Most people, when asked about their favorite book, will invariably include a book they read as a child. Hemingway famously proclaimed that "All modern American literature comes from one book by Mark Twain called Huckleberry Finn". Twain's book, like its predecessor, The Adventures of Tom Sawyer, were books whose intended audience was young readers. Such books speak to us on multiple levels. As literature, they are well-crafted and clever with memorable characters and conflicts, but they matter to us for more than these reasons because we discovered them at a formative period of our lives. Their ideas helped to form our own, and so they are more personal ...
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(Akron, OH): John Davey, 1905. Octavo. 165pp. Inscribed by the author to Richard Mickey and dated October 14th, 1916. The inscription reads, "From every tree and plant & flower / We learn of Wisdom, skill & power, / And from the starry host above / We hear the voice that... More
London: Dean and Son / W. Kent & Co., (c. 1860). Octavo. Three volumes in one. (24); 30; (32)pp. A collection of three illustrated children's books published together by Dean and Son under the name Dean's Coloured Picture Book: The Home First Book. The titles herein are "The Nursery ABC... More
Ashland, OR: Jubilation Press, (2010). Square octavo. (15)ff., accordion-fold. One of 100 copies. This brightly-colored abecedarium is a celebration of boys' creative, youthful spirits. Each letter is illustrated and surrounded by phrases and words beginning with that letter. For example, the letter "I" shows a child ice skating with his... More
NY: Shackman, 1967. An uncut rectangle of cloth printed with three replicas of large, antique doll patterns, measuring 18 by 24 inches. The dolls are elaborately costumed in fancy nineteenth-century dresses with puffed sleeves and full skirts: one wears a dress with a tiered skirt trimmed with lace, a lace... More
London: Pollock's Rag Toys, 1967. Two hand-printed pieces of cloth with uncut patterns for very large rag dolls, measuring 22 by 25 inches. The costume styles date from the early nineteenth century. The first pattern, Little Lizzie, is a young girl dressed in a Regency-style empire dress in a blue... More
NY: E. P. Dutton and Company, (c. 1870's). 16mo. (62)pp., including illustrations and advertisements. Part of the "Our Boy's Little Library" series. Copiously illustrated with nearly forty black & white engravings and sixteen three-line initials. Artists include noted English engravers Kate Greenaway, Robert Paterson, William Luson Thomas, and George Pearson... More
Hamburg: Frederic Perthes, (c. 1833). Octavo. vi, (104), 32pp. French translation of German fables by Wilhelm Hey, printed on rectos only and accompanied by charming wood engravings by Otto Speckter. According to Hobbs, these fables “were originally devised not for publication but to cheer up [the author’s] children, sick with..... More
(Moscow: 1929). Six pen-and-ink drawings colored with watercolor, with an expressionistic look, each measuring 7 3/4 by 6 1/2 inches. These delicate, stylized illustrations are tinted with shades of orange, purple, and green. The first drawing has the title and illustrator’s name, Ausbrey, below it in Russian. The images recount... More
(N.P. Interprint, late 20th century). Quarto. 23pp. One of 300 copies designed by Sarah Janson. This book is dedicated to Nina Vaughan, who died in 1970 at the age of 25, shortly after completing the image around which the story is based. The fantastical picture and the accompanying story, "represents... More
(N.p. Michael Mar Press, 1977). Small quarto. (16)ff. One of twelve copies, hand-produced by jewelry designer Michael Dorsa and bookbinder Margaret Rhein. With twelve color illustrations. The text and images were both from an original work written and drawn in 1964 by Mike Dorsa and Tom Warner, age nine. In... More
(Hamburg): Raamin-Presse, 1982. Folio. xxxxi, (7)pp. From an edition of 220 copies, this is one of forty copies signed by the printer and illustrator, Roswitha Quadflieg, with an additional suite of illustrations for the historiated initials printed on a single sheet, also signed by Quadflieg. The Grimm Brothers' tale is... More
(Germany): 1835. A dark-stained oak stick, carved with a Roman-letter alphabet in relief on one side. Two opposite sides are decorated with floral and foliate designs, and the side opposite the alphabet is carved with the name "Maria Magdalena Buder" and the year 1835. The body has a square, tapering... More
Print Club of Cleveland, 1950. Woodcut measuring 21 by 14 1/2 inches. One of 250 copies, signed and dated by Antonio Frasconi, an artist born in Uruguay and known for his distinctive woodcuts and numerous illustrated books for children. In this depiction of Aesop’s fable, a hungry, curvaceous crocodile tempts... More
Boston: Lee & Shepard, 1885. Octavo. (xii), 373pp. Illustrated throughout with black & white plates. An adventure tale of a Vermont man's shipwreck and survival on a Pacific island. Bound in illustrated light brown cloth, gilt-decorated to spine. Spine slightly cocked and some light edgewear, else about fine. More
Kansas: 1898-1899. Oblong octavo. (19)ff. A double accordion-fold album of thirty-one woven paper designs in brown and coral. Included in this group are two weavings with movable elements, and one in the form of a frame with an image in the center. These examples of a popular kindergarten activity were... More
Amsterdam: J. Vlieger, (c. 1890s). Folio. 1ff. Lithographic sheet game board, measuring 22 1/2 by 17 inches (571x431mm), released by Dutch board game publisher J. Vlieger. A variation of the classic Royal Game of the Goose, in which players take turns rolling dice to progress forward from space 1 to... More
Paris: Librairie Gründ, 1950. Quarto. 237pp., + 48 plates, nine of which are in color. One of 700 copies. This authoritative text and bibliography on the French “Game of the Goose” and its derivatives is illustrated throughout with images relating to the game, including many whimsical geese. The plates are... More
Reading, MA: Young Scott Books, 1971. First edition thus. Signed by Gorey on the title-page. With Gorey's large color illustrations surrounding Ennis Rees' whimsical poetic interpretations of Aesop. Near fine in orange pictorial boards and matching very good dust wrapper. (Toledano B47a). More
Garden City, NY: Doubleday, 1963. First edition. Illustrated by Pat Marriott, with jacket design by Gorey. Bound in red cloth over boards with black wolf stamped to upper cover. General mild edgewear, else very good in very good price-clipped dust wrapper. (Toledano D-Aiken). More
NY: Meredith Press, 1968. First edition. "An opera book without libretto or score". Some edgewear to book, slight splay to upper board, else very good in very good dust wrapper. (Toledano A27a). More
NY: Adama Books, 1987. Illustrated with red, blue, and yellow bugs in all sorts of activities as they strive to maintain the order of their community social life. In white pictorial boards, slightly skewed, with some foxing to text block. Very good. (Toledano A5c). More
NY: Meredith Press, 1967. First edition. "In which a self-banished cat named Fletcher and the exquisite Zenobia...find their transport to delight atop a huge and magnificent tree." Near fine, in pictorial boards with matching very good dust wrapper. (Toledano A25). More
NY: Harcourt Brace, 1999. First edition. One of twenty-six lettered copies, signed by Gorey. An adventure in verse of a man and his companion, the Bahhumbug. The end of their journey marks the start of the new millennium. With Bahhumbug beanbag toy, well-dressed in suit, tie, and spats, and standing... More
NY: Simon and Schuster, 1968. First edition. "Perfectly incomplete in itself....full of mysteries and enigmas which are not solved, of secrets and short cuts that are never explained." Faint staining to initial pages and to head and tail of spine, else near fine in very good dust wrapper. (Toledano A29a)..... More
c. 1964. Four sheets, three of which measure 8 1/2 by 11 inches; the single sheet of text is smaller, measuring 8 by 6 inches, and is on blue paper. The pages reveal the unfolding of Gorey's creative process in developing the story and preliminary illustrations for his book, The... More
