Bromer Bookseller has always held the aesthetic of letterpress printing as the finest technique in which to present the written word. We offer many fine examples of printing from the eighteenth to the twentieth centuries, as well as earlier printed items. On our shelves, you will the find traditional, restrained typography of Bruce Rogers and John Baskerville, as well as more experimental work from such modern practitioners as Gunnar Kaldewey. Other leading printers represented in our stock include ...
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San Francisco: Arion Press, 2009. Large octavo. 274pp., + 68 pages of color and black & white photographs. One of 300 copies, signed by the author and the artist. The fiftieth anniversary edition of Connell's novel, which has been regarded as "probably the great feminist novel written by a man,"..... More
Dallas: Arion Press, 1980. Quarto. xiv, 270pp. One of 300 copies, printed by the Arion Press for Neiman Marcus. Maps and diagrams throughout, including one fold-out, by David Fuller, and a portrait of Dobie by Andrew Hoyem. Printed in black and red with gold initials drawn by Sumner Stone. An..... More
San Francisco: Arion Press, 2016. Folio. 225, (2)pp. One of 300 copies. Introduction and translation by Mark Polizzotti. In this, Flaubert's comedic final novel, two mid-nineteenth century copyists begin to conduct improbable experiments based on misinformation gathered from random readings. Reflecting the occupations of the heroes, all pages of the..... More
San Francisco: Arion Press, 1997. Quarto. 68pp. One of 200 copies, signed by Jim Dine. Illustrated with a photogravure by Dine from the portfolio of the "Ape & Cat" series. A very fine copy in cloth. Prospectus laid in. (Arion Bibliography 52). More
San Francisco: Arion Press, 2005. Oblong octavo. 18pp. One of 350 copies. Illustrated throughout with ten prints made by scratching ink printed from a block onto frosted mylar, which is then used as a negative to produce a photopolymer plate. "The Tulipomania" is a chapter from Memories of Extraordinary Popular..... More
San Francisco: Arion Press, 1992. Quarto. 117pp. One of 400 copies, signed by the author and the artist. Illustrated with five wood engravings, four of them full page, by Michael McCurdy. The first play in the Arion Press drama series. A fine copy in blue-green cloth with a ring of..... More
San Francisco: Arion Press, 1991. Octavo. 82pp. One of 750 copies, of which this is one of 250 copies bound in boards. Frontispiece portrait of the author tipped in, along with a reproduction of a Carl R. Martin drawing on the final page. A fine rendition of the author's first..... More
San Francisco: Arion Press, 1990. Elephant folio. 44ff., + 24pp. booklet. From an edition of 180 copies, this is one of only a few that has been hand-colored "at the heart of the book" (leaf 27) by the artist, Jim Dine. Signed by Dine on the colophon page. Illustrated with..... More
San Francisco: Arion Press, 1995. Octavo. 430pp. One of 300 copies, signed by the author. Illustrated with forty-eight vintage photographs gathered from the Museum of the City of New York, the Ellis Island Immigration Museum, and the George Eastman House that were taken during the approximate period in which the..... More
San Francisco: Arion Press, 2003. Octavo. 12pp. One of 500 copies. A talk presented by John T. Shawcross at the Arion Press on January 29, 2003, during its celebration of the publication of a new edition of John Milton's Paradise Lost. Bound in gray paper wrappers. Fine. (Arion Bibliography, p...... More
San Francisco: Arion Press, 1993. Large quarto. 143pp. One of 300 copies, signed by the author and the artist. Illustrated throughout with fifteen drawings by Stan Washburn. The second in Arion's drama series. A very fine copy in pictorial boards and goatskin spine, with a mylar wrapper. Lacks accompanying CD..... More
San Francisco: Arion Press, 2001. Oblong folio. xvi, 115pp. One of 400 copies, signed by the author, Tom Stoppard, and the artist, William Matthews. Illustrated with four reproductions of watercolor views showing the manor and landscape as they change over the course of the play. Foreword by the author. A...... More
San Francisco: Arion Press, 2015. Quarto. 169pp. One of 400 copies, signed by the illustrator. The sixty-seven images created by William Kentridge depict figures created by brush and ink over dictionary pages, which could then be spread over a stage scene or rearranged to suggest new positions or gestures. Some..... More
San Francisco: Arion Press, 2008. Octavo. 330pp. One of 300 copies. Illustrated by Stan Washburn utilizing etchings on film which are then transferred to polymer plates. A fine edition of Wells' under-appreciated novel about a fictional patent medicine, loosely based on perhaps one of the most successful such elixirs of..... More
(New York: Fleming & Carnrick, 1898). Quarto. 28ff. Decorated title page printed in four colors; twenty-three ornamental initial capitals printed in red and gold. Spenser's poem celebrating his marriage to Elizabeth Boyle is presumably printed here to mark the occasion of the nuptials of one of the printing firm's partners..... More
South Freeport, ME: Ascensius Press, 2015. Small quarto. 44ff. From an edition of forty-one, this is one of twenty-six lettered copies, bound in full calf. Frost's second book of poetry is here published in a centenary edition by Scott Vile of the Ascensius Press. In homage to Joseph Blumenthal, Frost's..... More
Chelsea: Ashendene Press, 1922. Octavo. viii, 239pp. One of 240 copies, printed entirely by hand, with titles in red and chapter initials in blue. Illustrated with 53 wood engravings cut by J. B. Swain after drawings by Charles M. Gere. Bound in limp vellum with ribbon ties and gilt titling..... More
(Los Angeles: Dawson's Book Shop, 1961). Small folio portfolio. One of seventeen portfolios distributed by Dawson's Book Shop. Contains Dawson's contents sheet, plus 20 leaves of proof, trial, and discarded sheets, which were purchased from the daughter of C. H. St. John Hornby. These are: an eight-page signature from The..... More
Chelsea: Ashendene Press, (1906). Small quarto. 161pp. One of 100 copies. Printed in red and black with initials by Eric Gill. This is the first book by the Ashendene Press with marginal notes printed in red. Featuring a designer binding by Franklin Mowery of black morocco blind-tooled with an intersecting..... More
(Chelsea): Ashendene Press, 1896. 24mo. 30pp. One of 154 copies. This is the third book of the Press. Transcribed from Pepys's diary by John Todhunter. Also listed after the main text are the current officers and members and past presidents of the Sette of Odd Volumes. In original printed paper..... More
Cambridge, MA: The Business Historical Society, 1929. Octavo. 173pp. An account of Audubon's travels throughout the United States and Europe, along with accountings of his sales. Edited by Howard Corning. Bound in full navy cloth with paper label to spine. Label chipped at upper right corner, covers spotted, else very..... More
Mission, British Columbia, Canada: Barbarian Press, 2013. Folio. (50)pp., + 134ff. plates. One of 120 copies of the regular edition. Illustrated with 134 examples of Brett's wood engravings. Number four in the Barbarian Press Endgrain Edition series of books on individual wood engravers. This volume includes an autobiographical Introduction by..... More
London: Basilisk Press, 1979. Quarto. 180pp., + (10)ff. From an edition of 500 copies, this is one of twenty-five with ten original wood engravings bound-in subsequent to the text, five of which are signed by the book's illustrator, Edward Gordon Craig. For decades, Craig nurtured an interest in Daniel Defoe's..... More
Nevada City, CA: Berliner, Harold, 1988. Quarto. 105pp. One of 150 copies. This copy inscribed by the printer to wood engraver John DePol, with his bookplate and signature to front paste-down. Design and frontispiece illustration by Lederer. Translated by C. F. MacIntyre and printed in French and English, on opposing..... More
Minneapolis: Bieler Press, 1985. Octavo. (13)ff. One of 200 copies. Signed by the author. Drawing of a pine tree on the title page. Evocative poetry from Hart, bound in gray wrappers. Fine. Prospectus laid in. More
