Home Journal, which were never published in book form..... More
(Newtown): Gregynog Press, 1929. Quarto. 189pp. One of 225 copies. Ornamented throughout with initial capitals, calligraphed by Horace Bray, printed in red and blue. Four of the psalms, as well as the title-page, show extra decoration by Bray, with wood-engraved flowering vines printed in red and black. Bound in half-morocco..... More
Wales: Gwasg Gregynog, 2003. Quarto. xv, (3), 99pp. One of 215 copies. Van Niekerk's wood engravings throughout, including frontispiece portrait of Herbert and a rendering of the Vitruvian Man on the whole of page 36. Edited, with introduction and notes, by The Earl of Powis. Bound in quarter-leather by Alan..... More
Lond Crendon, Bucks: Seven Acres Press, 1926. Quarto. 45pp. One of 600 copies. Signed by Haberly, and from the library of Haberly's wife, Virginia, with her bookplate to the front free endpaper. The second book of the Press. Illustrated throughout by Haberly with fantastical illustrations of beasts real, like the..... More
Paris: Moreau, (1983). Oblong 12mo. (26) pp. Illustrated by Baltazar. From an edition of 220 copies, this is one of forty signed by the author and by the illustrator, and hand-colored. Reproduced entirely by serigraphy, the text is from the author's own manuscript. The abstract black and white illustrations have..... More
(Lexington: Anvil Press, 1955). Octavo. (10)pp. One of 250 copies printed in red and black in both Latin and English. Signed by Carolyn Hammer at the colophon. Illustrated with eight woodcuts by Victor Hammer after the Holkham Bible drawings. Spine toned, minor bumping, else near fine in blue Japanese paper..... More
Boston: James R. Osgood and Company, 1883. Octavo. First edition of the second Uncle Remus collection of stories. Widely illustrated with scenes from the familiar tales, including images of Brother Fox, Brother Bear, and Brother Rabbit. Bound in full yellow cloth elaborately stamped in black and with the title in..... More
Boston: Houghton, Mifflin and Company, 1892. Octavo. First edition of Harris's third collection of Uncle Remus stories. Illustrated with twelve plates, including a frontispiece, by popular illustrator and comics artist A. B. Frost. Replete with the well-known moralizing short stories and jolly songs. Bound in green cloth decorated in black..... More
Dublin: Hieroglyph Editions Ltd, 1991. First edition. From an edition of 100 copies, this is one of 60 that were offered for sale. Illustrated with four lithographs by Felim Egan, who designed the book. Signed by Heaney and Egan. This is the first separate appearance of twelve poems from the..... More
Dublin: Andrew Carpenter, 1979. First edition. From an edition of 125, this is one of 30 copies issued in black morocco and offered for sale. Illustrated with two lithographs by Louis Le Brocquy. Signed by Heaney, Le Brocquy, Liam Miller the designer, and the publisher, Andrew Carpenter. The book was..... More
(Vancouver): Heavenly Monkey, 2007. Quarto. (5)ff. One of fifty copies signed by the contemporary Canadian artist Charles van Sandwyk. With six tipped-in plates, five of which are from the artist's earliest etchings, and one etching executed for this work. A brief essay about etching by van Sandwyk accompanies the artwork..... More
(Vancouver, BC): Heavenly Monkey, 2011. Quarto. 96pp. One of thirty copies, signed by the author/illustrator, Jim Westergard. Illustrated with forty wood engravings immortalizing infamous people, ranging from well-known oddballs such as Lizzie Borden and Hunter Thompson, to more obscure characters, including the tenth-century Icelandic poet Gunnlaug Wormtongue, who was known..... More
Santa Barbara, CA: Simplemente Maria Press, 2010. Quarto. (13)ff. One of sixty copies. Signed by the artist at colophon, as well as on verso of each pigment print. The prints have been hand-touched with watercolor and are individually enclosed in over-beaten abaca paper folios on which twelve poems written by..... More
