There is a deceptively simple goal for the collector of first editions: to obtain the earliest printed form of a work of literature, in as close to the condition it was in when it first appeared in bookstores as a new book. Dig deeper, though, and you find that the first edition collector also has an interest in ...
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Dublin: Andrew Carpenter, 1979. First edition. From an edition of 125, this is one of 30 copies issued in black morocco and offered for sale. Illustrated with two lithographs by Louis Le Brocquy. Signed by Heaney, Le Brocquy, Liam Miller the designer, and the publisher, Andrew Carpenter. The book was..... More
Boston: James R. Osgood and Company, 1884. Small quarto. First edition, first issue, of the author's first book. Stories taken from Indian, Buddhist, Muslim, and Jewish traditions, as well as from the Finnish Kalewala. Tidily bound in yellow cloth stamped in black. Soiling to exterior, else near fine. More
NY: House of Books, 1933. First edition, limited to 300 copies. This rather grim tale appeared again later the same year, slightly revised and censored, in Hemingway's collection "Winner Take Nothing." Light fading to spine of red cloth boards, else near fine. (Grissom A.11.1.A). More
NY: Scribner's, 1935. First edition. Decorations by Edward Shenton. The green cloth covers are faded, as usual, else a fine copy in a price-clipped dust jacket which shows light wrinkling along extremities. Housed in a cloth slipcase. (Grissom A.13.1.a). More
Paris: Three Mountains Press, 1924. 30pp. First edition. One of 170 copies. Illustrated with a frontispiece author portrait by Henry Strater, an American painter and fellow expatriate who became friends with Hemingway in Paris. This is the author’s second book, published in a smaller edition than his first, a pamphlet..... More
(Salem: Colonial Society, 1939). First separate edition, which consisted of fewer than 100 copies. A single folded sheet with one page of type, printed by Dard Hunter II at the MIT Paper Museum Press. Inscribed by Frost to Martin K. Howes at foot of poem. Frost read this delightful piece..... More
![Aun Aprendo: A Comprehensive Bibliography of the Writings of Aldous Leonard Huxley [TRADE]. David...](/pictures/thumb/23629.jpg?v=1434431961)
Boston: Bromer Booksellers, 2011. Octavo. 408pp. First trade edition. Aun Aprendo: A Comprehensive Bibliography of the Writings of Aldous Leonard Huxley is the culmination of over twenty years of research, fact-finding, and detective work undertaken by David J. Bromer. With over 2,000 entries, Aun Aprendo is the most current and..... More
![DELUXE]. Aun Aprendo: A Comprehensive Bibliography of the Writings of Aldous Leonard Huxley....](/pictures/thumb/23630.jpg?v=1434431961)
Boston: Bromer Booksellers, 2011. Octavo. 408pp. One of 50 deluxe copies signed by the bibliographer, of which 40 are available for sale. The deluxe edition includes a previously unpublished poem by Huxley dedicated to his first wife Maria. Aun Aprendo: A Comprehensive Bibliography of the Writings of Aldous Leonard Huxley..... More
(1931-1935). Quarto. (10)ff. The titles are: "Good Conversation" (August, 1931); "Drugs" (December, 1931); "The Angry Ape" (1931); "On Being the Right Size" (February, 1932); "Forewarned is not Fore-armed" (April 1932); "Love: a Fashion Forecast" (June, 1932); "The Cunning of the Oriental" (1932); "Bull Fights and Democracy" (October, 1932); "The Cult..... More
Poestenkill, NY: Kaldewey Press, 1989. Oblong folio. 106pp. One of twenty deluxe copies printed on papier de Chine and bound in flexible blue textured leather by Christian Zwang. With twenty-five linoleum cuts in several colors by Kim Keever. Signed by the artist. Keever's linocuts draw directly from the theme of..... More
Adelaide, Australia; Westport, CT: 1948, 1952. Two typed letters, (3)ff., (2)ff., signed by Helen Keller, plus (1)ff. autograph note, signed, from Keller's assistant and companion, Polly Thompson., and a typed transcript of that note. As a world-famous speaker, author, and advocate for persons with disabilities, Keller traveled to more than..... More
(Hammersmith: Kelmscott Press, 1895). Quarto. (iv), 355pp. One of 200 copies. Printed in red and black, with two full-page illustrations by Edward Burne-Jones and initials and decorations by William Morris. A beautiful and highly prized volume, originally intended to be part of The Earthly Paradise. Overall, a fine copy in..... More
(Hammersmith: Kelmscott Press, 1893). One of 500 copies printed by William Morris at the Kelmscott Press. This is the second issue, with four cancellans leaves replacing pp. 15-16, 19-20, 25-26, and 69-70. With wide leaf and blossom borders to the opening page and to the title-page, which is printed against..... More
NY: Harcourt, Brace & World, Inc., 1966. First edition. Author’s signature laid in. First appearing as a short story in 1959, this first expanded edition of Flowers for Algernon earned immediate acclaim, becoming a joint winner of the 1966 Nebula Award for Best Novel. Written as a series of journal..... More
NY: Ursus Books, 2007. 15pp. From an edition of 74 copies, this is one of 50 numbered copies, signed by the artist, Joseph Goldyne, and the designer, Peter Rutledge Koch. Illustrated with a signed etching by Goldyne titled "As the Blind Remember," printed on seventeenth-century paper and tipped in as..... More
(Torrance, CA): Labyrinth Editions, 1980. Folio. 28ff., frenchfold. One of 250 copies, signed by the poet, William Everson, and the artist, Tom Killion. Designed and printed in two colors by Richard Bigus. Killion's beautifully executed, white-line linocuts are printed in dark blue. The title illustration is a triptych of the..... More
(Athens, OH): Labyrinth Editions, 1982. Folio. (21)ff. From an edition of 130 copies, this is one of 50 with a separate portfolio of signed prints, and an additional, signed, unbound print, measuring 17 by 22 inches. Signed by the printer, Richard Bigus, the illustrator, Daniel Goldstein, and Bradford Morrow, who..... More
Mt. Horeb, WI: Perishable Press, (1970). Octavo. (11) ff. One of 183 copies. With an inscription by James Laughlin. A short collection of poems by the poet and legendary founder of New Directions, which published some of the most important writers of the twentieth century, including Ezra Pound, William Carlos..... More
London: Duckworth, (1914). First edition, first issue. Bound in blue cloth, gilt-stamped to front cover and spine. Lawrence's first book of short stories. A very good copy. Bookplate. (Roberts A6.1). More
NY: Thomas Seltzer, 1922. First edition. Follow-up to Psychoanalysis and the Unconscious, this was the book that was partially responsible for rekindling the friendship between Lawrence and John Middleton Murry. The American edition of this work contains an Epilogue that was omitted from the English edition. Spine gilt a trifle..... More
NY: Society of Foliophiles, (1925). Quarto. One of 200 copies printed for the Society of Foliophiles, containing 20 original leaves from notable books of English literature from the 16th to the 20th centuries. Unbound, as issued, with each leaf in its respective, annotated folder measuring 12 1/2 by 9 1/2..... More
Austin: W. Thomas Taylor, 1995. Quarto. lxxxiv, 242pp., leaf tipped in at rear. One of 100 copies of the special first edition distributed for the Friends of the Brigham Young University Library by W. Thomas Taylor. Specially bound in quarter goatskin, with an original leaf from the 1524 Colines edition..... More
Austin: W. Thomas Taylor, 1995. Quarto. lxxxiv, 242pp., leaf tipped in at rear. One of 100 copies of the special first edition distributed for the Friends of the Brigham Young University Library by W. Thomas Taylor. Specially bound in quarter goatskin, with an original leaf from the 1524 Colines edition..... More
London: Arthur Press, 1930. Small quarto. 625pp. One of 750 copies. Signed by the author. A fictional social criticism of the childishness of the so-called "gossip-column class" after the Great War. Bound in orange and white cloth with titles in blue at spine. Some soiling to text block, else very..... More
(NY): Limited Editions Club, 1990. Small quarto. 183pp. One of 375 copies, signed by the artist. Illustrated with eight lithographs by John Hejduk, printed at Pondside Press by Melissa and Ted Braggins. With an Afterword by David Shapiro. Mann's text is printed in black, while Shapiro's appears in brown. Bound..... More
