Most people, when asked about their favorite book, will invariably include a book they read as a child. Hemingway famously proclaimed that "All modern American literature comes from one book by Mark Twain called Huckleberry Finn". Twain's book, like its predecessor, The Adventures of Tom Sawyer, were books whose intended audience was young readers. Such books speak to us on multiple levels. As literature, they are well-crafted and clever with memorable characters and conflicts, but they matter to us for more than these reasons because we discovered them at a formative period of our lives. Their ideas helped to form our own, and so they are more personal ...
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Ashland, OR: Jubilation Press, (2010). Square octavo. (15)ff., accordionfold. One of 100 copies. This brightly-colored abecedarium is a celebration of boys' creative, youthful spirits. Each letter is illustrated and surrounded by phrases and words beginning with that letter. For example, the letter "I" shows a child ice skating with his... More
NY: Shackman, 1967. An uncut rectangle of cloth printed with three replicas of large, antique doll patterns, measuring 18 by 24 inches. The dolls are elaborately costumed in fancy nineteenth-century dresses with puffed sleeves and full skirts: one wears a dress with a tiered skirt trimmed with lace, a lace... More
London: Pollock's Rag Toys, 1967. Two hand-printed pieces of cloth with uncut patterns for very large rag dolls, measuring 22 by 25 inches. The costume styles date from the early nineteenth century. The first pattern, Little Lizzie, is a young girl dressed in a Regency-style empire dress in a blue... More
NY: E. P. Dutton and Company, (c. 1870's). 16mo. (62)pp., including illustrations and advertisements. Part of the "Our Boy's Little Library" series. Copiously illustrated with nearly forty black & white engravings and sixteen three-line initials. Artists include noted English engravers Kate Greenaway, Robert Paterson, William Luson Thomas, and George Pearson... More
W. Somerville, MA: H. A. Chamberlin, (c. 1880). A child's spelling aid, with twenty-six color illustrations of animals and people. Printed on heavy card stock and edged in metal, the disk consists of five concentric circles. The outermost circle bears illustrations and labels of animals, such as a lion, an... More
Hamburg: Frederic Perthes, (c. 1833). Octavo. vi, (104), 32pp. French translation of German fables by Wilhelm Hey, printed on rectos only and accompanied by charming wood engravings by Otto Speckter. According to Hobbs, these fables “were originally devised not for publication but to cheer up [the author’s] children, sick with... More
(Moscow: 1929). Six pen-and-ink drawings colored with watercolor, with an expressionistic look, each measuring 7 3/4 by 6 1/2 inches. These delicate, stylized illustrations are tinted with shades of orange, purple, and green. The first drawing has the title and illustrator’s name, Ausbrey, below it in Russian. The images recount... More
(N.P. Interprint, late 20th century). Quarto. 23pp. One of 300 copies designed by Sarah Janson. This book is dedicated to Nina Vaughan, who died in 1970 at the age of 25, shortly after completing the image around which the story is based. The fantastical picture and the accompanying story, "represents... More
(Hamburg): Raamin-Presse, 1982. Folio. xxxipp. From an edition of 220 copies, this is one of 40 copies signed by Quadflieg with an additional suite of the illustrations for the historiated initials printed on a single sheet, also signed by Quadflieg. Printed and illustrated with historiated initials by Roswitha Quadflieg. Grimm's... More
(Germany): 1835. A dark-stained oak stick, carved with a Roman-letter alphabet in relief on one side. Two opposite sides are decorated with floral and foliate designs, and the side opposite the alphabet is carved with the name "Maria Magdalena Buder" and the year 1835. The body has a square, tapering... More
Print Club of Cleveland, 1950. Woodcut measuring 21 by 14 1/2 inches. One of 250 copies, signed and dated by Antonio Frasconi, an artist born in Uruguay and known for his distinctive woodcuts and numerous illustrated books for children. In this depiction of Aesop’s fable, a hungry, curvaceous crocodile tempts... More
Boston: Lee & Shepard, 1885. Octavo. (xii), 373pp. Illustrated throughout with black & white plates. An adventure tale of a Vermont man's shipwreck and survival on a Pacific island. Bound in illustrated light brown cloth, gilt-decorated to spine. Spine slightly cocked and some light edgewear, else about fine. More
London: H. Teape, (c. 1810). A set of 100 cards, fifty with questions and fifty with matching answers, designed to be played by a group of people. The questions concern various significant individuals and events in the history of Britain, including questions of the dispositions and moralities of certain rulers... More
London: John Bowles, (c. 1752-1763). A board game requiring its players to roll dice to move around a track. The aim of the game is to reach square number 63 first, without being overtaken by another player or running into obstacles, such as the alehouse, the prison, the maze, and... More
Amsterdam: J. Vlieger, (c. 1890s). Folio. 1ff. Lithographic sheet game board, measuring 22 1/2 by 17 inches (571x431mm), released by Dutch board game publisher J. Vlieger. A variation of the classic Royal Game of the Goose, in which players take turns rolling dice to progress forward from space 1 to... More
Paris: Librairie Gründ, 1950. Quarto. 237pp., + 48 plates, nine of which are in color. One of 700 copies. This authoritative text and bibliography on the French “Game of the Goose” and its derivatives is illustrated throughout with images relating to the game, including many whimsical geese. The plates are... More
(Middle Falls, NY): Toy Works, 1980. This bean bag toy of a bat with outstretched wings measures approximately fifteen inches from wingtip to wingtip. The fabric is printed with a black and white crosshatched pattern that is shaded on the wings and body to give the figure more dimensionality, evoking... More
NY: G.P. Putnam's Sons, 1968. Square octavo. (88)pp. First edition. Inscribed by the author/illustrator, Hardie Gramatky, on the title page, with an ink drawing of Little Toot. Third in the series of children's books that started with 1939's Little Toot, Little Toot on the Grand Canal tells the story of... More
NY: G.P. Putnam's Sons, 1973. Square octavo. (88)pp. First edition. Inscribed by the author/illustrator, Hardie Gramatky, on the title page, with an ink drawing of Little Toot. Fourth in the series of children's books that started with 1939's Little Toot, Little Toot on the Mississippi tells the story of the... More
A collection of sixteen vibrant watercolor designs by Vernon Grant for an apparently unpublished children's book called "The Two Elves." Grant was one of the most popular illustrators of the mid-20th century, and his distinctive whimsical style influenced many of his contemporaries, including Walt Disney. Grant is perhaps best known... More
(c. 1895). A wooden folding fan with a printed satin leaf showing three scenes of children at play, illustrated in the style of Kate Greenaway. The image is in muted shades of red, pink, green, blue, and orange and depicts boys and girls in typical Greenaway period dress of bonnets... More
London: Routledge, 1882-1895, 1897. Fourteen 24mo. volumes. All in first issue bindings with the following exceptions: 1884 is the fifth variant; 1886 is the third variant; 1888 is the seventh variant; 1893 is the second variant. Each volume is illustrated throughout with full-color images by Greenaway, many of which are... More
London: Max Parrish, 1953. Small quarto. (36)pp. First edition. Publisher’s production file copy, as noted in ink on the front endpaper and the upper front panel of the dust wrapper. At the top of each page, the color register is written out with a double set of check marks. The... More
Bern & Biel, Switzerland: Ernst Kuhn, 1920. Square 16mo. (45)ff., printed on rectos only. First issue. A striking picture book in the Swiss dialect, illustrated with forty-two brightly colored full-page woodcuts by Erna Haas in the style of the Wiener Werkstätte. The scenes depicted in the woodcuts are charming and... More
London: Dean & Son, (c. 1910). Tall quarto. 12ff. First edition. Illustrated throughout in color and black & white by Gladys Hall and Eugenie Richards. A series of poems that follow the activities of the cherubic Peggy and Teddy. The artwork by Hall and Richards is dramatically similar to that... More
