Bromer Bookseller has always held the aesthetic of letterpress printing as the finest technique in which to present the written word. We offer many fine examples of printing from the eighteenth to the twentieth centuries, as well as earlier printed items. On our shelves, you will the find traditional, restrained typography of Bruce Rogers and John Baskerville, as well as more experimental work from such modern practitioners as Gunnar Kaldewey. Other leading printers represented in our stock include ...
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Offenbach: Karl Klingspor, 1948. Small quarto. 84pp. Tipped-in bookplates and facsimile illustrations, alongside occasional full-page, full-color cuts. A celebratory compilation of verse and prose from some of Germany's most prominent bookfolk, including Hermann Claudius and Georg Haupt, on behalf of Klingspor. Bound in paper over boards, with a monogrammed "K"..... More
(Offenbach): Karl Klingspor, 1932. 16mo. (28)pp. Twenty-six unique typographical alphabets, printed in black and red. All impressively exhibit Klingspor's skill, his ability to tightly and beautifully bridge older and newer styles of type. Very rare, with no listed holdings, and undoubtedly of a highly limited edition. Bound in quarter paper..... More
NY: Ursus Books, 2007. 15pp. From an edition of 74 copies, this is one of 50 numbered copies, signed by the artist, Joseph Goldyne, and the designer, Peter Rutledge Koch. Illustrated with a signed etching by Goldyne titled "As the Blind Remember," printed on seventeenth-century paper and tipped in as..... More
Gulfport, FL: Konglomerati Press, 1981. Octavo. (42)pp. One of 1000 copies. Seven illustrations in green, orange, black, and blue, with a two-page spread for the title page. Trace rubbing to corners, else fine in gray cloth with orange cloth over boards and paper label. Prospectus laid in. More
(Philadelphia): Philadelpia College of Art, 1972. Quarto. (18)pp. One of eleven copies. Inscribed by the artist, Susan Kronfeld, to Stuart Schimmel, who served on the Grolier Club council and whose personal collections and public curatorial positions allowed him to continually present exhibits to the New York community. Kronfeld's eight color..... More
(Torrance, CA): Labyrinth Editions, 1980. Folio. 28ff., frenchfold. One of 250 copies, signed by the poet, William Everson, and the artist, Tom Killion. Designed and printed in two colors by Richard Bigus. Killion's beautifully executed, white-line linocuts are printed in dark blue. The title illustration is a triptych of the..... More
(Athens, OH): Labyrinth Editions, 1982. Folio. (21)ff. From an edition of 130 copies, this is one of 50 with a separate portfolio of signed prints, and an additional, signed, unbound print, measuring 17 by 22 inches. Signed by the printer, Richard Bigus, the illustrator, Daniel Goldstein, and Bradford Morrow, who..... More
Mt. Horeb, WI: Perishable Press, (1970). Octavo. (11) ff. One of 183 copies. With an inscription by James Laughlin. A short collection of poems by the poet and legendary founder of New Directions, which published some of the most important writers of the twentieth century, including Ezra Pound, William Carlos..... More
NY: Society of Foliophiles, (1925). Quarto. One of 200 copies printed for the Society of Foliophiles, containing 20 original leaves from notable books of English literature from the 16th to the 20th centuries. Unbound, as issued, with each leaf in its respective, annotated folder measuring 12 1/2 by 9 1/2..... More
Austin: W. Thomas Taylor, 1995. Quarto. lxxxiv, 242pp., leaf tipped in at rear. One of 100 copies of the special first edition distributed for the Friends of the Brigham Young University Library by W. Thomas Taylor. Specially bound in quarter goatskin, with an original leaf from the 1524 Colines edition..... More
Austin: W. Thomas Taylor, 1995. Quarto. lxxxiv, 242pp., leaf tipped in at rear. One of 100 copies of the special first edition distributed for the Friends of the Brigham Young University Library by W. Thomas Taylor. Specially bound in quarter goatskin, with an original leaf from the 1524 Colines edition..... More
San Francisco: Grabhorn Press for David Magee, 1939. Small quarto. 17pp. One of 71 copies printed for David Magee at the Grabhorn Press. Apropos of its subject matter, Schulz's essay on Medieval culture and Gothic script is printed in an intricate script with a large opening initial in gold. Supplied..... More
Los Angeles: Plantin Press for Dawson's Book Shop, 1956. Folio. 31pp. One of 290 copies printed at the Plantin Press for Dawson's Book Shop. Though this title usually only includes one original leaf, this particular copy contains two, one from the Book of Proverbs and another from the Book of..... More
(Rochester, NY): Leopard Studio Editions, 2014. (24)pp., accordion-fold, with two four-page inserts sewn in. One of five copies, signed and numbered by the artist. A miniature artist's book by Sue Huggins Leopard based on the poem by Emily Dickinson, which reads: "Love is anterior to life, / Posterior to death..... More
NY: Limited Editions Club, 1932. Quarto. 23pp., (4)ff. One of 452 copies, signed by the author. Dwiggins facetiously discusses the atrocities of the present design of currency and postage stamps, proposing new ones based on those issued by the fictional country of the Antipodes. Includes plates of Antipodean stamps and..... More
NY: Limited Editions Club, 1995. Folio. 45, (4)pp., + 4 plates. One of 300 copies, signed by the artist, Setsuko, and with her chop mark. Four color woodcuts punctuate the text, which is translated by Charles Shiro Inouye. The images cast the tale in a wonderous setting, depicting peace, courage..... More
(NY): Limited Editions Club, 1990. Small quarto. 183pp. One of 375 copies, signed by the artist. Illustrated with eight lithographs by John Hejduk, printed at Pondside Press by Melissa and Ted Braggins. With an Afterword by David Shapiro. Mann's text is printed in black, while Shapiro's appears in brown. Bound..... More
New Haven: Limited Editions Club, 1938. Two octavo volumes. xiv, 406; (ii), 392pp., continuously paginated. One of 1,500 copies, signed by the illustrator. With an Introduction by Theodore Dreiser and sixteen etchings by Ashcan School artist John Sloan. Designed by Carl Purington Rollins and printed at the Yale University Press..... More
(N.p.): Limited Editions Club, (1998). Oblong folio. (26)ff. One of 300 copies. Signed by the photographer Edward Ranney. Illustrated with ten superb photographs of Macchu Picchu by Ranney, recreated as gravure plates by Jon Goodman of Hadley, MA. Printed at Dan Carr and Julia Ferrari's Golgonooza Letter Foundry and Press..... More
(NY): Limited Editions Club, (1988). Elephant folio. (70)pp. One of 550 copies, with an authorized facsimile of the artist's signature. Illustrated with seventeen lithographs by Willem de Kooning. After Frank O'Hara's untimely death in 1966, a volume of his poetry was published with illustrations from over thirty artists. O'Hara's poem..... More
(NY): Limited Editions Club, (1994). Folio. 12ff. One of 300 copies, signed by the author and Balthus, the illustrator. Text in Spanish, French, and English. Designed by Dan Carr and printed at the Wild Carrot Press in Hadley, MA, on handmade Kozo Uwazen paper, this trilingual edition of Paz's poem..... More
(NY): Limited Editions Club, (1987). Square elephant folio. (120)pp. One of 750 copies, signed by the poet and the artist. Illustrated with twenty-six full-page lithographs by Robert Motherwell, plus one original lithograph set into the upper cover. Three of the lithographs are printed on colored paper: one on blue, one..... More
Brisbane: Locks' Press, 1979. Folio. (10)ff. One of 60 copies, signed by illustrator and Locks' Press co-founder Margaret Lock. Eight black & white engravings accompany Lear's nonsense poem about a man who has his toes stolen (possibly by mermaids) while swimming across the Bristol Channel. This is the first book..... More
Brisbane: Locks' Press, 1983. Small quarto. 9ff., + 11 plates mounted on stubs, 3 of which are folding. Illustrated with thirteen etchings by Mona Ryder, a sculptor-turned-printmaker, who studied with Margaret Lock. In keeping with the Locks' ambition to rescue "unjustly neglected" texts, this book revives what is likely the..... More
(Columbus, OH): Logan Elm Press, 1990. Quarto. (38)pp. One of 115 copies, printed on handmade paper and signed by the poet, David Citino, the artist, Anthony Rice, and the designer of the book, Robert Tauber. A stunning production crafted in advance of the quincentennial celebration of Columbus’s voyage. Illustrated throughout..... More
