Bromer Bookseller has always held the aesthetic of letterpress printing as the finest technique in which to present the written word. We offer many fine examples of printing from the eighteenth to the twentieth centuries, as well as earlier printed items. On our shelves, you will the find traditional, restrained typography of Bruce Rogers and John Baskerville, as well as more experimental work from such modern practitioners as Gunnar Kaldewey. Other leading printers represented in our stock include ...
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North Hills: Bird & Bull Press, 1964. Octavo. 91pp. One of 200 copies. A biography on the life and work of Thomas Bird Mosher, the remarkable New England publisher and literary pirate. The Passionate Pirate is one of Henry Morris's earlier titles. In making it, he was plagued with both..... More
Newtown: Bird & Bull Press, 1985. Octavo. 161pp. One of 325 copies. Illustrated with eighteen black & white photographs and drawings, fourteen full-color photographs of Kinder's bindings, and thirteen pages of black & white impressions of Kinder's bookbinding stamps. A thorough examination of one of America's finest binders and of..... More
Amos Paul Kennedy, Jr., (c. 2017). Twenty-three church fans, each with the name of an individual killed while working for civil rights in the United States from 1946 to 1948. The names, and the dates and locations of their murders, are printed in blue, while on each "Murdered" is printed..... More
Rosendale, NY: Women's Studio Workshop, 2022. 11033 is an emotionally and historically profound depiction of the trauma of incarceration, especially for mothers, and Black women. Crawley here considers the specific narrative of Mary Morst, a Black woman in the Virginia State Penitentiary in 1921. Poetics of language and form, of..... More
Connecticut River Valley, MA: SAW Press, 2018. Ashes to Ashes was originally a performance piece held in 2016, in which Whitaker organized the first-ever funeral service to commemorate and mourn the thousands of African Americans who have been lynched and denied their last rites. Whitaker then worked with printer Michael..... More
(Parma: Stamperia Reale, 1779). Octavo. xii, 296pp. First edition. Illustrated with a frontispiece portrait of the poetess crowned with a laurel wreath, eleven beautifully-engraved vignettes and twelve culs-de-lamp. This elegantly-printed volume was published in commemoration of the coronation of poet Maria Maddalena Morelli Fernandez with laurels on the Capitol in..... More
Loughborough: Plough Press, 1981. Quarto. (62)ff. One of 120 copies. Contains nineteen fascicles with actual samples of eighteen different printing methods, from woodcut to photomechanical printing, and ranging from the sixteenth to the twentieth century. Explanatory text is printed on the wrappers, and the samples are loose so as to..... More
NY: Elston Press, 1901. Small quarto. (xv), 68pp. One of 485 copies on Holland hand-made paper, in boards with vellum spine. Unopened. Decorated with initials by H. M. O'Kane, floral devices, and a printer's device on the title page. The text is a 1345 treatise on book collecting written by..... More
Munich: Bremer Presse, 1931. Quarto. 158pp. One of 250 copies. A collection of songs by von der Vogelweide, a medieval poet and minstrel, whose songs are widely regarded as the pinnacle of the era's German love lyric. He is also responsible for using poetry to political ends, and was the..... More
(Wakefield, Yorkshire): Fleece Press, (1986). Large quarto. (10)pp., + (19)ff. From an edition of 200 copies, this is one of twelve bound by James Brockman. Illustrated with twenty wood engravings printed on handmade paper from the original blocks that were cut by Underwood in the 1920s and ‘30s. Underwood’s Brook..... More
(Manteno, IL): Brontë Press, 1993. (24)pp. One of 55 copies, signed and numbered by Prutchnicki. The hand-colored line drawings follow the travels and impressions of a young Alexander as he follows a journey similar to that of Alexander the Great. Bound in teal paper over boards with paper label to..... More
Manteno, IL: Brontë Press, 1995. (17)pp. One of 55 copies, signed and numbered by Prutchnicki, who, in addition to authoring and illustrating the book, printed it and hand-colored it in conjunction with Paul Prutchnicki. A loving and lovely perspective of the San Xavier Mission, the gardens and architectural details of..... More
San Francisco: Amber House Press, 1964. Small quarto. (42)pp. First edition of Corrington's third published book of poetry. Illustrated with drawings by Ann Parisi, printed in silver, including a stylized skeleton across the covers. With an Introduction and cover blurb by Charles Bukowski. Printed by Frank Westlake at the Bindweed..... More
Canton, NY: Caliban Press, 1995. 16mo. (vi)pp., + (17)ff. One of 90 copies. Signed by Eckmair at the colophon. A collection of sixteen of Eckmair's woodcut illustrations, all evincing his keen ability to capture the nuances of light and dark. With a Foreword by Fred Norton and an Introduction by..... More
Canton, NY: Caliban Press, 2007. Square 24mo. (8)pp., accordionfold. One of 200 copies. The jumblies in their famous seive, with holes in the appropriate places, on a colored etching, which is printed on a movable piece of paper affixed to the fifth panel. With red paper covered and housed in..... More
NY: Knopf, 1933. Octavo. (12)pp. First edition thus. Signed by von Schmidt at the colophon. von Schmidt executed twelve ink drawings for the publication, each bridging his own iconic visions of the American West with the pre-Raphaelite style the book's mise-en-page presents. Printed in black and orange. Bound in tan..... More
(Easthampton, MA): Chamberlain Press, 1978. Octavo. (6)ff., frenchfold. One of 100 copies, signed by the artist. Designed, printed, and illustrated by Chamberlain. Lear's poem tells of an old man "who invented a purely original dress"; it was edible. Printed in two colors on beige Japanese paper and illustrated with two..... More
(Portland, OR): Chamberlain Press, 1980. 24mo. (10)ff. One of 150 copies, signed by Chamberlain. Illustrated with eleven wood engravings depicting rowdy rats and the hapless inhabitants of Hamlin. Printed on Hosho paper and bound in marbled paper boards with leather spine label. Fine. More
(Portland, OR): Chamberlain Press, 1982. Small octavo. (20)ff. One of 125 copies, signed by the artist, Sarah Chamberlain. Contains eleven whimsical poems by Hilaire Belloc, illustrated with seventeen wood engravings cut and hand-colored by Chamberlain. Bound by Barbara Blumenthal in patterned boards, with a morocco spine stamped in black. Fine..... More
(Easthampton, MA): Cheloniidae Press, 1986. Octavo. (54)pp., frenchfold. One of 231 copies, signed by Alan James Robinson. The alphabet and the Latin and common names of the birds are printed in two colors after lettering by Suzanne Moore. The opening text is from "Animate Creation," a popular edition of "Our..... More
(N.p.): Cheloniidae Press, 1991. Quarto. (89)pp. One of 210 copies, signed by both Robinson and McGrath at the colophon. Illustrated throughout with head- and tail-pieces by Robinson, as well as an example of calligraphy by Suzanne Moore and one by Elizabeth Curtis. A celebration of McGrath upon the fiftieth anniversary..... More
Los Angeles: W. M. Cheney, 1953. Small octavo. xiv, 18pp. One of 100 copies. A satirically aloof academic text on Pig Latin. Fine in tan wrappers. More
Shirley, Solihull: Cherub Press, 1986. 48mo. (14)pp. From an edition of 160 copies, this is one of 85 sewn into Strathmore covers with Roselle marbled endpapers. With two full page engravings by Renton capturing the romance of Keat's poem. Fine. More
San Francisco, CA: Hosfelt Gallery, 1997. One of 100 copies, signed by Wegner in the volume titled "Remarks on Color." The other volumes are titled "Remarks" and "Color," and, as the division of names suggests, these first two volumes' disparate parts are combined in the third volume, to great poetic..... More
(N.p.): 1961. 24mo. (36)ff. A collection of short publications by various presses, including the Seredipity Press, Glad Hand Press, and Mermaid Press, all printed on different papers and with varying degrees of ornamentation. Fine in black cloth over boards. Errata sheet laid in. More
