At Bromer Booksellers, we focus on the visual book, with fine images that both enhance narrative and stand alone as independent creations. Among our holdings in this area are costume books, emblem books, examples from the Art Nouveau and Art Deco periods, the fantasy illustrators in the tradition of Arthur Rackham, and modern books with original graphics. We look for the successful fusion of picture with text from any century, any country, and across a variety of artistic movements and media. We are especially fascinated with books of other cultures, and you will occasionally find items such as Japanese illustrated woodblock books and Eskimo tales without words ...
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Capel-y-ffin, Abergavenny: Francis Walterson, 1927. Octavo. (vii), 46pp. One of 200 copies printed at the Shakespeare Head Press for Francis Walterson, signed by both Eric Gill and David Jones. This was the only book to be issued signed by the two. Illustrated with a frontispiece engraved by David Jones titled..... More
London: Jonathan Cape, 1931. Octavo. viii, 200pp. Illustrated with ten wood engravings by Eric Gill: three full-page, five half-page, and an ornamental device. Spine faded, else very good in green cloth. Laid in is a silhouette woodcut, signed by Gill, titled "Dumb-Driven Cattle." First produced in 1915, the woodcut was..... More
London: Sheed & Ward, (1931). Octavo. iv, 121 pp. First edition. One of 500 copies signed by Eric Gill and Rene Hague and printed by Hague & Gill. This is a presentation copy, inscribed on the colophon. Illustrated with twenty-five figures, including ten type specimens and four illustrations from wood..... More
London: Faber & Faber, 1933. 16mo. 32pp. Gill's opening engraving, "The Leisure State," hints toward his larger expostulary theme of labor and specifically the displacement of human work as a result of machinery. Gill expands his thesis to encompass the impact of unemployment on society at large, including its ramifications..... More
Boston, David R. Godine, 1971. Quarto. (54)pp. First edition. From an edition of 1000 copies, this is one of 100 specially bound and signed by the artist. Printed in blue, red, and black, and bound in blue, morocco-backed marbled boards with matching slipcase. Light scuffs to slipcase, else a fine..... More
London: Gogmagog Press, (1965-66). Four small octavo volumes, each (26)pp. One of 100 copies printed on Hosho paper, signed by the artist/printer Morris Cox. Each volume contains a colorful panorama of nature printed from heavily textured blocks, which give the offset prints an embossed effect. The changing seasons appear in..... More
Pinner: Private Libraries Association, 1991. Two octavo volumes. 184pp; (26)ff. From an edition of 1650 copies, this is one of three special copies printed for the authors, signed by Morris Cox and with a second volume of twenty-six specimen leaves. Inscribed by Colin Franklin. Contains a selection of the writings..... More
London: Gogmagog Press, 1967. Small octavo. (28)pp., frenchfold. From an edition of 100 copies, this is one of 40 bound in Hana-asa paper, reserved for members of The Society of Private Printers. Signed by Cox and printed on Japanese handmade paper. Fourteen spare three-line poems, illustrated with three offset prints..... More
(London): Gogmagog Press, 1962. Octavo. (24)pp., frenchfold. From an edition of fifty copies printed and signed by Morris Cox, this is one of eleven out-of-series copies. Contains fifteen black & white satirical prints illustrating awkward moments, with captions in red. Spine cocked, else near fine in patterned linen boards with..... More
London: Gogmagog Press, (1975). Thin octavo. (viii), (24)pp. One of twenty-four copies signed by Morris Cox. A collection of Cox's more melancholy poetry, accompanied by four reverse/direct offset illustrations printed across double pages on gray, scarlet, gray-green, and blue papers. A scarce Gogmagog title, no copies of which were for..... More
(London): Gogmagog Press, 1972. Octavo. (96)pp., frenchfold. One of fifty copies signed by the printer-author. Illustrated with eight original intaglio engravings by Cox, printed in colors. "Each print has the device of a hand with pen or brush, entering from beyond the margins, drawing its composition (poem or picture) from..... More
London: Gogmagog Press, (1960). Octavo. (36)pp., frenchfold. One of fifty copies printed in various colors and signed by Morris Cox. Illustrated with four double-page color prints that accompany poetry by Cox, which he calls "a poem in three parts, being the apotheosis of an unknown woman victim of a war,"..... More
Berkeley, CA: Pacific Film Archive, 1973. Broadside measuring 24 by 18 1/4 inches. One of 500 copies. Designed by California artist David Lance Goines and printed in 10 colors, this advertisement for a film series at the Pacific Film Archive features an image of Veronica, daughter of Solome, who took..... More
Oakland, CA: Karl Kardel Co., 1974. Broadside measuring 24 by 18 1/4 inches. One of 1,850 copies. Designed by California artist David Lance Goines and printed in 8 colors, this advertisement for Karl Kardel Co. features a bumblebee over an ochre background. The design was inspired by an unknown philosopher's..... More
Waltham Saint Lawrence: Golden Cockerel Press, 1926. Small quarto. 15pp. One of 250 numbered copies. The text is illustrated with six wood engravings by Eric Gill. The engravings are beautifully rendered interpretations of scenes from the last day of Jesus's life, from his vigil at the Garden of Gethsemane, to..... More
(London): Golden Cockerel Press, 1934. Tall octavo. (16)pp. One of 500 numbered copies. Illustrated with one full-page wood engraving and a four-line initial capital by Gill. This edition of Gill's "sermon," reflecting on the 136th Psalm, marks the first use of Gill's Perpetua Roman and Felicity Italic typefaces. Bound in..... More
(Minneapolis): Gonfalon Press, 1996. Quarto. Accordionfold, dos-à-dos. One of forty copies, signed by the printer, Michael Fallon. Doris Adams's traditional tale is adorned with glittering illustrations of the story's heroic rabbit, Cufe, while Kate Taluga's essay is dotted with images of corn, shells, and wildflowers. Compiled and printed by Michael..... More
(London): Goode Bros. c. 1875. (47)pp. Illustrated throughout with black & white lithographs, this little book includes excerpts from several Old Testament stories. In dark violet gilt-stamped wrappers. An unusually fine copy. (Bondy 162). (2 1/4 by 1 5/8; 58x40mm). More
(1977-1979). A robust collection of promotional materials for "Dracula," which paired Bram Stoker's spooky tale with Gorey's macabre illustrations, costumes, and set designs. As evidenced by programs, playbills, and flyers from across the United States and the United Kingdom, the production achieved international success, culminating in two wins at the..... More
San Francisco: Cartoon Art Museum, 1993. Square octavo. (8)pp. Signed by Gorey. A catalog of Gorey's works shown at the Cartoon Art Museum from April to September of 1993, along with a brief biography and summation of his books and art. Fine in gray printed wrappers with price sticker on..... More
1993. Watercolor and ink on paper, measuring 7 by 6 inches. Matted and framed. This illustration appeared on page 21 of the July 19, 1993 issue of Sports Illustrated. The image served as the lead-in to the "Anniversary" section, and it depicts an obscure baseball moment from 1893, when former..... More
NY: Gotham Book Mart, (n.d.). 24mo. (6)ff. accordion-fold, printed on both sides. Signed by Gorey. One side of the sheet provides a catalog of the works present in the exhibit. The other features illustrations from Gorey's works. Fine in blue covers. More
Minneapolis: Minneapolis Institute of Arts, 1985. Quarto. (2)ff. + (1)ff. insert. Signed by Gorey. Upper cover illustrated with a woman reading in bed. A selection of Gorey's books and drawings. The insert provides the "Gorey Details" of the themes and patterns of the exhibit. Slight bumps at corners else near..... More
NY: St. Martin's Press, 1977. 16mo. Single-folded card inviting the recipient to a celebration of the publication of Allegra Kent's Water Beauty Book at a club at One Lincoln Plaza. Illustrated by Gorey with a woman and a frog floating along, with the frog also on the upper cover supporting..... More
NY: The Children's Book Council, (1975). Octavo trifold brochure. Signed by Gorey. Gorey's illustrations adorn twenty-four clever limericks authored by Gorey, Millicent Brower, William Cole, Mary Ann Hoberman, and six others. Mild toning to uppermost portion, else near fine. More
