Most people, when asked about their favorite book, will invariably include a book they read as a child. Hemingway famously proclaimed that "All modern American literature comes from one book by Mark Twain called Huckleberry Finn". Twain's book, like its predecessor, The Adventures of Tom Sawyer, were books whose intended audience was young readers. Such books speak to us on multiple levels. As literature, they are well-crafted and clever with memorable characters and conflicts, but they matter to us for more than these reasons because we discovered them at a formative period of our lives. Their ideas helped to form our own, and so they are more personal ...
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Boston: Lee & Shepard, 1885. Octavo. (xii), 373pp. Illustrated throughout with black & white plates. An adventure tale of a Vermont man's shipwreck and survival on a Pacific island. Bound in illustrated light brown cloth, gilt-decorated to spine. Spine slightly cocked and some light edgewear, else about fine. More
Kansas: 1898-1899. Oblong octavo. (19)ff. A double accordion-fold album of thirty-one woven paper designs in brown and coral. Included in this group are two weavings with movable elements, and one in the form of a frame with an image in the center. These examples of a popular kindergarten activity were..... More
Amsterdam: J. Vlieger, (c. 1890s). Folio. 1ff. Lithographic sheet game board, measuring 22 1/2 by 17 inches (571x431mm), released by Dutch board game publisher J. Vlieger. A variation of the classic Royal Game of the Goose, in which players take turns rolling dice to progress forward from space 1 to..... More
Paris: Librairie Gründ, 1950. Quarto. 237pp., + 48 plates, nine of which are in color. One of 700 copies. This authoritative text and bibliography on the French “Game of the Goose” and its derivatives is illustrated throughout with images relating to the game, including many whimsical geese. The plates are..... More
c. 1964. Four sheets, three of which measure 8 1/2 by 11 inches; the single sheet of text is smaller, measuring 8 by 6 inches, and is on blue paper. The pages reveal the unfolding of Gorey's creative process in developing the story and preliminary illustrations for his book, The..... More
NY: Young Scott, 1967. First edition. Signed by Gorey. A lively retelling of some of the most well-known fables from the American South. Spot of soiling to spine, else near fine in illustrated library binding, as issued. (Toledano B31a). More
NY: G.P. Putnam's Sons, 1968. Square octavo. (88)pp. First edition. Inscribed by the author/illustrator, Hardie Gramatky, on the title page, with an ink drawing of Little Toot. Third in the series of children's books that started with 1939's Little Toot, Little Toot on the Grand Canal tells the story of..... More
NY: G.P. Putnam's Sons, 1973. Square octavo. (88)pp. First edition. Inscribed by the author/illustrator, Hardie Gramatky, on the title page, with an ink drawing of Little Toot. Fourth in the series of children's books that started with 1939's Little Toot, Little Toot on the Mississippi tells the story of the..... More
NY: E. P. Dutton and Company, (c. 1870's). 16mo. (62)pp., including illustrations and advertisements. Part of the "Our Boy's Little Library" series. Copiously illustrated with nearly forty black & white engravings and sixteen three-line initials. Artists include noted English engravers Kate Greenaway, Robert Paterson, William Luson Thomas, and George Pearson..... More
NY: McLoughlin Bros. Octavo. (34)pp. A collection of uncolored images, two to six per page, which a child is invited to paint with watercolors. The interior of the front cover lays out the purpose of the book, along with a list of suggested colors and tools, and offers instructions for..... More
London: Routledge, 1882-1895, 1897. Fourteen 24mo. volumes. All in first issue bindings with the following exceptions: 1884 is the fifth variant; 1886 is the third variant; 1888 is the seventh variant; 1893 is the second variant. Each volume is illustrated throughout with full-color images by Greenaway, many of which are..... More
London: Max Parrish, 1953. Small quarto. (36)pp. First edition. Publisher’s production file copy, as noted in ink on the front endpaper and the upper front panel of the dust wrapper. At the top of each page, the color register is written out with a double set of check marks. The..... More
Bern & Biel, Switzerland: Ernst Kuhn, 1920. Square 16mo. (45)ff., printed on rectos only. First issue. A striking picture book in the Swiss dialect, illustrated with forty-two brightly colored full-page woodcuts by Erna Haas in the style of the Wiener Werkstätte. The scenes depicted in the woodcuts are charming and..... More
London: Dean & Son, (c. 1910). Tall quarto. 12ff. First edition. Illustrated throughout in color and black & white by Gladys Hall and Eugenie Richards. A series of poems that follow the activities of the cherubic Peggy and Teddy. The artwork by Hall and Richards is dramatically similar to that..... More
London: Laurie & Whittle, 1807. 1ff. Framed engraved writing sheet with a mirror over the blank area in the center usually reserved for examples of penmanship. The mirror is near-contemporary to the writing sheet, and together they create an attractive piece that perhaps could have served as decoration in a...... More
London: Grant Richards, 1904. 103pp. A comical miniature illustrating the inhabitants of London and poking fun at everyone from the telegraph boy to the sentry at Buckingham Palace. Full-page color plates by the famous British poster artist and illustrator John Hassall are accompanied by rhyming verses. In a limerick about..... More
Boston: Ticknor, Reed, & Fields, 1852. Octavo. vi, (7), 256pp. First edition. First issue, with “lifed” for “lifted” on page 21, line 3. Illustrated with a frontispiece and six plates after designs by Hammat Billings. Hawthorne’s groundbreaking attempt to retell Greek myths in a style suitable for children met with..... More
Franklin, NH: Hillside Press, 1967. 51pp. One of 210 copies. With four full-page black and white illustrations. A fine copy in gilt-stamped polished navy blue leather. (2 5/16 by 1 7/8; 59x47mm). More
Franklin, NH: Hillside Press, 1963. 64pp. One of 350 copies. The second book of the Press. Contains six little-known tales taken from a miniature edition published in Boston, 1863, and wood-engraved vignettes from the same source. Fine in pictorial boards backed in cloth. (2 5/16 by 1 7/8; 59x48mm). More
Buffalo: Hillside Press, 1978. 50pp. One of 250 copies. A version of the Arabian nights, illustrated in black & white. Fine in olive green cloth. (2 1/4 by 2; 59x49mm). More
Charlestown, MA: Hobbs, George W., (1850). 64mo. (32)pp. Illustrated with hand-colored vignettes at the top of each page, along with two full-page frontispieces and two interior titles. The stated title has been taken from the upper board, but the text itself is divided into two separate stories: "The Little Reward"..... More
Easton, PA: Michael F. Bixler, 1966. Quarto. 16pp. One of 100 copies. Signed by the printer. The much-beloved Christmas tale, as retold by Alexandre Dumas and adapted for this edition. Opening nine-line initial, plus three six-line initials, all printed in blue.General edgewear, else very good in red paper wrappers. Two..... More
Boston: Henry Hoyt, (1860). 12mo. 164pp. Each lesson is illustrated with wood engravings, and contain passages from the New Testament followed by questions and an explanatory verse. There was a second edition of this work published in 1876, issued by Hoyt's successor. This edition is known in six institutional holdings..... More
NY: Tuffy Books, 1990. Octavo-sized Tuffy Tote Book with accompanying design templates and original artwork. Book is (12)pp. These items demonstrate the design process for children's board books, with particular attention in the templates to text layout, branding, and die-cuts that enhance illustrations on either side of a page. The..... More
1935-1938. Six original paintings, all signed by the artist. This set of paintings vividly depicts six different puppets, each with caricatured features reminiscent of the traditional style of Punch and Judy: rosy cheeks, mitten-hands, and large eyes and mouths. The six images display a nurse with an infant, a jester..... More
