Most people, when asked about their favorite book, will invariably include a book they read as a child. Hemingway famously proclaimed that "All modern American literature comes from one book by Mark Twain called Huckleberry Finn". Twain's book, like its predecessor, The Adventures of Tom Sawyer, were books whose intended audience was young readers. Such books speak to us on multiple levels. As literature, they are well-crafted and clever with memorable characters and conflicts, but they matter to us for more than these reasons because we discovered them at a formative period of our lives. Their ideas helped to form our own, and so they are more personal ...
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London (but Hertfordshire): John Marshall (but Anne and Peter Stockham), 1801 (but 1976). One of forty-eight copies. In this "cabinet," there are two miniature books and a collection of twenty-eight hand-colored engravings of the objects listed in the books. The books are bound in full leather, one maroon and one..... More
New York: McLoughlin Bros. 1898. Small quarto. (12)ff. A painting book for children, including six color sample pages and six pages showing the same images as outlines. With faded hues similar to those in the full-color images, the outlines suggest colors for the young painter to use. The verso of..... More
Springfield, MA: McLoughlin Bros. 1940-1941. Four quarto volumes. (60)pp. each. Illustrated throughout in color and black & white. This set of four volumes come from the McLoughlin Bros. series "The Little Color Classics," with the titles "Raggedy Ann Helps Grandpa Hoppergrass" (#843), "Raggedy Ann and the Hoppy Toad" (#844), "Raggedy..... More
NY: McLoughlin Bros. (c. 1873). (12)pp. A chapbook of moral songs by Isaac Watts, illustrated with four color engravings. Part of a series of "Illuminated texts for Sunday school rewards" published by McLoughlin Brothers. Minor internal soiling, previous owner's stamp to inside rear wrapper, which has offset onto last page..... More
London: Vincent Brooks, Day & Son, (1891). Small quarto. 64pp. First edition. With photo-etched illustrations in black & white throughout by Mrs. E. M. Boyd, Mr. R. André, and by the poet, Louisa A. Meredith. Although born in Birmingham, England, Meredith moved to New South Wales, and then Tasmania, after..... More
Concord, NH: J. A. Merriam & Rufus Merrill, (c. 1855). Small octavo. 16pp. Wood engravings throughout illustrate the rhyming tale of two children lost in a forest, who are captured by ruffians before finding their way home again. The author, "H. S. B.", provides a preface asserting that this version..... More
Troy, NY: Merriam & Moore, (c. 1830). 24mo. 12pp. Replete with engravings, including two on the verso of the title page. Seven of the engravings are by Alexander Anderson. This story was derived from Maria Edgeworth's "Frank," a collection of children's moral tales each involving the idyllic titular child. The..... More
Conway, MA: Robert L. Merriam, 1975. 24pp. One of 1000 copies. Every other page illustrated with quaint scenes from the moral tale. Bound in pale paper wrappers and housed in yellow paper slipcase. Fine. (2 7/16 by 1 11/16; 62x44mm). More
Wendell, MA: J. Metcalf, 1828. 16mo. 16pp. Illustrated with numerous woodcut vignettes. The text consists of two stories: that of William and Ellen, who are made to suffer a number of unfortunate mishaps as a result of the handiwork of a naughty boy, who gets his comeuppance in the end;..... More
(N.p. Michael Mar Press, 1977). Small quarto. (16)ff. One of twelve copies, hand-produced by jewelry designer Michael Dorsa and bookbinder Margaret Rhein. With twelve color illustrations. The text and images were both from an original work written and drawn in 1964 by Mike Dorsa and Tom Warner, age nine. In..... More
Paris: Didot, Typographie de Firmin, (c. 1810). 124pp. Eight engravings on beige paper. The absurd adventures of Pierrot, born from a turkey's egg to La Fee Gourmande, and dedicated to gourmandise from that moment on, until his gluttony proves too much and dooms him. In a contemporary binding: full blue-green..... More
(France? c. 1830). Seven vols. Unpaginated. Each volume devotes its contents to a particular theme: flowers, animals, insects, the Latin alphabet, caricatured figures, professions, and landscapes. All illustrations are finely and minutely rendered, suggesting a skilled hand, early to the use of color in printed illustration arts. The volume of..... More
New York: Grosset & Dunlap, 1943. Twenty-six miniature volumes, each measuring 3 by 3 inches (77x77mm), all housed within a 9 1/2-inch square box with printed upper cover. Each book has a brightly colored block letter on the upper cover, which is comprised of a piece of thick board, and..... More
Paris: Michel Bertrand, (1946). Quarto. (10)ff. A collection of wise, wry poems for children, brightly illustrated in bold red, blue, green, and yellow by Boucard Moinet. The illustrations depict scenes of children at play: spinning around on a carousel, sailing boats on a pond in the park, and waving at..... More
West Hatfield: Pennyroyal Press, 1982. Two folio volumes. 150pp.; xxv, 160pp. Each one of 350 copies signed by Barry Moser. Alice is illustrated with 75 wood engravings by Moser, and Through the Looking-Glass contains 95 engravings by Moser. Some of the engravings are full-page plates, while others are beautifully integrated..... More
Amsterdam: (c. 1925). Small octavo. (15)pp. With eight full-page illustrations, printed in orange and black. At the back of the volume are a head and two legs set to rotate on brass rivets; when unfolded, they align with the torso on the upper cover to create the illusion of a...... More
Brussels: Libraries de l'Office de Publicité, (c. 1850). Six hand-colored, movable double-engravings; one engraving is half-pasted from the top, another from the bottom, and their remaining halves are pasted together to create a flap that the reader may flip down to see one image and up to see the other..... More
NY: Bouillon-Sanders & Chopp, (1926). Quarto. (16)pp. Illustrated throughout in color and black & white, and in a bright orange binding featuring the main character, Willie, with fully movable arms. A "Willie Wait a Minute," who is always postponing his responsibilities to play just a minute longer, is able to..... More
London: Macdonald Educational, (1973). Thirty-six gouache paintings on eighteen pieces of variously-sized illustration board, the largest measuring 21 1/2 by 15 3/4 inches; the smallest, 9 by 12. These illustrations are laid out in page format, with the artwork positioned where they appear alongside the text in the published work..... More
(Germany: c. 1820). Octavo. Thirteen pen- and wash-color drawings, each tipped in to a separate page. Beginning with the title page, on which "Titelbild" is inscribed within a frame, the artist composes a tableau onto each leaf, at the center of which are a group of children engaged in some..... More
(N.p. c. 1940). Oblong small quarto. (9)ff., illustrated on rectos only. A handmade children's counting book featuring animals in parent-child relationships. Each family group increases in number as the reader pages through the book, starting with one mother and one baby turtle and ending with a mother otter and her..... More
London: Dean & Co., (c. 1960). Three 12mo rag books, + two sets of original artwork. Artwork heavily annotated and in full color. The three published books are My Train Set, Our Nursery, and My Dolls; the artwork, rendered directly on boards, applies to the latter two. The pencil notes..... More
1935-1938. Six original paintings, all signed by the artist, Cherry Barr Jerry. This set of paintings vividly depicts six different puppets, each with caricatured features reminiscent of the traditional style of Punch and Judy: rosy cheeks, mitten-hands, and large eyes and mouths. The six images display a nurse with an..... More
England: (c. 1957). Folio. (44)ff. An astonishing manuscript, featuring fourteen original drawings and gouache paintings mounted on heavy gray paper. They depict a range of toys and their contexts, from the familiar teddy bear to baubles from as far afield as Javanese shadow puppets and Hopi Indian dolls. The text..... More
(Moscow: 1929). Six pen-and-ink drawings colored with watercolor, with an expressionistic look, each measuring 7 3/4 by 6 1/2 inches. These delicate, stylized illustrations are tinted with shades of orange, purple, and green. The first drawing has the title and illustrator’s name, Ausbrey, below it in Russian. The images recount..... More
