Most people, when asked about their favorite book, will invariably include a book they read as a child. Hemingway famously proclaimed that "All modern American literature comes from one book by Mark Twain called Huckleberry Finn". Twain's book, like its predecessor, The Adventures of Tom Sawyer, were books whose intended audience was young readers. Such books speak to us on multiple levels. As literature, they are well-crafted and clever with memorable characters and conflicts, but they matter to us for more than these reasons because we discovered them at a formative period of our lives. Their ideas helped to form our own, and so they are more personal ...
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NY: Kiggins & Kellogg, (c. 1865). 8pp. One full-page engraving and six half-page engravings. Each image is accompanied by explanatory text on the object's creation and function. Examples include a tub, a raft, and a bed. In plain paper wrappers, with advertisement for Kiggins & Kellogg at rear. Remarkably crisp..... More
NY: Kiggins & Kellogg. 64mo. 8pp. Illustrated with six woodcuts, plus a title-page vignette. The images are highly detailed for their small size—a ship at sea buffeted by rolling waves under thick clouds, and a fish at the end of a fishing line with an entire landscape scene behind it..... More
Philadelphia: Kimber and Conrad, (c. 1812). 24mo. (24)pp., partially unopened. Illustrated with twenty-two half-page wood engravings, each with a simple sentence underneath related to the image; also included is a full-page engraving on the title page. The woodcuts are all collected from other books. On the back of the title..... More
(1968). An uncommon die-cut pop-up card depicting a nativity scene set in ancient Bethlehem, beneath palm trees and a starry night sky. Cattle, goats, sheep, and an elephant surround the manger, as the magi and others bring gifts. Presiding over the scene is an angel carrying a banner proclaiming "Gloria..... More
Poughkeepsie, NY: Artists & Writers Guild, 1935. First American edition. Clare Leighton's children's story narrates the vengeance of a forest and all its creatures after a couple cuts it down in order to build a house. Leighton's woodcuts are here more cartoonish than in her "adult" work, but nevertheless bear..... More
London (but Hertfordshire): John Marshall (but Anne and Peter Stockham), 1801 (but 1976). One of forty-eight copies. In this "cabinet," there are two miniature books and a collection of twenty-eight hand-colored engravings of the objects listed in the books. The books are bound in full leather, one maroon and one..... More
New York: McLoughlin Bros. 1898. Small quarto. (12)ff. A painting book for children, including six color sample pages and six pages showing the same images as outlines. With faded hues similar to those in the full-color images, the outlines suggest colors for the young painter to use. The verso of..... More
Springfield, MA: McLoughlin Bros. 1940-1941. Four quarto volumes. (60)pp. each. Illustrated throughout in color and black & white. This set of four volumes come from the McLoughlin Bros. series "The Little Color Classics," with the titles "Raggedy Ann Helps Grandpa Hoppergrass" (#843), "Raggedy Ann and the Hoppy Toad" (#844), "Raggedy..... More
NY: McLoughlin Bros. (c. 1873). (12)pp. A chapbook of moral songs by Isaac Watts, illustrated with four color engravings. Part of a series of "Illuminated texts for Sunday school rewards" published by McLoughlin Brothers. Minor internal soiling, previous owner's stamp to inside rear wrapper, which has offset onto last page..... More
London: Vincent Brooks, Day & Son, (1891). Small quarto. 64pp. First edition. With photo-etched illustrations in black & white throughout by Mrs. E. M. Boyd, Mr. R. André, and by the poet, Louisa A. Meredith. Although born in Birmingham, England, Meredith moved to New South Wales, and then Tasmania, after..... More
Concord, NH: J. A. Merriam & Rufus Merrill, (c. 1855). Small octavo. 16pp. Wood engravings throughout illustrate the rhyming tale of two children lost in a forest, who are captured by ruffians before finding their way home again. The author, "H. S. B.", provides a preface asserting that this version..... More
Troy, NY: Merriam & Moore, (c. 1830). 24mo. 12pp. Replete with engravings, including two on the verso of the title page. Seven of the engravings are by Alexander Anderson. This story was derived from Maria Edgeworth's "Frank," a collection of children's moral tales each involving the idyllic titular child. The..... More
Conway, MA: Robert L. Merriam, 1975. 24pp. One of 1000 copies. Every other page illustrated with quaint scenes from the moral tale. Bound in pale paper wrappers and housed in yellow paper slipcase. Fine. (2 7/16 by 1 11/16; 62x44mm). More
Wendell, MA: J. Metcalf, 1828. 16mo. 16pp. Illustrated with numerous woodcut vignettes. The text consists of two stories: that of William and Ellen, who are made to suffer a number of unfortunate mishaps as a result of the handiwork of a naughty boy, who gets his comeuppance in the end;..... More
(N.p. Michael Mar Press, 1977). Small quarto. (16)ff. One of twelve copies, hand-produced by jewelry designer Michael Dorsa and bookbinder Margaret Rhein. With twelve color illustrations. The text and images were both from an original work written and drawn in 1964 by Mike Dorsa and Tom Warner, age nine. In..... More
Paris: Laurent et Deberny, 1850. 250pp. A beautiful edition, printed by Plon Frères in wonderfully clear type. A copy of this edition was shown as a star exhibit at the 1850 Paris Exposition, according to Bondy. This copy has a fore-edge painting by Martin Frost. In fine lines and with..... More
Buffalo, NY: Breed, Butler & Co., 1863. 61pp. A grandmother tells her grandson the story of a vain little girl in order to comfort him after an accident. Bound in gilt-decorated purple cloth. Covers faded and slightly rubbed, else a fine copy. A.e.g. With the signature of a youthful owner..... More
Paris: Michel Bertrand, (1946). Quarto. (10)ff. A collection of wise, wry poems for children, brightly illustrated in bold red, blue, green, and yellow by Boucard Moinet. The illustrations depict scenes of children at play: spinning around on a carousel, sailing boats on a pond in the park, and waving at..... More
Amsterdam: (c. 1925). Small octavo. (15)pp. With eight full-page illustrations, printed in orange and black. At the back of the volume are a head and two legs set to rotate on brass rivets; when unfolded, they align with the torso on the upper cover to create the illusion of a...... More
Brussels: Libraries de l'Office de Publicité, (c. 1850). Six hand-colored, movable double-engravings; one engraving is half-pasted from the top, another from the bottom, and their remaing halves are pasted together to create a flap that the reader may flip down to see one image and up to see the other..... More
NY: F. A. O. Schwarz, (c. 1900). Quarto. 8pp. With eight full-page chromolithographed illustrations. A clever “talking” book that reproduces the characteristic sounds of animals, including a donkey’s hee-haw, a sheep’s baa, and mama’s voice, with the pull of a string. Each creature is illustrated in color, and on the..... More
Garden City, NY: Garden City Publishing, (1933). Illustrated with twenty-seven full-page color images by Kurt Wiese, including four "animated" movables by A. V. Warren. The movables are complicated jointed figures that move when the handle on the verso of the picture is rotated. As usual for Little Black Sambo tales..... More
NY: Bouillon-Sanders & Chopp, (1926). Quarto. (16)pp. Illustrated throughout in color and black & white, and in a bright orange binding featuring the main character, Willie, with fully movable arms. A "Willie Wait a Minute," who is always postponing his responsibilities to play just a minute longer, is able to..... More
Tours: Maison Alfred Mame et Fils, (c. 1920). Quarto. 127pp., + (16)ff. One of sixteen copies, with a signed original gouache for one of the sixteen color plates by Neziere, opposite p. 63. Highly colored and caricature-like in style, the painting illustrates "L'Ane et le Petit Chien (The Little Dog..... More
(c. 1930s). A collection of sixteen vibrant watercolor designs by Vernon Grant for an apparently unpublished children's book called "The Two Elves." Grant was one of the most popular illustrators of the mid-20th century, and his distinctive whimsical style influenced many of his contemporaries, including Walt Disney. Grant is perhaps..... More
