Bromer Bookseller has always held the aesthetic of letterpress printing as the finest technique in which to present the written word. We offer many fine examples of printing from the eighteenth to the twentieth centuries, as well as earlier printed items. On our shelves, you will the find traditional, restrained typography of Bruce Rogers and John Baskerville, as well as more experimental work from such modern practitioners as Gunnar Kaldewey. Other leading printers represented in our stock include ...
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NY: 6x9 Press, 1957. Oblong octavo. 12 ff., frenchfold. One of an unspecified, but undoubtedly small edition. Illustrated with nine hand-colored linocuts by Chwast. With an Introduction by Dachine Rainer, the anarchist writer whose novella, A Room at the Inn, would be published the following year. An early work by... More
(London/Andoversford): Acorn Press/Whittington Press, 1975. Oblong quarto. (28)ff., frenchfold. One of 60 copies signed by the artist, Hellmuth Weissenborn. Illustrated with twenty-seven linocuts printed in two colors. Weissenborn's colorful alphabet is accompanied by quotations about various aspects of printing from philosophical and literary luminaries, such as Byron, Nietschze, and Southey... More
Marcham, Oxford: Alembic Press, 2005. Two oblong quarto volumes. (22); (22)pp., accordionfold. One of thirty-five copies. The two volumes are meant to be opened in tandem: the first volume contains a poem by Anne Bell printed in grey ink, illustrated with color linocuts, including five pop-ups, by the Australian-born painter... More
(London: Susan Allix, 2003). 32mo. (43)pp. One of thirty copies of the 2003 reprint, signed by the artist. Thirteen illustrations in vibrant colors. Each letter in this charming alphabet is accompanied by a short poem, reminiscent of early children's rhymes. Bound red paper, dye-cut to show a page of rhyming... More
(N.p. n.d.). An original linoleum block print measuring 8 by 10 inches, tastefully matted and framed. Valenti Angelo here employs bold use of line and cross-hatching to show the texture of these trees, which are in the foreground, set against a predominantly black backdrop. Inscribed by the artist to Henry... More
Northampton, MA: Apiary Press, 1964. Small quarto. (16)pp. One of twenty-five copies. Signed by the author and the printer. This scarce item was printed for the author by his friend Ronald Gordon, now the proprietor of the Oliphant Press in New York. With eight vignettes taken from wood engravings by... More
Northampton, MA: Apiary Press, 1957. Tall quarto. 16ff. One of 100 copies. The second book of the Press. Illustrated with twenty woodcuts, four of which are printed in two colors, engraved by Smith College students Judith Gustafson, Margaretta Kuhlthau, Gillian Lewis, and Mary Alice Taylor. Presentation inscription from Margaretta "Sis"... More
San Francisco: Arion Press, 2005. Folio. One of 300 copies, signed by the author, Lawrence Ferlinghetti, and the illustrator, R. B. Kitaj. The volume opens with a frontispiece portrait of Ferlinghetti in profile, reproduced from a charcoal drawing on handmade paper. First published in 1958, this collection of poems contains... More
San Francisco: Arion Press, 1990. Quarto. xxviii, 173pp. One of 400 copies signed by the illustrator. Richard Diebenkorn has supplied six etchings, comprising a double map of Ireland and five images on the Yeatsian theme of the empty coat. Faint sunning to slipcase, else fine in green cloth with red... More
![Original Unbound Sheets 1923-1935. [Ashendene Press].](/pictures/thumb/25424.jpg?v=1510089993)
(Los Angeles: Dawson's Book Shop, 1961). Small folio portfolio. One of seventeen portfolios distributed by Dawson's Book Shop. Contains Dawson's contents sheet, plus 20 leaves of proof, trial, and discarded sheets, which were purchased from the daughter of C. H. St. John Hornby. These are: an eight-page signature from The... More
NY: Glenn Horowitz, 1989. 16mo. 21pp. One of 150 copies. Signed by the author at the colophon. Transcript of Baraka's eulogy for James Baldwin, delivered at his funeral at the Cathedral of Saint John the Divine in 1987. Printed at the Kelly Winterton Press. Bound in green paper wrappers, fine... More
London: Leonard Smithers, 1898. Quarto. xlv, 193pp. From a total edition of 1,100 copies, this is one of 100 deluxe copies bound in full vellum, with an extra, enlarged set of the five pictorial initials tipped-in. Out of the 24 drawings planned, Beardsley lived only long enough to complete five... More
Davis, CA: Library Associates, University Library, University of California, Davis, 1979. Two copies of a poster designed by Richard Bigus announcing the "Five Fine Printers" exhibit and related events at the Memorial Union Art Gallery at the University of California, Davis. The exhibit ran from February 22 to April 10... More
Richard Bigus, 1978. Broadside measuring 21 3/8 by 14 3/4 inches. From an edition of 200 copies, this is a proof copy signed by Richard Bigus. Designed and printed by Bigus in two colors. Fine. More
(North Hills): Bird & Bull Press, 1967. Octavo. 121pp. From an edition of 500 copies, this is an out-of-series copy in a 1968 trial binding by Jean Millard. According to a penciled note on the front endpaper, there were two copies bound thus, and the note mentioned that "L. Schlosser... More
North Hills: Bird & Bull Press, 1964. Octavo. 91pp. One of 200 copies. A biography on the life and work of Thomas Bird Mosher, the remarkable New England publisher and literary pirate. The Passionate Pirate is one of Morris's earlier titles. In making it, he was plagued with both papermaking... More
(San Francisco: Black Stone Press, 1980). Oblong 24mo. (30)pp. One of fifty copies, signed by author Kate Pond and printer Shelley Hoyt-Koch. Each letter, printed in red, is accompanied by an illustration in black. Rhymes by Kate Pond, clever and at times unexpected, run across each page spread (e.g. "HORSE... More
(NY): Center for the Book Arts, (2007). Octavo, 18ff. One of thirty-nine copies. A collection of thirteen poems from Blake’s Songs of Innocence and Experience, beautifully printed by nine compositor-printers at the Center for the Book Arts. Each printer’s work occupies a single bifolium sheet, forming nine loose signatures. All... More
(Parma: Stamperia Reale, 1779). Octavo. xii, 296pp. First edition. Illustrated with a frontispiece portrait of the poetess crowned with a laurel wreath, eleven beautifully-engraved vignettes and twelve culs-de-lamp. This elegantly-printed volume was published in commemoration of the coronation of poet Maria Maddalena Morelli Fernandez with laurels on the Capitol in... More
NY: Elston Press, 1901. Small quarto. (xv), 68pp. One of 485 copies on Holland hand-made paper, in boards with vellum spine. Decorated with initials by H. M. O'Kane and floral devices, as well as a printer's device on the title page. The text is a 1345 treatise on book collecting... More
(Munich): Bremer Presse, (1923-1924). Two folio volumes. 486; 372pp. One of 615 copies printed in Greek with titles by Anna Simons. These beautiful volumes are printed on Zanders handmade paper in a 16-point Greek type designed for the Press. Colin Franklin describes these books as “magnificent examples of controlled printing.”... More
Boston: Bromer, Anne & David, 1984. Quarto. 38pp. First edition. One of 225 copies printed in three colors by Richard Bigus at the Stinehour Press. Illustrated with two wood engravings by Greg Dearth and a specimen sheet printed in three colors on parchment. Handbound by Claudia Cohen in quarter-vellum and... More
San Francisco: Amber House Press, 1964. Small quarto. (42)pp. First edition of Corrington's third published book of poetry. Illustrated with drawings by Ann Parisi, printed in silver, including a stylized skeleton across the covers. With an Introduction and cover blurb by Charles Bukowski. Printed by Frank Westlake at the Bindweed... More
(Portland, OR): Chamberlain Press, 1984. Small octavo. (24)ff. One of 150 copies signed by Chamberlain. The text, translated by Boris Artzybasheff, is ornamented with ten full-page wood engravings by Chamberlain, each printed in black and three colors. Text pages are ornamented with leafy vines, printed in green. Extremely fine in... More
London: Gay and Bird, 1901. 24mo. xv, (iii), 134pp. One of sixty copies on Japanese vellum, signed by the publisher. Illustrated with a frontispiece engraving of Chaucer, as well as head- and tailpieces for each section of the text. Bound in full vellum with yapp edges and two ribbon ties... More
