Bromer Bookseller has always held the aesthetic of letterpress printing as the finest technique in which to present the written word. We offer many fine examples of printing from the eighteenth to the twentieth centuries, as well as earlier printed items. On our shelves, you will the find traditional, restrained typography of Bruce Rogers and John Baskerville, as well as more experimental work from such modern practitioners as Gunnar Kaldewey. Other leading printers represented in our stock include ...
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(San Francisco): Book Club of California, 1981. 16mo. 64pp. One of 650 copies. The transcript of a discussion that took place at the Bruce Rogers Centennial Conference in May 1970. Bound in full brown cloth with gilt illustration stamped to upper cover. Fine in original dust wrapper. More
Chicago: Starshaped Press, 2021. Square small quarto. (29)pp. One of forty copies. An abecedarium constructed entirely of 12-point metal type and ornaments in an elaborate range of colors. The letterforms are artful and contemporary, drawing on a variety of sources both original and revised. Stab-bound in beige wrappers with a...... More
(Mattapoiset, MA: Busyhaus Publications, 1983). Small oblong octavo. 65pp. One of 200 copies bound in hardcover. Illustrated with photographs of the artists, tipped-in paper samples, and woodcuts by Michael McCurdy. Introduction by Don Guyot. Apart from the description of the work of the twelve artists, among whom are Faith Harrison..... More
Woodside, CA: Heyeck Press, 1986. Quarto. 65pp. One of 150 copies, signed by Robin Heyeck. With twenty-eight mounted specimens, thirteen of which are large sheets measuring 6 3/4 by 4 7/8 inches. With a bibliography of marbling projects by the Press. Bound in quarter gray morocco with patterned paper covers..... More
Oldham: Incline Press, 1997. Quarto. vi, 120pp. One of 300 copies. Contains seven essays on the subject of patterned paper by Paul Nash, Phyllis Barron, Sebastian Carter and others. With numerous samples of paper tipped in. Bound in yellow and red patterned paper backed in yellow cloth. Housed in a...... More
Newark, VT: Janus Press, 2002. Quarto text volume, plus sixteen 32mo. samples. 142pp.; samples variously paginated. One of 200 copies, signed by Claire Van Vliet. A trade copy of Van Vliet and Elizabeth Steiner's how-to manual on creating non-adhesive book structures is accompanied by miniature models of each of the..... More
Paris: Gruel et Engelmann, 1901. Square 16mo. (iv), 176, (8)pp. A delightfully executed reproduction of a traditional book of hours-cum-devotional, updated to match a more modern, pre-Raphaelite aesthetic. Details, including initials, florals, and flourishes, are hand-gilded, and sumptuous pages favor the Belle Époque's adoration of romantic medievalism. Punctuating the text..... More
Poestenkill, NY: Edition Kaldewey, 2002. Quarto. (28)pp. One of thirty-five regular copies. Signed by the artist at the colophon. Borges' long poem, in its original Spanish, is printed in silver on folded purple Chinese paper. Set atmospherically alongside Borges' verses are ten inlaid metalcuts, seen through die-cut circles in each..... More
(Concord, MA: Sign of the Vine, 1903). Four volumes: two 16mo. and two 32mo. (8)ff.; 19pp.; (8)ff.; (5)ff. Printed in black and red. Each volume, with the exception of Rabbi Ben Ezra, has a wood-engraved frontispiece and title page. The title page of Rabbi Ben Ezra features a geometric design..... More
Munich: Bremer Presse, 1931. Quarto. 158pp. One of 250 copies. A collection of songs by von der Vogelweide, a medieval poet and minstrel, whose songs are widely regarded as the pinnacle of the era's German love lyric. He is also responsible for using poetry to political ends, and was the..... More
Manteno, IL: Brontë Press, 1995. (17)pp. One of 55 copies, signed and numbered by Prutchnicki, who, in addition to authoring and illustrating the book, printed it and hand-colored it in conjunction with Paul Prutchnicki. A loving and lovely perspective of the San Xavier Mission, the gardens and architectural details of..... More
(Portland, OR: Vela Noche, 2010). Folio. (17)ff. One of thirty copies, this one being out of series. Fourteen of Lauren Henkin's photographs make up the majority of the book, with Kirsten Rian's poem, "Fieldnotes," appearing on the penultimate page. The poem, from which the book's title derives, meditates with equal..... More
Paris: Officina Bodoni for the Pegasus Press, 1929. Quarto. 30pp., (51)ff. One of 175 copies printed at the Officina Bodoni. With an Introduction by Henry Thomas and descriptive notes by Stanley Morison. Following these are forty-nine facsimile leaves in collotype reproducing the surviving text and plates of Brun's two writing..... More
Maastricht: Halcyon Press, 1931. Octavo. (256)pp. From an edition of 140, this is one of 125 copies on Pannekoek paper. All plates are signed by the illustrator, John Buckland Wright, and the publisher, A. A. M. Stols, has signed the colophon page. This is the third book bearing Buckland Wright's..... More
San Francisco: Amber House Press, 1964. Small quarto. (42)pp. First edition of Corrington's third published book of poetry. Illustrated with drawings by Ann Parisi, printed in silver, including a stylized skeleton across the covers. With an Introduction and cover blurb by Charles Bukowski. Printed by Frank Westlake at the Bindweed..... More
Canton, NY: Caliban Press, 1995. 16mo. (vi)pp., + (17)ff. One of 90 copies. Signed by Eckmair at the colophon. A collection of sixteen of Eckmair's woodcut illustrations, all evincing his keen ability to capture the nuances of light and dark. With a Foreword by Fred Norton and an Introduction by..... More
Canton, NY: Caliban Press, 2007. Square 24mo. (8)pp., accordionfold. One of 200 copies. The jumblies in their famous seive, with holes in the appropriate places, on a colored etching, which is printed on a movable piece of paper affixed to the fifth panel. With red paper covered and housed in..... More
(N.p. 1989). Small quarto. 10ff. A one-of-a-kind manuscript, completely hand-bound, lettered, painted, and signed by the artist Nancy Leavitt. Leavitt's superlative skill as a calligrapher is clear in this illustration of Suzanne Vega's song of loss and unrequited love, "Calypso." Vega retells the beginning of the Odyssey from the perspective..... More
London: Ken Campbell, 1990. Large quarto. 39ff. One of forty copies. Printed by Campbell in polychrome letterpress and handwork. From the artist's website: ‘EXECUTION’ plots the dismantling of a diagram (after Tschichold) that establishes a possible disposition of text on a page. The elements of the diagram are made from..... More
Poestenkill: Editions Kaldewey, 1992. Folio containing three oblong books of varying sizes. One of forty-five copies. The largest book presents the tale of Apollo and Daphne from Ovid's Metamorphoses, in Latin, illustrated with bold stripes, geometric shapes, and abstract swaths of color. The text's orientation on the page becomes increasingly..... More
NY: Knopf, 1933. Octavo. (12)pp. First edition thus. Signed by von Schmidt at the colophon. von Schmidt executed twelve ink drawings for the publication, each bridging his own iconic visions of the American West with the pre-Raphaelite style the book's mise-en-page presents. Printed in black and orange. Bound in tan..... More
Poestenkill, NY: Edition Kaldewey, 1984. Quarto. (54)pp. One of 50 regular copies. Signed by the artist, Mischa Kuball. Verses of Paul Celan's poem, printed on translucent vellum, alternate with white Fabriano paper on which Kuball has executed sharp cuts, which themselves evoke violence, fragmentation, and, aptly for Celan's titular fugue..... More
(Portland, OR): Chamberlain Press, 1987. Small quarto. (28)pp. One of 200 copies, signed by Sarah Chamberlain. Beautifully illustrated with color linoleum cuts by Chamberlain, many of which cover three-quarters of a page. All are printed with the rhymes within a color decorated border. Very fine in blue cloth-backed boards. More
(Portland, OR): Chamberlain Press, 1982. Small octavo. (20)ff. One of 125 copies, signed by the artist, Sarah Chamberlain. Contains eleven whimsical poems by Hilaire Belloc, illustrated with seventeen wood engravings cut and hand-colored by Chamberlain. Bound by Barbara Blumenthal in patterned boards, with a morocco spine stamped in black. Fine..... More
(Easthampton, MA): Chamberlain Press, 1978. Octavo. (6)ff., frenchfold. One of 100 copies, signed by the artist. Designed, printed, and illustrated by Chamberlain. Lear's poem tells of an old man "who invented a purely original dress"; it was edible. Printed in two colors on beige Japanese paper and illustrated with two..... More
