At Bromer Booksellers, we focus on the visual book, with fine images that both enhance narrative and stand alone as independent creations. Among our holdings in this area are costume books, emblem books, examples from the Art Nouveau and Art Deco periods, the fantasy illustrators in the tradition of Arthur Rackham, and modern books with original graphics. We look for the successful fusion of picture with text from any century, any country, and across a variety of artistic movements and media. We are especially fascinated with books of other cultures, and you will occasionally find items such as Japanese illustrated woodblock books and Eskimo tales without words ...
Read more about Illustrated Books
(Thetford, VT): Cricket Press, 1965. Quarto. (12)ff. One of twenty-two copies. Subtitled "The First Miracle, John 2," the book tells the story of the Wedding at Cana. The text is printed in red, and faces the tipped-in illustrations. Heavily influenced by Leonard Baskin's early work, there are nine exquisitely fine..... More
Boston: Impressions Workshop Inc./Cricket Press, 1965. Square quarto. (16)ff. One of 150 copies, signed on the colophon page by the poet, Bernard Bockes, and the illustrator, George Lockwood. Illustrated with fifteen fanciful woodcuts by Lockwood depicting insects, bats, dragons, and mythical beasts. Some are monochromatic prints, but others incorporate many..... More
Chelsea: (Southernwood Press, c. 1915). Small quarto. (23)ff. One of thirty copies printed on handmade paper. Illustrated throughout by Josephine Winser. The drawings illustrate popular nursery rhymes, including Humpty Dumpty, Baa Baa Black Sheep, Jack & Jill, and Sing a Song of Sixpence. Children take center stage in these depictions..... More
London: Soncino Press, 1930. Small quarto. xl, (3), 209pp. One of nine copies printed on Roman Vellum, signed by the editor, Cecil Roth, and the illustrator, Albert Rutherston. With fourteen full-page stencilled illustrations, plus seventy small ornaments, all in color. Rutherston's bright depictions of the Passover story, including illustrations of..... More
Sherman Oaks, CA: Joseph J. D'Ambrosio, 1982. Octavo. (21)ff. One of fifty copies. Signed by D'Ambrosio at the title page, as well as below each of the four original serigraphs that comprise the book's central section, "Ladies of the Garden." Illustrated throughout with images of flora as backdrops to the..... More
(Albany: Print Club of Albany), 1989. Broadside measuring 15 by 19 inches. One of 100 copies, signed by the artist. The Print Club of Albany's Annual Print for 1988-1989, it's 55th Presentation Print. This lithograph is the last of a series of prints by Dallman that explores industrial and residential..... More
London: Dean & Co., (c. 1960). Three 12mo rag books, + two sets of original artwork. Artwork heavily annotated and in full color. The three published books are My Train Set, Our Nursery, and My Dolls; the artwork, rendered directly on boards, applies to the latter two. The pencil notes..... More
Paris: Moreau, (1983). Oblong 12mo. (26) pp. Illustrated by Baltazar. From an edition of 220 copies, this is one of forty signed by the author and by the illustrator, and hand-colored. Reproduced entirely by serigraphy, the text is from the author's own manuscript. The abstract black and white illustrations have..... More
Paris: Éditions de Livres de Pierre Lecuire, 1977. Oblong 24mo. (16)ff. One of twenty copies, with an additional suite of seven engravings by Vera Pagara, bound in at rear. Of these, two are abandoned earlier attempts. All images in the suite are signed and numbered out of twenty or thirty..... More
(Paris: Didot, Firmin, c. 1870). Folio. 72ff., consisting of the first 24 gatherings repeated three times. With fine steel engravings by Jules Jean Marie Joseph Huyot. Printed on vellum in red and black. It appears this work, a late collaboration between Ambroise Firmin Didot and Huyot, was never published and..... More
![Den Største Form Har Ingen Kontur [The Biggest Form Has No Contour]. Jorge Luis Borges](/pictures/thumb/30199.jpg?v=1630529995)
Norway: Norwegian Association of the Blind and Partially Sighted Printshop, 2012. Square quarto. (20)ff. One of thirty-five copies, signed by the artist, Randi Annie Strand. Illustrated with blind-embossed images of maps so that the reader encounters a variety of landscapes exclusively through plays of light and the sensitivity of their..... More
(Dublin): Dolmen Press, 1954. Tall octavo. 32pp. One of 225 copies. Printed in black with red initials and with a decorative title-page spread, two full-page illustrations, and six pictorial headpieces by Mia Cranwill. The tragic myth of Deirdre and the sons of Usnech, who were slain by the jealous Conchobor..... More
Paris: Jacques-François Chereau, (c. 1747). Large folio. (1), (25)ff., plates. A reissue or reimpression published after the artist, Charles-Antoine Coypel, was named "Premier Peintre du Roi" in 1747; this series of twenty-five engravings was first presented as a deluxe portfolio in Paris, in 1724. The engravings were done after a...... More
London: Cassell & Company, Limited, (1928). Quarto. 251pp., + 12 plates. One of 1,000 copies signed and numbered by the artist. Illustrated with twelve brightly-colored full-page plates by Dulac, protected by tissue guards. This copy bound in the style of Kelliegram by Asprey in full green morocco with an inset..... More
London: Hodder and Stoughton, (1912). Quarto. (184)pp. One of 750 copies numbered and signed by Dulac. Illustrated with twenty-eight tipped-in color plates, as well as several headpieces printed in black & yellow, depicting beautifully chilling scenes from Poe's Gothic poems. In his biography of Dulac, Colin White describes the artist's..... More
(Germany: c. 1511). Woodcut measures 12 1/4 by 9 inches, in a handsome 18 1/2 by 15 1/4-inch frame. This original woodcut print by one of the masters of the Northern Renaissance is part of a series of illustrations depicting scenes from The Life of the Virgin. According to Meder..... More
N.P. n.d. Black & white photograph measuring 4 1/2 by 6 1/2 inches. A posed portrait showing a younger William Addison Dwiggins, likely in his early 40s, standing in front of a garden holding a hoe. The photographer is credited on the verso as C. H. Marble. Very fine. More
(Hingham, MA): c. 1930s. A black & white photograph of a marionette made by W. A. Dwiggins, measuring 10 by 10 1/2 inches. The marionette is a likeness of F. Morton Smith, a Boston lawyer who was married to Margaret Coatsworth, the sister of the children's book author and illustrator..... More
(Istanbul: Ebristan, 2004). Marbled paper with calligraphy measuring 23 3/4 by 32 inches. Ebru, or marbling, is one of the oldest arts in Turkey. In addition to being used in book binding and design, it was often used as a background for calligraphy and is considered high art. In this..... More
(Istanbul): Ebristan, 2008. Original marbled paper art by Turkey's premier paper marbler, Hikmet Barutçugil, with dusky swirls of pale peach, green, blue, and mauve. Signed and dated by the artist. Emerging from the center of the marbling is a small, detailed drawing in brown ink of the entrance archway to..... More
(Istanbul: Ebristan, c. 2003). Original marbled paper by the premier marbling artist in Turkey, Hikmet Barutçugil. Signed by the artist. Barutçugil has developed his own technique for creating flowers within his marbled patterns, inspired by his wife, Füsun Hanim. In this delicate example, two carnations grow from the same root..... More
(Istanbul): Ebristan Yayinlari, 2003. Original marbled paper by the premier marbling artist in Turkey, Hikmet Barutçugil. Signed and dated by the artist. Ebru, or marbling, is one of the oldest arts in Turkey. In addition to being used in book binding and design, it was often used as a background..... More
(Istanbul: Ebristan, 2008). Marbled paper measuring 23 3/4 by 32 inches, with elegant marbled calligraphy in Arabic. The script translates to say "One who conducts business in a Halal fashion is the beloved servant of Allah." This superb example of Ebru, the ancient Turkish art of paper marbling, has a...... More
Peking, China: Lotus Court, 1943. Quarto. (xvi), 46pp. Illustrated with forty-six tipped-in woodblock reproductions of traditional Chinese embroidery patterns, printed in red on handmade paper, tipped in. Frontispiece is a real tissue embroidery pattern backed with red paper for support. A fascinating reference book on Chinese symbolism. The Foreword lists..... More
Washington, D.C. Platt Studio, 2006. Folio. (6)ff., loose. All prints signed and titled by the artist, Michael B. Platt. The five prints in this series are a visceral, grief-stricken response to Hurricane Katrina and its aftereffects on the city of New Orleans and environs. The natural disaster decimated communities, especially..... More
