At Bromer Booksellers, we focus on the visual book, with fine images that both enhance narrative and stand alone as independent creations. Among our holdings in this area are costume books, emblem books, examples from the Art Nouveau and Art Deco periods, the fantasy illustrators in the tradition of Arthur Rackham, and modern books with original graphics. We look for the successful fusion of picture with text from any century, any country, and across a variety of artistic movements and media. We are especially fascinated with books of other cultures, and you will occasionally find items such as Japanese illustrated woodblock books and Eskimo tales without words ...
Read more about Illustrated Books
(Montclair, NJ): Caliban Press, 1992. Small quarto. (25)pp. One of 125 copies. Illustrated with a map, portraits, page facsimiles and two colored double-page spreads. This edition contains the complete text of a handmade notebook that contained germinal ideas for a poem that later became "With Husky-Haughty Lips, O Sea" collected..... More
Los Angeles: Cotsen Occasional Press, 2009. Two volumes: one folio, one oblong quarto. (vi), 141; 231pp. A brightly printed history of Alunno, with frontispiece and examples in the first volume, the second being a facsimile of his Cartoni. Both bound in blue cloth with blind stamping to upper cover and..... More
Los Angeles: Cotsen Occasional Press, 2011. Octavo. xvi, 261pp. With various diagrams, reproductions, and maps to support this scholarly text on Egyptian manuscripts and writing practices. Bound in gray decorative paper with blind-stamped design to upper cover, housed in matching slipcase. Fine. More
Henley-on-Thames, UK: 1957. Small octavo. (i), (9)pp. Calligraphic manuscript on paper written in green and black ink with first line and small text initials in gold. Text opens with a large illuminated initial "O" with the watercolor figure of an owl; the text closes with another watercolor owl, this one..... More
(San Francisco: 2010). Quarto. 10ff. Original calligraphic manuscript by Ingmire of the text from a section of Paz’s poem “Blanco.” This poem, which was published in 1967, has been linked to Paz’s time in India, and it can be read as a figurative exploration of Indian religious philosophy. “The spirit..... More
London: Harcourt Brace Jovanovich, 1983. Elephant folio. xvi, 44pp., + 50 facsimile drawings. One of 500 copies. A keen catalogue and academic exposition on Canaletto's corpus, cleverly blending biography and art criticism. Booklet bound in full brown cloth, gilt stamped. With portfolio housed in brown Solander box backed in brown..... More
Providence, RI: Skillman Avenue Press, 2016. Oblong 16mo. (27)pp. One of 150 copies. Signed by the author. Portraits of women appear on semi-translucent sheets laid over Cane's poems, which are structured as letters. Bound in pale blue paper with a cutout on the upper cover through which another portrait appears..... More
(Portland, OR: Chamberlain Press, 1980-85). Small octavo. (112)ff. A collection of 105 engravings, all signed and numbered in pencil by Sarah Chamberlain. These hail from her major publications printed in the early 1980s via the Chamberlain Press: The Pied Piper of Hamelin (1979), A Frog He Would A-Wooing Go (1981)..... More
(Easthampton, MA): Chamberlain Press, 1978. Octavo. (6)ff., frenchfold. One of 100 copies, signed by the artist. Designed, printed, and illustrated by Chamberlain. Lear's poem tells of an old man "who invented a purely original dress"; it was edible. Printed in two colors on beige Japanese paper and illustrated with two..... More
(Watertown): Bromer, Anne & David, 1979. 19ff. From an edition of 125 copies signed by the artist, this is one of 25 in the first binding, by Sallie Ruff. Illustrated with images of fifteen exotic animals, including the panda, the koala, and the Siberian tiger. Mint in boards hand-painted in..... More
(Portland, OR: Chamberlain Press, 1980-85). Small octavo. (112)ff. A collection of 105 engravings, all signed and numbered in pencil by Sarah Chamberlain. These hail from her major publications printed in the early 1980s via the Chamberlain Press: The Pied Piper of Hamelin (1979), A Frog He Would A-Wooing Go (1981)..... More
1977. A delightful 15 by 11-inch painting of a large gnarled tree, its branches forming a leafy canopy over a portion of meadow grown thick with green grasses and pink thistle. The tree is painted with a wooden sign nailed crookedly to its trunk, bearing the artist's signature and date..... More
(Portland, OR): Chamberlain Press, 1983. Octavo. (16)pp. From an edition of 125 copies, this is one of twenty-five deluxe copies signed by Chamberlain and with an extra signed print. This well-loved tale is designed, printed, and illustrated with ten delightful wood engravings by Chamberlain. The book is bound by Barbara..... More
Boston: Taggard & Thompson, 1858. 16mo. 31pp. Nine full-page color engravings, illustrating key scene's in the titular fox's antics in his journey to find food for his family. He finds a farm, confounds the animals, and captures a goose, only to again resort to his cunning ways to escape the..... More
London: Orlando Hodgson, (c. 1840). 16mo. 6ff., + wrappers. Each leaf presents the reader with a half-page illustration of activities suitable for the time of day described in the verse below them. The images are hand-colored in a variety of shades, giving them uncommon depth. The book weaves counting from..... More
(N.p.): Cheloniidae Press, 1991. Quarto. (89)pp. One of 210 copies, signed by both Robinson and McGrath at the colophon. Illustrated throughout with head- and tail-pieces by Robinson, as well as an example of calligraphy by Suzanne Moore and one by Elizabeth Curtis. A celebration of McGrath upon the fiftieth anniversary..... More
London: T. Nelson and Sons, 1867. Small quarto. (36)pp. Illustrated with thirty-two chromolithographs, each with verse or prose captions. The book is divided into four subjects: Sunny Days, Home for the Holidays, Right and Wrong, and Picture Rhymes of Happy Times. Most of the scenes take place on farms and..... More
NY: E. M. Leavens Co., 1918. Quarto. (12)pp. Bold, colorful illustrations of the American West, including American Indians, cowboys, stage coaches, and frontier cabins, accompany explanatory text, printed in blue, red, and brown. Bound in color printed wrappers. Some bumping to corners, tiny tear at bottom of rear cover, else..... More
London: Griffith & Farran, 1876. Quarto. 21pp. Illustrations and text printed together anastatically. Kemp's elaborate calligraphy and illustrations imbue her rhymes with whimsy, making them more worthy of the category of fairy tale rather than nursery rhyme. Exceedingly rare. Bound in red cloth stamped in black and gold. Light soiling..... More
Chicago: Wilcox & Follett, 1945. Oblong 24mo. (8)pp., accordionfold. Each page richly illustrated in color with scenes of firemen patrolling the streets, operating safety equipment, and caring for civilians in a variety of locales, including cities, plains, and ships. A charming historical look into the operation of fire safety. Bound..... More
London (but Hertfordshire): John Marshall (but Anne and Peter Stockham), 1801 (but 1976). One of forty-eight copies. In this "cabinet," there are two miniature books and a collection of twenty-eight hand-colored engravings of the objects listed in the books. The books are bound in full leather, one maroon and one..... More
NY: Oxford University Press, 1947. Octavo. 118pp. Inscribed by Tudor on the second free flyleaf. Illustrated throughout in color and black-and-white by Tudor, with her signature floral wreaths, dreamy landscapes, and playful children. Bound in green cloth over boards with paper label to upper cover. Freckles of foxing throughout, though..... More
Esslingen: J. F. Schreiber, 1920. An unusual unused booklet with "magic leaves," which reveal a picture when lightly passed over with a pencil. For obvious reasons, it is especially rare to find such as this with a clean interior. Oblong 32mo. (8)ff. Bound in pictorial wrappers featuring an old-fashioned horse..... More
Paris: La Bibliotheque de Arts, 1968. Quarto. 130pp. Of an edition of 600 copies, this is one of 40 with two original engravings numbered signed by Ciry. In this copy, one engraving is of Salome, completed in 1949, and the other is of Saint Sebastian, completed in 1950. The catalog..... More
Florence: Felice Paggi, 1883. Small octavo. 236pp., + iipp. of advertisements. First edition. The enduring children’s classic about a mischievous marionette whose nose grows every time he tells a lie, in the original Italian and wonderfully illustrated with a full-page frontispiece of the titular character, as well as sixty-one additional..... More
