Bromer Bookseller has always held the aesthetic of letterpress printing as the finest technique in which to present the written word. We offer many fine examples of printing from the eighteenth to the twentieth centuries, as well as earlier printed items. On our shelves, you will the find traditional, restrained typography of Bruce Rogers and John Baskerville, as well as more experimental work from such modern practitioners as Gunnar Kaldewey. Other leading printers represented in our stock include ...
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Flemington, NJ: St. Teresa's Press, 1965. Small quarto. 31pp. One of 150 copies. Printed and bound at the Carmelite Monastery. Twenty-one canticles printed in Cancelleresca Bastarda using brown ink, each with an initial capital illuminated with 23-karat gold. Toning to top edge and spine, with a hint of wear to... More
Pasadena, CA: Archetype Press, 2005. Folio. (45)ff. One of 80 copies. Contains thirty-seven illustrations depicting American inventions ranging from the profound (Morse code, cloning, etc.) to the underappreciated (American cheese singles, flyswatter, etc.). Printed using "metal foundry type, wood type, linoleum blocks, laser-cut masonite, and digital polymer plates." Occasionally mixed... More
Flemington, NJ: St. Teresa's Press, 1970. Small quarto. 33pp. One of 125 copies printed on handmade paper. A beautiful book of familiar passages from the prophets, with a hand-illuminated title page and stylized opening initials in gold, silver, and other colors. Printed at the cloistered monastery of St. Teresa, this... More
Berkshire: Golden Cockerel Press, 1926. Small quarto. v, (i), 94, 1pp. A collection of Aesop's much-celebrated and much-cited fables, some illustrated with bold wood engravings by Celia M. Fiennes. In keeping with the Golden Cockerel Press's tradition of creating limited editions of classic masterworks, this representation was reprinted from Sir... More
Great Barrington, MA: Michael McCurdy, 2004. Quarto. One of eight copies. A suite of twenty-five laser prints of drawings by Michael McCurdy, each hand-colored, signed, and numbered by the artist. The drawings were originally done by McCurdy at the request of the University Press of Kansas, which commissioned the artist... More
(Boston): Riverside Press, 1909. Quarto. (xx), 332, (vii)pp. One of 370 copies. The text is translated from Auguste Bernard’s second edition and contains a biography, iconography, and bibliography. In order to harmonize with Tory’s border woodcuts, Rogers printed this handsome book in Riverside Caslon, one of the typefaces which he... More
Hammersmith: Doves Press, 1911. Octavo. 12pp. Second edition. One of 350 copies. Included are descriptions of all books printed to that date, the introduction by T. J. Cobden-Sanderson from the first edition of 1908, and his additional comments for this edition. Expected toning to extremities, else a fine copy in... More
(N.p. Michael Mar Press, 1977). Small quarto. (16)ff. One of twelve copies, hand-produced by jewelry designer Michael Dorsa and bookbinder Margaret Rhein. With twelve color illustrations. The text and images were both from an original work written and drawn in 1964 by Mike Dorsa and Tom Warner, age nine. In... More
(Hamburg): Raamin-Presse, 1982. Folio. xxxipp. From an edition of 220 copies, this is one of 40 copies signed by Quadflieg with an additional suite of the illustrations for the historiated initials printed on a single sheet, also signed by Quadflieg. Printed and illustrated with historiated initials by Roswitha Quadflieg. Grimm's... More
Long Crendon, Buckinghamshire: Seven Acres Press, 1927. Octavo. 10pp. One of 125 copies, this copy out-of-series. With woodcut illustrations: architectural border on the title page, six vignettes, eleven initials, and one tail-piece. First page printed in black and red. The binding of this copy, although unsigned, was done by Haberly... More
London: Golden Cockerel Press, 1952. Tall quarto. 80pp. One of 360 copies. Illustrated by John Buckland Wright with eight aquatints, printed from the copper plates. A lush example of Buckland Wright's style, with particularly impressive shading and detail not found in other instances of his work. Bound in green half-cloth... More
(London): 1932. Quarto. Unpaginated. One of 530 copies, printed and published by Rogers, Sir Emery Walker, and Wilfred Merton. Illustrated with twenty-six decorations of Homeric figures printed in black on round backgrounds of gold. It was Rogers who, upon reading Seven Pillars of Wisdom, decided that T. E. Lawrence would... More
Ditchling: St. Dominic's Press, 1934. Small quarto. 79pp. One of 250 copies, signed and numbered by the author, Hilary D. C. Pepler. An essay written and hand-printed by Pepler for the Society of Typographic Arts in Chicago. Illustrated with two wood engravings by David Jones and many facsimile examples of... More
North Hills: Bird & Bull Press, 1964. Octavo. 91pp. One of 200 copies. A biography on the life and work of Thomas Bird Mosher, the remarkable New England publisher and literary pirate. The Passionate Pirate is one of Henry Morris's earlier titles. In making it, he was plagued with both... More
Alford, MA: 1962. Small quarto. 28ff. One of forty copies. Etched title page and twenty-six fine etchings by Fink, ranging thematically from portraits to botany to insects. Many of Fink's etchings have a decidedly Baskinesque aesthetic, but Fink's circle centered primarily in New York, where he was friendly with Jack... More
(Wakefield, Yorkshire): Fleece Press, (1986). Large quarto. (10)pp., + (19)ff. One of 200 copies printed from the original blocks on handmade paper. Illustrated with twenty wood engravings by Underwood that were cut in the 1920s and 1930s. Underwood's Brook Green School produced a great many accomplished wood engravers, among them... More
(Wakefield, Yorkshire): Fleece Press, (1986). Large quarto. (10)pp., + (19)ff. Of an edition of 200 copies, this is one of twelve bound by James Brockman. Printed from the original blocks on handmade paper. Illustrated with twenty wood engravings by Underwood that were cut in the 1920s and 1930s. Underwood's Brook... More
Denby Dale: Fleece Press, (1995). Folio. 80pp. One of 240 copies. When John Buckland Wright died in 1954 his studio contained a number of his engraved woodblocks, mostly those for which he had a particular fondness. This volume publishes "all the engravings of bathers or of women in watery landscapes... More
(Wakefield, West Yorkshire): Fleece Press, 1993. Octavo. 28pp., + 42ff. One of 206 copies. Illustrated with forty-one plates of Buckland Wright's wood engravings, which represent a cross-section of his work in white line and silhouette engraving between 1929 and 1954. Extremely fine in vellum-backed Japanese wood veneer paper boards, housed in publisher's slipcase. More
Northridge, CA: Lord John Press, 1981. 29pp. One of 400 copies, signed by President Gerald R. Ford. The text is an address given to the Visa International Convention in Quebec, in September 1980, in which Ford advocates for world peace for economic purposes. He was the only president to collaborate... More
Northridge, CA: Lord John Press, 1981. 29 pp. From an edition of 400, this is one of 100 copies specially bound by Bela Blau. Signed by President Gerald R. Ford. The text of a September 1980 address given to the Visa International Convention in Quebec encouraging world peace for economic... More
(Salem: Colonial Society, 1939). First separate edition, which consisted of fewer than 100 copies. A single folded sheet with one page of type, printed by Dard Hunter II at the MIT Paper Museum Press. Inscribed by Frost to Martin K. Howes at foot of poem. Frost read this delightful piece... More
South Freeport, ME: Ascensius Press, 2015. Small quarto. 44ff. From an edition of forty-one, this is one of twenty-six lettered copies, bound in full calf. Frost's second book of poetry is here published in a centenary edition by Scott Vile of the Ascensius Press. In homage to Joseph Blumenthal, Frost's... More
NY: Henry Holt, 1947. First edition. One of 751 copies signed by Frost. Title page decoration by Loren MacIver. In a review in the June 1, 1947 issue of the New York Times, Randall Jarrell singles out “Directive,” an early poem in Frost’s penultimate collection, for possessing “so much longing... More
(N.p. 2008). Small quarto. 32ff. One of five copies, signed by the artists, noted bookbinder, typographer, and illustrator Eri Funazaki and Danny Flynn, a fellow typographer who also wrote the text. Each letter was printed using different wood and metal types, many of which were altered by the artists or... More
