Chillicothe: Mountain House Press, 1981; 1983. Two folio volumes. 198; (131)pp. One of 150 copies signed by the author. Volume I contains numerous specimen woodcuts, title pages, advertisements, letterheads, and color photographs tipped or bound in, all showing various aspects of Hunter's non-papermaking work, including enamel, stained glass, and his..... More

(New Britain, CT): Robert E. Massmann, 1980. (6); (6); (10)ff., frenchfold. One of 68 copies printed at Art Press. Fascinating in form and content, this book addresses two great papermakers in an octagonally-shaped book bound as a triple dos-à-dos. The first part is about Hunter, the second about Elliott. The..... More

Boston, MA: Nimrod Press, 1962. Elephant folio. (13)pp., + 6ff. plates. One of 550 copies. A massive, multi-colored, visual tour through some of La Fontaine's tales. Nason's woodcuts, which include a portrait of La Fontaine himself, command impressive dimensions while remaining lighthearted and earnest in weight. Bound in wrappers with..... More

(NY): Limited Editions Club, (1994). Folio. 12ff. One of 300 copies, signed by the author and Balthus, the illustrator. Text in Spanish, French, and English. Designed by Dan Carr and printed at the Wild Carrot Press in Hadley, MA, on handmade Kozo Uwazen paper, this trilingual edition of Paz's poem..... More

London: Ernest Benn Limited, 1927. Octavo. 256pp. One of fifty deluxe copies, printed on handmade paper and signed by Dulac. Dulac's initials, headers, and tail-pieces carry the reader along this most-famous pirate's journey, sweeping through each of his additional twelve full-page color illustrations. The result is a wonderous adventure of..... More

Sitka, Alaska: Orca Press, 1983. Dauenhauer, though himself not indigenous, was married to Tlingit poet, scholar, and advocate Nora Marks Dauenhauer, and he subsequently joined his wife’s efforts to translate and preserve Tlingit oral literature and advocate for the preservation of Tlingit culture through awareness and linguistic study. His poetry..... More

Boston: David R. Godine, 1993. Oblong folio. One of 250 copies of the deluxe edition, containing an original print by Peter Milton, who has signed both the print itself and the edition statement. Milton also provides an Afterword, in which he describes his inspiration for his illustrations, each of which..... More

Newark, VT: Janus Press, 2011. Twenty-four 16mo. chapbooks, housed in quarto trifold portfolio. Each chapbook (8)ff. One of 120 copies, signed by Peter Schumann, whose charcoal-and-ink drawings illustrate the interiors and whose crayon drawings grace the covers. Here, Schumann explores the format of Latin American cordells, chapbooks traditionally sold by..... More

Newark, VT: Janus Press, 1982. Octavo. 33pp. One of 220 copies, signed by the author and the illustrator. Relief print illustration by Van Vliet, showing a moonlit desertscape. Thorne's short story of travel and self-actualization, set in southern Asia, is here printed letterpress in black with page numbers in yellow..... More

Waltham St. Lawrence: Golden Cockerel Press, 1925. Four woodcut initials, separately matted and framed, from the Golden Cockerel Press edition of Jonathan Swifts' Gulliver's Travels. The "I", "A", "O", and "T" appear as part of symmetrical black-and-white designs, with lines falling in simple sweeps and patterend with dots and stars..... More

Poestenskill, NY: Kaldewey Press, 1983. From an edition of forty-two copies, this is one of seven printed on pink paper. This marks the very first book printed in Poestenkill, an event commemorated with a loose transparency of the tower of Poestenkill, the site of the press, before the title page..... More

Hamburg: Kaldewey Press, 1977-1978. Folio. One of fifty copies of Kaldewey's second artist's book and the first book of the Press. This copy bears a warm inscription from Kaldewey to "friends of the Kaldewey Press for many years" on the colophon page, and dated "15/6/95." Illustrated with color Xerox copies..... More

Poestenkill, NY: Kaldewey Press, 2007. Octavo. (21)ff. One of twenty-one copies, inscribed by the artist, Gunnar Kaldewey, in addition to a signature at the colophon. A retelling of a Japanese folktale, lustrously illustrated with leaves of watercolors interleaved with uncut sheets of tissue. Stab-bound with rivets in red, blue, and..... More