Bromer Bookseller has always held the aesthetic of letterpress printing as the finest technique in which to present the written word. We offer many fine examples of printing from the eighteenth to the twentieth centuries, as well as earlier printed items. On our shelves, you will the find traditional, restrained typography of Bruce Rogers and John Baskerville, as well as more experimental work from such modern practitioners as Gunnar Kaldewey. Other leading printers represented in our stock include ...
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Waltham St. Lawrence: Golden Cockerel Press, 1925. Four woodcut initials, separately matted and framed, from the Golden Cockerel Press edition of Jonathan Swifts' Gulliver's Travels. The "I", "A", "O", and "T" appear as part of symmetrical black-and-white designs, with lines falling in simple sweeps and patterend with dots and stars..... More
London: Clover Hill Editions, 1977. Quarto. 30, (5)pp. One of 80 copies, printed by Will Carter at the Rampant Lions Press on Barcham Green handmade paper, watermarked "Clover Hill." Illustrated with ten wood engravings by David Jones, this title is considered by many to be the artist's most important work..... More
(Wales): 1980. Print measuring 20 by 17 inches. One of 50 copies. A delicate eight-pointed star radiates light, in shades of blue and tan. Signed by the artist. A renowned Welsh book artist, Jones has dedicated herself to the art of printing both words and images. With a blue mat..... More
(Wales): 1980. Print measuring 20 by 17 inches. One of 50 copies. A luminous print in green and violet of a hyacinth, signed by the artist. The flower blooms against layers of overlapping leaves, which lighten into transparency as they extend upwards. A renowned Welsh book artist, Jones has dedicated..... More
(Wales): 1980. Print measuring 20 by 17 inches. One of 50 copies. A bold color aquatint in brown, yellow, and tan, signed by the artist. This slightly abstracted sunflower is subtly shaded and textured. The flower's head is cradled within two outstretched leaves. A renowned Welsh book artist, Jones has..... More
Cambridge, MA: Kat Ran Press, 2014. Octavo. (16)pp. One of forty-five copies of the deluxe edition, bound by Sarah Creighton in red and orange paste paper-covered boards, and including two mint stamps designed by the author. Contains fourteen full-color reproductions of collages by Chermayeff -- faces with features crafted from..... More
Aurora, NY: Sierras Press, 2000. Square octavo. (10)ff, frenchfold. One of thirty copies. Signed by both the poet, Stratis Haviaras, and the artist, Jocelyn Sarah Webb. Webb's seven surreal and raw drawings were printed from magnesium plates and coated with beeswax, giving them the illusion of glossy vellum. They seem..... More
Philadelphia: J. B. Lippincott Company, 1898. Small quarto. (55)pp. Eight woodcut illustrations and each page with black floral borders. A fine rendering of John Keats's poem adapted from Boccacio's Decameron. In it, a young woman engaged to marry a nobleman falls in love with a commoner. When her brothers discover..... More
(Cambridge): Rampant Lions Press, 1986. Octavo. 58pp. From an edition of 505 copies, this is one of fifty copies on Barcham Green Canterbury handmade paper. Inscribed by the author, Colin Franklin. An exploration by Colin Franklin of the pre-Kelmscott inspirations for Morris and his fine book production thereafter. Bound in..... More
(Hammersmith: Kelmscott Press, 1897). Quarto. 91pp. One of 300 copies on paper. Illustrated with two full-page woodcuts by Edward Burne-Jones and numerous ornamental initials and borders by William Morris. With pale blue foliate initials. This was one of only two books printed in three colors at the Kelmscott Press, in..... More
(Hammersmith: Kelmscott Press, 1893). Octavo. (vi), 216pp. One of 500 copies. Borders and initials by William Morris. Printed in Golden type in two colors. Peterson cites Sidney Cockerell's observation that this title was "one of the rarest books issued from the Press because of its popularity"; despite its relatively large..... More
(Hammersmith): Kelmscott Press, 1894-95. Bifolium sheet printed on both sides.(4)pp. One of 250 copies. The initial full-page woodcut illustration by Edward Burne-Jones first appeared in John Ruskin's The Dream of John Ball, and depicts, with suitable romance and foreboding, Adam and Eve after their expulsion from Eden. Both clothed in..... More
(Pasadena, CA): Kerberos Press, 2011. Octavo. 28ff. One of twenty copies, signed by the printer, Vance Studley, and the designer, Tom Mossman, on the colophon page. An unbound collection of detail illustrations of twelve different species of solitary bees, each with an accompanying description of its physical and social characteristics..... More
Venice: Peter Koch, Printer, 2006. Small folio. 25ff., + 7 plates. From an edition of fifty copies, this is one of thirty bound in Venetian red stiff wrappers. Signed by the printer, Peter Koch, and photographer Robert Morgan. Produced during Koch's term as artist-in-residence at the Scuola Internazionale di Grafica..... More
Leipzig: F. A. Lattman, 1910. Small quarto. (16)pp. Lettering, title page, and ornaments in black, red, and gold by Rudolf Koch. A bold production of Jesus' Sermon on the Mount, printed in Kochschrift, so that the design bridges the flourishes of medieval manuscripts and the sleekness of early twentieth-century type..... More
Gulfport, FL: Konglomerati Press, 1981. Octavo. (42)pp. One of 1000 copies. Seven illustrations in green, orange, black, and blue, with a two-page spread for the title page. Trace rubbing to corners, else fine in gray cloth with orange cloth over boards and paper label. Prospectus laid in. More
NY: Press of the Woolly Whale, 1938. Square 16mo. (30)ff., frenchfold. Illustrated throughout with line drawings by Fritz Kredel, whose straightforward and cartoonish style lends itself well to the lyrics of the "Schnitzelbank" song. The song itself is of the sort in which each set of lyrics builds upon the..... More
Rotterdam: W. L. & J. Brusse, 1903-1910. Octavo. (vi), vii, (v), 159, (3)pp. A deluxe copy of the translation of Morris' work into Dutch, the regular edition of which was printed in 1903. Drawn title page and frontispiece, along with five Morris-like illustrations interspersed throughout. With typography in red and..... More
(Philadelphia): Philadelpia College of Art, 1972. Quarto. (18)pp. One of eleven copies. Inscribed by the artist, Susan Kronfeld, to Stuart Schimmel, who served on the Grolier Club council and whose personal collections and public curatorial positions allowed him to continually present exhibits to the New York community. Kronfeld's eight color..... More
Chicago: Sherwin Beach Press, 1993. Oblong octavo. 21pp. One of 200 copies. Four photographs by Mike Tappin depict people living on insubstantial government funds, the “safety net.” The text by Steve Bogira, originally published in 1983 in the Chicago Reader, details the lives of those hovering at the poverty line..... More
Los Angeles: Bruce McCallister, 1931. Quarto. (x), (ii)pp., + 14 plates. One of 500 copies, signed by Landacre. Foreword by Arthur Miller. Published during a period that saw a renaissance in woodcuts and wood engravings, this marks Landacre's first original publication. Originally from Ohio, Landacre discovered the beauty of the..... More
Santa Cruz, CA: Moving Parts Press, (1991). Quarto. (44)pp. One of 70 copies, signed by the author, Francisco X. Alarcón. Forty pen-and-ink drawings by Ray Rice, in his second collaboration with his daughter, Felicia Rice, printer and proprietor of Moving Parts Press, are at once abstract, fractural, and familiar. Literally..... More
La Plata, Argentina: 2015. 16mo. (v), (30)pp. One of seven copies. Apo's poetry, which meditates on loss, impermanence, and despair, appears on the versos, facing on the rectos Cecilia Blu Blau's woodcuts. Blu Blau is a tattoo artist and illustrator, and her images shine with the bold lines and black..... More
Matanzas, Cuba: Ediciones Vigía, 2013. Octavo. 59pp. One of 200 copies. Nancy Balboa’s illustrations celebrate Cuba’s agriculture, and draw a parallel between its grassroots rural life and its heritage of grassroots revolution. Martí, considered by many the “patron saint” of Cuba, was at the forefront of such organic, popular activism..... More
Montclair, NJ: Caliban Press, 1991. Quarto. 52pp., followed by four leaves representing specimens printed and published by the Caliban Press. One of 100 copies signed and numbered on the colophon by printer and author Mark McMurray. A comprehensive and informative type specimen book, which includes notes on Garamond, Caslon, Cochin..... More
