Most people, when asked about their favorite book, will invariably include a book they read as a child. Hemingway famously proclaimed that "All modern American literature comes from one book by Mark Twain called Huckleberry Finn". Twain's book, like its predecessor, The Adventures of Tom Sawyer, were books whose intended audience was young readers. Such books speak to us on multiple levels. As literature, they are well-crafted and clever with memorable characters and conflicts, but they matter to us for more than these reasons because we discovered them at a formative period of our lives. Their ideas helped to form our own, and so they are more personal ...
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York: J. Kendrew, (c. 1820). 48mo. A collection of verses for children, illustrated throughout with woodcut vignettes on nearly every page, and a large cut of a preacher at his pulpit to the rear cover. Slight split starting to spine, else near fine in white printed wrappers. (Davis 42; Gumuchian..... More
NY: Kiggins & Kellogg, (c. 1860). 32mo. 24pp. Decorated with various wood engravings. An impressive collection of riddles and rebuses, for at-home amusement. Bound in pale pink wrappers. Fine. More
NY: Kiggins & Kellogg, (c. 1865). 8pp. One full-page engraving and six half-page engravings. Each image is accompanied by explanatory text on the object's creation and function. Examples include a tub, a raft, and a bed. In plain paper wrappers, with advertisement for Kiggins & Kellogg at rear. Remarkably crisp..... More
NY: Kiggins & Kellogg. 64mo. 8pp. Illustrated with six woodcuts, plus a title-page vignette. The images are highly detailed for their small size—a ship at sea buffeted by rolling waves under thick clouds, and a fish at the end of a fishing line with an entire landscape scene behind it..... More
Philadelphia: Kimber and Conrad, (c. 1812). 24mo. (24)pp., partially unopened. Illustrated with twenty-two half-page wood engravings, each with a simple sentence underneath related to the image; also included is a full-page engraving on the title page. The woodcuts are all collected from other books. On the back of the title..... More
Sudbury, MA: Kurbel Books, 1984. (20)pp., accordionfold. Panorama with initials illuminated in gold and colors by E. Helene Sherman, and illustrated with six Italian postage stamps showing the Saint's life. Translated by Rev. Joseph L. Curran. Layout by Robert E. Massmann. Bound by Bela and Mariana Blau in full blue..... More
(Stillwater, ME: Nancy Leavitt, 1993). (14)pp. One of twenty-six copies. A calligraphic manuscript using gouache and glair, written, designed, and bound by Nancy Leavitt. The letters of the alphabet are arranged into phrases about traveling. Presented in lively hues of orange, olive, violet, and periwinkle, the text is gracefully written..... More
(United States): 1867. Small octavo. (8)pp. A handwritten alphabet, skillfully and whimsically decorated with pen-and-ink drawings for each letter. The introductory page cites the work as a gift from a father, likely a recent immigrant from a German-speaking country, to his young son on the occasion of his Namenstage, or..... More
NY: McLoughlin Bros. (c. 1880). 48mo. (8)pp. Illustrated throughout with the antics and mishaps of a troublemaking young boy. Bound in wrappers with an uncommonly colorful upper cover of green, orange, and black. Faint edgewear and minor dampstain to inside upper cover, else fine. More
New York: McLoughlin Bros. 1898. Small quarto. (12)ff. A painting book for children, including six color sample pages and six pages showing the same images as outlines. With faded hues similar to those in the full-color images, the outlines suggest colors for the young painter to use. The verso of..... More
NY: McLoughlin Bros. (c. 1875). Small quarto. (14)pp. Four full-page color woodblock illustrations, each showing a child playing out one of the activities recounted in the verses opposite. Some bear moral overtones: usefulness over idleness, obedience over indolence, and care for all living creatures. Others are more playful, dealing with..... More
Springfield, MA: McLoughlin Bros. 1940-1941. Four quarto volumes. (60)pp. each. Illustrated throughout in color and black & white. This set of four volumes come from the McLoughlin Bros. series "The Little Color Classics," with the titles "Raggedy Ann Helps Grandpa Hoppergrass" (#843), "Raggedy Ann and the Hoppy Toad" (#844), "Raggedy..... More
NY: McLoughlin Bros. (c. 1873). (12)pp. A chapbook of moral songs by Isaac Watts, illustrated with four color engravings. Part of a series of "Illuminated texts for Sunday school rewards" published by McLoughlin Brothers. Minor internal soiling, previous owner's stamp to inside rear wrapper, which has offset onto last page..... More
London: Vincent Brooks, Day & Son, (1891). Small quarto. 64pp. First edition. With photo-etched illustrations in black & white throughout by Mrs. E. M. Boyd, Mr. R. André, and by the poet, Louisa A. Meredith. Although born in Birmingham, England, Meredith moved to New South Wales, and then Tasmania, after..... More
Concord, NH: J. A. Merriam & Rufus Merrill, (c. 1855). Small octavo. 16pp. Wood engravings throughout illustrate the rhyming tale of two children lost in a forest, who are captured by ruffians before finding their way home again. The author, "H. S. B.", provides a preface asserting that this version..... More
Troy, NY: Merriam & Moore, (c. 1830). 24mo. 12pp. Replete with engravings, including two on the verso of the title page. Seven of the engravings are by Alexander Anderson. This story was derived from Maria Edgeworth's "Frank," a collection of children's moral tales each involving the idyllic titular child. The..... More
Conway, MA: Robert L. Merriam, 1975. 24pp. One of 1000 copies. Every other page illustrated with quaint scenes from the moral tale. Bound in pale paper wrappers and housed in yellow paper slipcase. Fine. (2 7/16 by 1 11/16; 62x44mm). More
Wendell, MA: J. Metcalf, 1828. 16mo. 16pp. Illustrated with numerous woodcut vignettes. The text consists of two stories: that of William and Ellen, who are made to suffer a number of unfortunate mishaps as a result of the handiwork of a naughty boy, who gets his comeuppance in the end;..... More
(N.p. Michael Mar Press, 1977). Small quarto. (16)ff. One of twelve copies, hand-produced by jewelry designer Michael Dorsa and bookbinder Margaret Rhein. With twelve color illustrations. The text and images were both from an original work written and drawn in 1964 by Mike Dorsa and Tom Warner, age nine. In..... More
London: Methuen, (1927). First edition. Number two of 200 copies, printed on handmade paper and signed by A.A. Milne and Ernest H. Shepard. This famous collection of children's verses, featuring Milne's son Christopher Robin and his bear, is illustrated throughout with Shepard's whimsical drawings. Bound in quarter cloth with orange..... More
London: Methuen, 1926. First edition. One of 350 copies printed on handmade paper and signed by A.A. Milne and Ernest H. Shepard. With all of the well-known and well-loved illustrations and a fold-out map of Pooh and Christopher Robin's territory, which appeared in the ordinary edition as endpapers. Bound in..... More
London: Methuen, (1927). First edition. This famous collection of children’s verses, featuring Milne’s son, Christopher Robin, and his bear, is illustrated throughout with Ernest H. Shepard’s whimsical drawings. Signed at a later date on the title page by Shepard. Handsomely bound by Bayntun-Rivière in deep red morocco, with gilt ruled..... More
(Essen): Hans Gerd Goldschmidt, 1979. 124pp. One of 500 copies. A selection of fables, rendered in German and illustrated with eight woodcuts. Bound in gilt-stamped brown leather with a printed dust wrapper and paper slipcase. Very fine. (2 1/4 by 1 5/8; 57x41mm). More
Jamaica: Minia Press, 1943. (120)pp. Liberally illustrated with Charles Bennett's nineteenth-century style drawings. Faint rubbing to corners and slight bend to lower board, else near fine in blue leatherette with a turtle stamped in gold. (2 by 1 5/8; 50x42mm). More
London: Tilt & Bogue, (c. 1835). 191pp. Contains forty-eight wood engravings illustrating Aesop's fables, including two portraits of Aesop himself. Bondy writes of the Tilt's Handbooks series "their apparently everlasting popularity has resulted in making it increasingly difficult to find complete copies of these pleasing little volumes." Bound in full..... More
