Bromer Bookseller has always held the aesthetic of letterpress printing as the finest technique in which to present the written word. We offer many fine examples of printing from the eighteenth to the twentieth centuries, as well as earlier printed items. On our shelves, you will the find traditional, restrained typography of Bruce Rogers and John Baskerville, as well as more experimental work from such modern practitioners as Gunnar Kaldewey. Other leading printers represented in our stock include ...
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(Poestenkill, NY): Edition Kaldewey, 1993. Small folio. 13 ff., frenchfold. From an edition of 61 copies, this is one of ten deluxe copies printed on Chinese paper and bound in full calf by Cornelia Ahnert. Illustrated with photographic collages by Heribert Ottersbach, reproduced as metal cuts. Benjamin's text, which is..... More
Poestenkill, NY: Edition Kaldewey, 1988. Quarto. (24)pp. First edition. One of 45 copies. Signed by Elaine Lustig Cohen, who designed the book and who illustrated the text with two full-page woodcuts, and six woodcut ornaments. Contains the original text by Kleist in English and German, and Arthur Cohen's essay fragment..... More
Poestenkill, NY: Kaldewey Press, 1998. Quarto. 28pp., frenchfold. One of forty copies, signed by the author/artist/printer, Gunnar Kaldewey. This book is inspired by the notion of "nature as art," and was created after Kaldewey spent three months living in a traditional Japanese wooden house in Kyoto, studying the art of..... More
Poestenkill, NY: Kaldewey Press, 1994. Three booklets and three hanging scrolls, housed together in a clamshell box. One of forty copies. With silk screened images on translucent paper and text in three languages and several colors. Signed by the publisher/designer/author, Gunnar Kaldewey. In this work, Kaldewey explores three representative buildings..... More
Los Angeles: Kaldewey Press, 1990. Octavo. From an edition of 40, this is one of 20 copies on multi-colored paper, signed by the author. A lecture on the contemporary artist's book, which Kaldewey gave across the country at centers of art like the Museum of Fine Arts in Boston and..... More
(Postenkill, NY: Kaldewey Press, 1987). Folio. (36)pp. One of forty-five copies in a plexiglass binding by Christian Zwang of Hamburg. Signed by the author/artist/printer, Gunnar Kaldewey. With numerous monochromatic and two-tone illustrations. Written, illustrated, designed, and printed by Gunnar Kaldewey as Volume 5 of the Kaldewey Press series. In 1977..... More
(Poestenkill, NY: Kaldewey Press, 1999). Large quarto. 6ff., accordion-fold. One of thirty-eight copies on handmade paper, signed by the artist/printer, Gunnar Kaldewey. In contrast to his previous work, 15 Kyoto Gardens, Kaldewey focuses on the phenomenon of Japan's gambling halls and Pachinko parlors. This was the first book of the..... More
Poestenkill, NY: Kaldewey Press, 1988. Folio. (7)ff. One of forty copies, signed by the printer/illustrator, Gunnar Kaldewey. Illustrated with seventeen linecut monoprints, appearing as rubbings or mottled silhouettes of leaves, buds, and tree branches, and printed over hand-colored backgrounds of blue and green on the volume's seven sheets of heavily..... More
(Düsseldorf: Kaldewey Press, 1981-1982). Thin oblong folio. (26)pp. From an edition of 60, this is one of thirty in German. Each leaf is printed on thin aluminum with illustrations of clouds, the letterpress text printed in blue above the clouds. This innovative and effective conjunction of images and words is..... More
Poestenkill, NY: Kaldewey Press, 1991. Extreme oblong quarto. 14pp., leporello. One of 40 copies, signed by the artist/printer, Gunnar Kaldewey. Kaldewey offers a poetic, intimate encounter with and a nostalgic history of one of America's most visited and inspiring rivers. The Hudson River was followed a year later by Volume..... More
Poestenkill, NY: Kaldewey Press, 1989. Oblong folio. 106pp. One of twenty deluxe copies printed on papier de Chine and bound in flexible blue textured leather by Christian Zwang. With twenty-five linoleum cuts in several colors by Kim Keever. Signed by the artist. Keever's linocuts draw directly from the theme of..... More
Poestenkill: Editions Kaldewey, 1992. Folio containing three oblong books of varying sizes. One of forty-five copies. The largest book presents the tale of Apollo and Daphne from Ovid's Metamorphoses, in Latin, illustrated with bold stripes, geometric shapes, and abstract swaths of color. The text's orientation on the page becomes increasingly..... More
Postenkill, NY: Kaldewey Press, 2018. Quarto. (12)pp., accordion-fold. One of only fourteen copies. Kaldewey’s interpretation of Rilke’s poem invokes the transformative power of music by showcasing the German text, which is deeply imprinted in yellow ink. The lines are paired with bright watercolors that amplify the atmospheric and affective quality..... More
Poestenkill, NY: Kaldewey Press, 2013. Oblong elephant folio. (14)ff., accordion-fold. One of thirty-six copies. Printed in silver ink, with illustrations of elephants, on deep red handmade paper. The text is a poem written in Thai, and an English translation is provided on a separate sheet of paper accompanying the book..... More
NY: Kaldewey Press, 2011. Small quarto. (18)ff. One of thirty-five copies, inscribed by the artist and printer, Gunnar Kaldewey. Kaldewey's seventy-fifth publication, lovingly detailing the origins of his press and its evolution over time. Bound as loose sheets on aqua-colored cotton rag paper made by Gangolf Ulbricht, interleaved with thin..... More
Cambridge, MA: Kat Ran Press, 2014. Octavo. (16)pp. One of forty-five copies of the deluxe edition, bound by Sarah Creighton in red and orange paste paper-covered boards, and including two mint stamps designed by the author. Contains fourteen full-color reproductions of collages by Chermayeff -- faces with features crafted from..... More
Philadelphia: J. B. Lippincott Company, 1898. Small quarto. (55)pp. Eight woodcut illustrations and each page with black floral borders. A fine rendering of John Keats's poem adapted from Boccacio's Decameron. In it, a young woman engaged to marry a nobleman falls in love with a commoner. When her brothers discover..... More
(Hammersmith: Kelmscott Press, 1896). Folded sheet measuring 16 3/4 by 11 1/2 inches, comprising pp. 1-2, and 15-16 of the Kelmscott Chaucer. This bifolium contains the magnificent opening of the Canterbury Tales with the woodcut by Edward Burne-Jones showing Chaucer holding a book and a pen while standing in a...... More
(Cambridge): Rampant Lions Press, 1986. Octavo. 58pp. From an edition of 505 copies, this is one of fifty copies on Barcham Green Canterbury handmade paper. Inscribed by the author, Colin Franklin. An exploration by Colin Franklin of the pre-Kelmscott inspirations for Morris and his fine book production thereafter. Bound in..... More
(Hammersmith: Kelmscott Press, 1897). Quarto. 91pp. One of 300 copies on paper. Illustrated with two full-page woodcuts by Edward Burne-Jones and numerous ornamental initials and borders by William Morris. With pale blue foliate initials. This was one of only two books printed in three colors at the Kelmscott Press, in..... More
(Hammersmith): Kelmscott Press, 1894-95. Bifolium sheet printed on both sides.(4)pp. One of 250 copies. The initial full-page woodcut illustration by Edward Burne-Jones first appeared in John Ruskin's The Dream of John Ball, and depicts, with suitable romance and foreboding, Adam and Eve after their expulsion from Eden. Both clothed in..... More
(Hammersmith: Kelmscott Press, 1893). Octavo. 72pp. One of 500 copies, printed by William Morris at the Kelmscott Press. This is the second issue, with four cancellans leaves replacing pp. 15-16, 19-20, 25-26, and 69-70. With wide leaf and blossom borders to the opening page and to the title-page, which is..... More
San Francisco: Arion Press for John Windle, Bookseller, 1994. Folio. (4), (2)pp, (1)ff. From an edition of 100 copies, this is one of five copies that includes an opening leaf with one full-page illustration and a border on the reverse. The illustration was designed by Edward Burne-Jones and depicts a...... More
(Pasadena, CA): Kerberos Press, 2011. Octavo. 28ff. One of twenty copies, signed by the printer, Vance Studley, and the designer, Tom Mossman, on the colophon page. An unbound collection of detail illustrations of twelve different species of solitary bees, each with an accompanying description of its physical and social characteristics..... More
Leipzig: F. A. Lattman, 1910. Small quarto. (16)pp. Lettering, title page, and ornaments in black, red, and gold by Rudolf Koch. A bold production of Jesus' Sermon on the Mount, printed in Kochschrift, so that the design bridges the flourishes of medieval manuscripts and the sleekness of early twentieth-century type..... More
