Bromer Bookseller has always held the aesthetic of letterpress printing as the finest technique in which to present the written word. We offer many fine examples of printing from the eighteenth to the twentieth centuries, as well as earlier printed items. On our shelves, you will the find traditional, restrained typography of Bruce Rogers and John Baskerville, as well as more experimental work from such modern practitioners as Gunnar Kaldewey. Other leading printers represented in our stock include ...
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San Francisco: Arion Press, 1991. Octavo. 82pp. One of 750 copies, of which this is one of 250 copies bound in boards. Frontispiece portrait of the author tipped in, along with a reproduction of a Carl R. Martin drawing on the final page. A fine rendition of the author's first..... More
San Francisco: Arion Press, 1990. Elephant folio. 44ff., + 24pp. booklet. From an edition of 180 copies, this is one of only a few that has been hand-colored "at the heart of the book" (leaf 27) by the artist, Jim Dine. Signed by Dine on the colophon page. Illustrated with..... More
San Francisco: Arion Press, 2003. Octavo. 12pp. One of 500 copies. A talk presented by John T. Shawcross at the Arion Press on January 29, 2003, during its celebration of the publication of a new edition of John Milton's Paradise Lost. Bound in gray paper wrappers. Fine. (Arion Bibliography, p...... More
San Francisco: Arion Press, 1993. Large quarto. 143pp. One of 300 copies, signed by the author and the artist. Illustrated throughout with fifteen drawings by Stan Washburn. The second in Arion's drama series. A very fine copy in pictorial boards and goatskin spine, with a mylar wrapper. Lacks accompanying CD..... More
San Francisco: Arion Press, 2015. Quarto. 169pp. One of 400 copies, signed by the illustrator. The sixty-seven images created by William Kentridge depict figures created by brush and ink over dictionary pages, which could then be spread over a stage scene or rearranged to suggest new positions or gestures. Some..... More
San Francisco: Arion Press, 2008. Octavo. 330pp. One of 300 copies. Illustrated by Stan Washburn utilizing etchings on film which are then transferred to polymer plates. A fine edition of Wells' under-appreciated novel about a fictional patent medicine, loosely based on perhaps one of the most successful such elixirs of..... More
San Francisco: Arion Press, 2013. Octavo. 178, (ii)pp., + 20pp. of illustrations. One of 400 copies, signed by Lucy Gray, whose twenty photographs were printed by offset lithography in two colors and overlaid with varnish. Gray is married to film historian and critic David Thomson, who contributed the Introduction to..... More
Salt Lake City: Book Arts Studio, University of Utah, 2002. 64mo. (4)ff. One of 24 copies. A clever meditation on the ephermerality of the ways in which a reader encounters a text, juxtaposing the printed word, digital texts, and the scheme of language itself. Bound in two floppy disc covers..... More
(New York: Fleming & Carnrick, 1898). Quarto. 28ff. Decorated title page printed in four colors; twenty-three ornamental initial capitals printed in red and gold. Spenser's poem celebrating his marriage to Elizabeth Boyle is presumably printed here to mark the occasion of the nuptials of one of the printing firm's partners..... More
South Freeport, ME: Ascensius Press, 2015. Small quarto. 44ff. From an edition of forty-one, this is one of twenty-six lettered copies, bound in full calf. Frost's second book of poetry is here published in a centenary edition by Scott Vile of the Ascensius Press. In homage to Joseph Blumenthal, Frost's..... More
Portland, ME: Ascensius Press, 1989. Octavo. (viii), 37, (4)pp. One of fifty copies. Signed by the author, Kenneth Rosen, and the artist, Richard Wilson, at the colophon. Wilson's compelling woodcuts illustrate Rosen's lauded poems, underscoring their wit and emotion with sharp lines and deep blacks. An extra suite of the..... More
(Chelsea): Ashendene Press, 1896. 24mo. 30pp. One of 154 copies. This is the third book of the Press. Transcribed from Pepys's diary by John Todhunter. Also listed after the main text are the current officers and members and past presidents of the Sette of Odd Volumes. In original printed paper..... More
Cambridge, MA: The Business Historical Society, 1929. Octavo. 173pp. An account of Audubon's travels throughout the United States and Europe, along with accountings of his sales. Edited by Howard Corning. Bound in full navy cloth with paper label to spine. Label chipped at upper right corner, covers spotted, else very..... More
British Columbia: Barbarian Press, 2015. One of forty-five copies of the deluxe edition, featuring a portfolio with strikes of the seven engravings appearing in the volume and an additional print. With the exception of the frontispiece, the engravings, fashioned after Roget's illustrations by the Brothers Dalziel of London, never appeared..... More
Mission, British Columbia, Canada: Barbarian Press, 2013. Folio. (50)pp., + 134ff. plates. One of 120 copies of the regular edition. Illustrated with 134 examples of Brett's wood engravings. Number four in the Barbarian Press Endgrain Edition series of books on individual wood engravers. This volume includes an autobiographical Introduction by..... More
Mission, British Columbia: Barbarian Press, 2017. 24mo. (79)pp., + six loose plates. One of 60 deluxe copies. Engravings by John Lawrence printed largely from wood, with some detailed spots in larger engravings from polymer plates, all in the Press' customary assortment of bright colors. Texts from over forty songs and..... More
London: Basilisk Press, 1979. Quarto. 180pp., + (10)ff. From an edition of 500 copies, this is one of twenty-five with ten original wood engravings bound-in subsequent to the text, five of which are signed by the book's illustrator, Edward Gordon Craig. For decades, Craig nurtured an interest in Daniel Defoe's..... More
Minneapolis: Bieler Press, 1985. Octavo. (13)ff. One of 200 copies. Signed by the author. Drawing of a pine tree on the title page. Evocative poetry from Hart, bound in gray wrappers. Fine. Prospectus laid in. More
Minneapolis: Bieler Press, 1985. Octavo. 67pp. One of 150 copies, signed by the author. Trace rubbing to corners, else near fine in patterned blue paper backed in navy cloth. Prospectus laid in. More
Davis, CA: Library Associates, University Library, University of California, Davis, 1979. Two copies of a poster designed by Richard Bigus announcing the "Five Fine Printers" exhibit and related events at the Memorial Union Art Gallery at the University of California, Davis. The exhibit ran from February 22 to April 10..... More
Richard Bigus, 1978. Broadside measuring 21 3/8 by 14 3/4 inches. From an edition of 200 copies, this is a proof copy signed by Richard Bigus. Designed and printed by Bigus in two colors. Fine. More
New Castle, DE: Oak Knoll Press, 1982. Octavo. 40pp. One of 250 copies. A comprehensive guide to bookbinding techniques and terminology for the layperson collector. Backed in cloth with red paper over boards. Fine. More
North Hills: Bird & Bull Press, 1972. Oblong 16mo. 70pp. One of 140 copies. An early title, containing six articles on printing, papermaking, etc. Bound in vellum-backed pastepaper boards. Little rubbing to corners, else near fine. Prospectus laid-in. More
North Hills: Bird & Bull Press, 1982. 16mo. 16ff. One of 375 copies. Illustrated with a fold-out drawing of a balloon bomb tipped into a separate folder. The Japanese lanched these bombs after their defeat at Midway in an attempt at retaliation. This effort met with little success. This is..... More
North Hills: Bird & Bull Press, 1982. Octavo. 137pp. One of 500 copies. Facsimiles of two important essays on printing by Richard Atkins and the first specimen book by Caslon; introduced and commented upon by Cary S. Bliss. Very fine in tan buckram, with title-label on spine. Prospectus laid-in. (Bird..... More
