There is a deceptively simple goal for the collector of first editions: to obtain the earliest printed form of a work of literature, in as close to the condition it was in when it first appeared in bookstores as a new book. Dig deeper, though, and you find that the first edition collector also has an interest in ...
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Boston: James R. Osgood and Company, 1883. Octavo. First edition of the second Uncle Remus collection of stories. Widely illustrated with scenes from the familiar tales, including images of Brother Fox, Brother Bear, and Brother Rabbit. Bound in full yellow cloth elaborately stamped in black and with the title in..... More
Boston: Houghton, Mifflin and Company, 1892. Octavo. First edition of Harris's third collection of Uncle Remus stories. Illustrated with twelve plates, including a frontispiece, by popular illustrator and comics artist A. B. Frost. Replete with the well-known moralizing short stories and jolly songs. Bound in green cloth decorated in black..... More
NY: D. Appleton and Company, 1881. Octavo. 231pp. First edition, first issue, of Harris' first book and the introduction of the character of Uncle Remus. With frontispiece and seven plates, title-page vignette, and numerous line illustrations throughout the text. Original green cloth, spine gilt-lettered and front cover stamped in black..... More
On a sheet of blue paper measuring 9 1/8 by 7 3/4 inches, matted and framed. This brief letter, written from the American Consulate in Liverpool, is dated 2 January, 1856, and is addressed to the Collector of Customs in New York. The content concerns a Certificate of Registry for..... More
London: Rainbow Press, 1975. First edition. One of 150 copies signed by the author. With full page two-color illustrations by Barrie Cooke. Handsomely printed early limited edition prints eight poems thematically related to Heaney's poetic pursuit of the archaeology of Ireland's violent past. These poems were published a month ahead..... More
1963-2013. Contains 135 discrete volumes of the Irish Nobel Laureate's primary works of poetry and essays. These titles are represented in their first editions and subsequent issues (English and/or American), as well as some proofs and other variants. In addition to the signed, limited editions, quite a number of the..... More
NY: Oxford University Press, 1966. Octavo. First American edition. One of 1,000 copies comprised of sheets from the first edition with a new title page. This is Heaney's first commercially produced verse collection, preceded by Eleven Poems, a pamphlet published by Queen's University in Belfast. The future Nobel Laureate's richly..... More
London and Boston: Faber & Faber, 1980. Octavo. 136pp. First edition, in first issue dust wrapper. Contains selections from Death of a Naturalist, Door into the Dark, Wintering Out, and North. Very light wear to top and bottom of spine, else fine in blue cloth-covered boards, gilt-titled to spine. Dust..... More
Dublin: Hieroglyph Editions Ltd, 1991. First edition. From an edition of 100 copies, this is one of 60 that were offered for sale. Illustrated with four lithographs by Felim Egan, who designed the book. Signed by Heaney and Egan. This is the first separate appearance of twelve poems from the..... More
Dublin: Andrew Carpenter, 1979. First edition. From an edition of 125, this is one of 30 copies issued in black morocco and offered for sale. Illustrated with two lithographs by Louis Le Brocquy. Signed by Heaney, Le Brocquy, Liam Miller the designer, and the publisher, Andrew Carpenter. The book was..... More
Boston: James R. Osgood and Company, 1884. Small quarto. First edition, first issue, of the author's first book. Stories taken from Indian, Buddhist, Muslim, and Jewish traditions, as well as from the Finnish Kalewala. Tidily bound in yellow cloth stamped in black. Soiling to exterior, else near fine. More
Hicksville, NY: Gnome Press, 1959. First edition. Inscription of publisher, Martin Greenberg, on front paste-down identifies this as the publisher’s file copy. Gnome Press, though short-lived, was responsible for the publication of many significant works in the Golden Age of science fiction. Their output included Arthur C. Clarke’s The Sands..... More
NY: House of Books, 1933. First edition, limited to 300 copies. This rather grim tale appeared again later the same year, slightly revised and censored, in Hemingway's collection "Winner Take Nothing." Light fading to spine of red cloth boards, else near fine. (Grissom A.11.1.A). More
NY: Scribner's, 1935. First edition. Decorations by Edward Shenton. The green cloth covers are faded, as usual, else a fine copy in a price-clipped dust jacket which shows light wrinkling along extremities. Housed in a cloth slipcase. (Grissom A.13.1.a). More
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Boston: Bromer Booksellers, 2011. Octavo. 408pp. First trade edition. Aun Aprendo: A Comprehensive Bibliography of the Writings of Aldous Leonard Huxley is the culmination of over twenty years of research, fact-finding, and detective work undertaken by David J. Bromer. With over 2,000 entries, Aun Aprendo is the most current and..... More
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Boston: Bromer Booksellers, 2011. Octavo. 408pp. One of 50 deluxe copies signed by the bibliographer, of which 40 are available for sale. The deluxe edition includes a previously unpublished poem by Huxley dedicated to his first wife Maria. Aun Aprendo: A Comprehensive Bibliography of the Writings of Aldous Leonard Huxley..... More
(1931-1935). Quarto. (10)ff. The titles are: "Good Conversation" (August, 1931); "Drugs" (December, 1931); "The Angry Ape" (1931); "On Being the Right Size" (February, 1932); "Forewarned is not Fore-armed" (April 1932); "Love: a Fashion Forecast" (June, 1932); "The Cunning of the Oriental" (1932); "Bull Fights and Democracy" (October, 1932); "The Cult..... More
(Portland, OR): The Chamberlain Press, 1987. Small quarto. (28)pp. One of 200 copies. Signed by Chamberlain. Beautifully illustrated with color linoleum cuts by Chamberlain, many of which cover three-quarters of a page. All are printed with the rhymes within a color decorated border. Very fine in blue cloth-backed boards. Two..... More
Poestenkill, NY: Kaldewey Press, 1989. Oblong folio. 106pp. One of twenty deluxe copies printed on papier de Chine and bound in flexible blue textured leather by Christian Zwang. With twenty-five linoleum cuts in several colors by Kim Keever. Signed by the artist. Keever's linocuts draw directly from the theme of..... More
Adelaide, Australia; Westport, CT: 1948, 1952. Two typed letters, (3)ff., (2)ff., signed by Helen Keller, plus (1)ff. autograph note, signed, from Keller's assistant and companion, Polly Thompson., and a typed transcript of that note. As a world-famous speaker, author, and advocate for persons with disabilities, Keller traveled to more than..... More
(Hammersmith: Kelmscott Press, 1895). Quarto. (iv), 355pp. One of 200 copies. Printed in red and black, with two full-page illustrations by Edward Burne-Jones and initials and decorations by William Morris. A beautiful and highly prized volume, originally intended to be part of The Earthly Paradise. Overall, a fine copy in..... More
Portland, ME: Baxter Society, 1990. Octavo. (15)ff. One of 500 copies. Facsimile publication, authorized by the Rockwell Kent Legacies, of an illustrated manuscript produced in 1917 and never published. Introduction by Sally Kent Gorton. A very fine copy in cloth-backed blue boards. Accompanied by a 36-page illustrated "Companion Booklet" in..... More
NY: Harcourt, Brace & World, Inc., 1966. First edition. Author’s signature laid in. First appearing as a short story in 1959, this first expanded edition of Flowers for Algernon earned immediate acclaim, becoming a joint winner of the 1966 Nebula Award for Best Novel. Written as a series of journal..... More
NY: Ursus Books, 2007. 15pp. From an edition of 74 copies, this is one of 50 numbered copies, signed by the artist, Joseph Goldyne, and the designer, Peter Rutledge Koch. Illustrated with a signed etching by Goldyne titled "As the Blind Remember," printed on seventeenth-century paper and tipped in as..... More
(Torrance, CA): Labyrinth Editions, 1980. Folio. 28ff., frenchfold. One of 250 copies, signed by the poet and the artist. Designed and printed in two colors by Richard Bigus. Killion's beautifully executed, white-line linocuts are printed in dark blue. The title illustration is a triptych of the crucifixion, on a two-page..... More
