Most people, when asked about their favorite book, will invariably include a book they read as a child. Hemingway famously proclaimed that "All modern American literature comes from one book by Mark Twain called Huckleberry Finn". Twain's book, like its predecessor, The Adventures of Tom Sawyer, were books whose intended audience was young readers. Such books speak to us on multiple levels. As literature, they are well-crafted and clever with memorable characters and conflicts, but they matter to us for more than these reasons because we discovered them at a formative period of our lives. Their ideas helped to form our own, and so they are more personal ...
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Buenos Aires: Editorial Sudamericana, 1939. Four quarto vols. (26); (28); (24); (26)pp. A collection of four children's titles, each robustly illustrated with vibrant color images by Ballester Peña. The titles are: 1. Historia del General San Martín. An approachable retelling of José de San Martín's heroics in the liberation of..... More
Springfield, MA: McLoughlin Bros. 1926. Octavo. (96)pp. One of one thousand copies of the "limited autograph edition," and thusly signed by the author. A delightful collection of rhymes for children, accompanied throughout by Sturges' fanciful illustrations as chromolithographs, with one unfortunate example of a racist depiction of a Black person..... More
NY: Frederick A. Stokes Company, 1932. Octavo. 31pp. The twenty-seven pages of text are joined by twenty-seven reproduced drawings by Vivier, who illustrates scenes from President Lincoln's life in his characteristic silhouette style. Both the images and the text evoke Lincoln the legend as much as Lincoln the man. Bound..... More
Barcelona: Editorial Vallès, S. L., 1959. 119, (9)pp. Fourteenth edition. A rather rare child's breviary, printed in Spanish, with occasional full-page illustrations throughout depicting daily activities proper for a good Catholic child, as well as the various rites and sacraments of the Church. Bound in purple pebbled cloth over boards..... More
Yorkshire: Taylors Printers, (c. 1930). Six vibrant posters advertising pantomime shows with familiar titles: Goldilocks, Red Riding Hood, Aladdin, Babes in the Wood, Jack and the Beanstalk, and Mother Goose. For all except Babes in the Wood and Mother Goose, the story's protagonist, regardless of gender, has been replaced by..... More
Mainz: Jos. Scholz, (c. 1890). Four stand-up scenes with forty-five die-cut paper figures, which can be used to stage the fairy tale of Snow White. The pieces include thirteen two-sided figures for our major players, including Snow White, the Seven Dwarves, Prince Charming, and the Evil Queen; six additional one-sided..... More
London: A. Park, c. 1840. Quarto. 6ff. First and last page pasted to inside covers. Illustrated with sixteen handcolored lithographed engravings, presumably by the publisher, Arthur Park, an engraver, lithographer, and artist who produced figures and scenes for juvenile toy theaters. He emigrated to America in 1842. Part of the..... More
NY: Century Co., (c. 1933). Octavo. (x), 246pp. Copiously illustrated by Palmer Cox. This was the first adventure of the Brownies written in prose, and it is advertised as having "a detailed, connected story, with a beginning, a middle and an end." A later issue, with the text, binding, and..... More
Chelsea: (Southernwood Press, c. 1915). Small quarto. (23)ff. One of thirty copies printed on handmade paper. Illustrated throughout by Josephine Winser. The drawings illustrate popular nursery rhymes, including Humpty Dumpty, Baa Baa Black Sheep, Jack & Jill, and Sing a Song of Sixpence. Children take center stage in these depictions..... More
London: Darton, 1811. 32mo. 16pp., + 16 inserted plates. Each engraved image depicts the titular good boy engaged in less desirable activities, such as throwing stones, feeding scraps to the family pet, and drawing on the walls. Each is accompanied by a pithy couplet drawn from the soliloquy. The author..... More
Pasadena: Dawson's Book Shop, 1965. 21pp. Illustrated with drawings by Cheney, printed in brown. The text is in the original French. Printed on vellum and bound in full limp vellum with gold title on spine. A fine copy of a very small, elegant volume. (1 7/16 by 1 1/16; 37x27mm.)..... More
(London): Dean & Son, (1860). Octavo. (6)ff. A collection of hand-colored engravings accompanied by rhyming stories about fictional people. Each story adopts a humorous tone, though some also bear moral lessons. Throughout its nineteenth-century lifespan, the publishing firm of Dean and Son specialized in innovative printing processes used in the..... More
London: Dean and Son / W. Kent & Co., (c. 1860). Octavo. Three volumes in one. (24); 30; (32)pp. A collection of three illustrated children's books published together by Dean & Son under the name Dean's Coloured Picture Book: The Home First Book. The titles herein are "The Nursery ABC..... More
London: Dean & Son, (c. 1910). Tall quarto. 12ff. First edition. Illustrated throughout in color and black & white by Gladys Hall and Eugenie Richards. A series of poems that follow the activities of the cherubic Peggy and Teddy. The artwork by Hall and Richards is dramatically similar to that..... More
Paris: Guérin Müller & Co, c. 1865. Small quarto. 8ff., printed one side only, with a pop-up image folded over the text. Each pop-up consists of three layers: a background, a middle ground with the characters of the particular scene, and the foreground with small landscape elements at ground level..... More
London: Dean and Sons, (c. 1880). 24mo. (6)pp. One of Dean and Son's Children's Coloured Toy Books. Six hand-colored illustrations accompany verses narrating the idiosyncracies and activities of the adventurous, but nonetheless neat, Henry. Dean also published this title as part of their series of Untearable Coloured Toy Books, which..... More
Ashland, OR: Jubilation Press, (2010). Square octavo. (15)ff., frenchfold. One of 100 copies. This brightly-colored abecedarium is a celebration of the creative, youthful spirits of boys. Each letter is illustrated and surrounded by phrases and words beginning with that letter: the letter "I" shows a child ice skating with his..... More
Paris: Didot, Typographie de Firmin, (c. 1810). 124pp. Eight engravings on beige paper. The absurd adventures of Pierrot, born from a turkey's egg to La Fee Gourmande, and dedicated to gourmandise from that moment on, until his gluttony proves too much and dooms him. In a later binding of brown..... More
NY: Shackman, 1967. An uncut rectangle of cloth printed with three replicas of large, antique doll patterns, measuring 18 by 24 inches. The dolls are elaborately costumed in fancy nineteenth-century dresses with puffed sleeves and full skirts: one wears a dress with a tiered skirt trimmed with lace, a lace..... More
London: Pollock's Rag Toys, 1967. Two hand-printed pieces of cloth with uncut patterns for very large rag dolls, measuring 22 by 25 inches. The costume styles date from the early nineteenth century. The first pattern, Little Lizzie, is a young girl dressed in a Regency-style empire dress in a blue..... More
Reading: Smart and Cowslade, 1792. First edition. The Preface notes that this series of versified history lessons is adapted from the Chronological and Historical Game of England, published by Dudley Adams. Once a young scholar has absorbed the mnemonic verse describing the monarch and his rule, they must then perform..... More
(NY: New Directions, 1969). Oblong quarto. 33pp. One of 100 copies printed at the Thistle Press and signed by the illustrator, Fritz Eichenberg. Illustrated with five full-page wood engravings in black & white. With an extra suite of the plates, each one signed by the artist. Suite is housed in..... More
(Essen): Hans Gerd Goldschmidt, 1979. 124pp. One of 500 copies. A selection of fables, rendered in German and illustrated with eight woodcuts. Bound in gilt-stamped brown leather with a printed dust wrapper and paper slipcase. Very fine. (2 1/4 by 1 5/8; 57x41mm). More
Leipzig: Pavla Riube, (c. 1880). Small quarto. 8pp., + six plates laid in throughout. The chromolithographed images illustrate the major events of the story commonly known to English-speaking audiences as "Sleeping Beauty," from the princess's birth, to the pricking of her finger on the spindle, and, finally, to her reawakening..... More
Print Club of Cleveland, 1950. Woodcut measuring 21 by 14 1/2 inches. One of 250 copies, signed and dated by Antonio Frasconi, an artist born in Uruguay and known for his distinctive woodcuts and numerous illustrated books for children. In this depiction of Aesop’s fable, a hungry, curvaceous crocodile tempts..... More
