Bromer Bookseller has always held the aesthetic of letterpress printing as the finest technique in which to present the written word. We offer many fine examples of printing from the eighteenth to the twentieth centuries, as well as earlier printed items. On our shelves, you will the find traditional, restrained typography of Bruce Rogers and John Baskerville, as well as more experimental work from such modern practitioners as Gunnar Kaldewey. Other leading printers represented in our stock include ...
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Boston: Impressions Workshop Inc./Cricket Press, 1965. Square quarto. (16)ff. One of 150 copies, signed on the colophon page by the poet, Bernard Bockes, and the illustrator, George Lockwood. Illustrated with fifteen fanciful woodcuts by Lockwood depicting insects, bats, dragons, and mythical beasts. Some are monochromatic prints, but others incorporate many..... More
(Thetford, VT: Cricket Press, 1962). Quarto. (20)pp. One of 50 copies. Printed in red and black, with one illustration by Gillian Tyler. Contains five poems by May Miller, one of the greatest playwrights of the Harlem Renaissance. While less known as a poet, Miller composed verse throughout her life and..... More
(N.p. Stinehour Press, 1972). Quarto. (32)pp. One of 350 copies, designed and printed at the Stinehour Press. Illustrated with eight wood engravings by Gillian Tyler, printed in red and black. Tyler studied under Leonard Baskin while attending Smith College, and her engravings here clearly show his influence. The text was..... More
(Thetford: Cricket Press, 1967). Quarto. (6)ff. One of forty-two copies, conceived, illustrated, and executed by Gillian Tyler. A short narrative poem printed on pale green paper, and illustrated with a single wood engraving in the style of Leonard Baskin, who was Tyler's teacher at Smith College. Internally fine, bound in..... More
Dublin: Cuala Press, 1940. Octavo. (viii), (72)pp. First edition, limited to 450 copies. Illustrated with a unicorn device by Edmund Dulac on the title page. An essay which first appeared in "The Irish Statesman" in 1919, along with a second essay, "Swedenborg, Mediums, and the Desolate Places," written in 1914..... More
Pinner, Middlesex: Cuckoo Hill Press, 1961. 16mo. (15)pp. One of 111 copies. An accounting of the construction of the Office Press at Cuckoo Hill, with two diagrams as illustrations. Fine in burgundy wrappers. More
Cummington, MA: Cummington Press, 1941. Octavo. (52)pp. One of 300 copies. A fascinating account of mid-nineteenth-century whaling endeavors. Minor soiling to spine, else fine in beige linen. The first book of the Press. More
Newtown, PA: Bird & Bull Press, 1985. Octavo. (17)pp. One of 300 copies. Designed by Abe Lerner. A transcription of "an imperceptibly edition version of a talk given April 5, 1982" to the Friends of the Book Arts Press at Columbia University. Spine sunned, else near fine in tan wrappers..... More
Andoversford, Gloucestershire: Whittington Press, 1987. Quarto. xii, 105pp. One of 335 copies. This edition was inspired by the discovery of a cache of Curwen Pattern Papers. It contains a history of the papers with 32 large samples by fifteen prominent artists, such as Eric Ravilious, Enid Marx, Thomas Lowinsky, and..... More
(N.p.): Cygnet Press, 1928. 24mo. (33)pp. Text and woodcuts after the fashion of the early modern account of the life of the titular saint. First state, evidenced by the error to "lo impotente" on page twelve. The first book of the Press. Bound in black cloth with gray-green paper over..... More
(N.p.): Cygnet Press, 1928. Two 24mo. volumes. (33)pp. Text and woodcuts after the fashion of the early modern account of the life of the titular saint. Two copies of the book, representing the two states of the book. First state is evidenced by the error to "lo impotente" on page..... More
(Chicago): The Compulsive Printer, 1977. Octavo. (30)ff. From an edition of 75 copies signed by the artist, Joseph D'Ambrosio, and the printer, Elmore Mundell, this is one of twenty-five with an extra signed serigraph and deluxe binding. The text is James Joyce's take on Aesop's "The Fox and the Grapes."..... More
Oxford: Daniel Press, 1901. Octavo. (xii), 53pp. One of 130 copies, of which this is copy number one. The author's first book. Contains forty-three short poems on religious and emotional subjects, each dated by hand. Bound by Emily Daniel, as a distinct hand at the rear flyleaf states, in exceptional..... More
Venezia: Antonio Zatta, 1757-1758. Four quarto volumes: L’Inferno, Il Purgatorio, Il Paradiso, Prose & Rime Liriche. (16), xlviii, ccccviii; ccccxiii, (3); cccclii, (4), 104; xii, 408, (4), 264, lxxxiv, (2)pp. Illustrated throughout with 114 engraved plates, by F. Giampiccoli, J. Magnini, F. Rizzi, and B. Crivelli, after works by Italian..... More
(Paris: Didot, Firmin, c. 1870). Folio. 72ff., consisting of the first 24 gatherings repeated three times. With fine steel engravings by Jules Jean Marie Joseph Huyot. Printed on vellum in red and black. It appears this work, a late collaboration between Ambroise Firmin Didot and Huyot, was never published and..... More
(Dublin): Dolmen Press, 1954. Tall octavo. 32pp. One of 225 copies. Printed in black with red initials and with a decorative title-page spread, two full-page illustrations, and six pictorial headpieces by Mia Cranwill. The tragic myth of Deirdre and the sons of Usnech, who were slain by the jealous Conchobor..... More
(Hammersmith: Doves Press, 1910). Octavo. 202 pp. One of 250 copies. Printed in red and black. A collection of Browning's dramatic poems and monologues, and the second Browning title published by the Doves Press. Minor cockling to pastedowns, spine imperceptibly faded, else fine in full limp vellum by the Doves..... More
(Hammersmith): Doves Press, (1907). Octavo. (342)pp. One of 300 copies printed by T. J. Cobden-Sanderson and Emery Walker at the Doves Press. The main text body is printed in black; shoulder notes, chapter headings, and Edward Johnston's calligraphic initials are printed in red. Cockling to paste-downs, text block edges lightly..... More
Hammersmith: Doves Press, 1911. Octavo. 12pp. Second edition. One of 350 copies. Included are descriptions of all books printed to that date, the introduction by T. J. Cobden-Sanderson from the first edition of 1908, and his additional comments for this edition. Expected toning to extremities, else a fine copy in..... More
(Hammersmith: Doves Press), 1912. Octavo. (112)pp. One of 200 copies. Cobden-Sanderson's typography had a profound impact on the aesthetic of the German fine press movement that flourished prior to the outbreak of the first World War. As a result, the Doves Press Goethe titles were highly sought-after and sold well..... More
Hammersmith: Doves Press, 1902; 1905. Two octavo volumes. 388; 342pp. Each volume is one of 300 copies printed by T. J. Cobden-Sanderson. Titles and notes printed in red. Initials designed by Edward Johnston, printed in red in Paradise Regain’d and painstakingly calligraphed in Paradise Lost by Johnston and Graily Hewitt..... More
Hammersmith: Doves Press, 1914. Octavo. (168)pp. One of 200 copies printed on paper. Two initials in typical Doves Press style: a red five-line "C" on the half title, and a black four-line "B" on page 7. Stage directions, names, and scene indicators from The Tragedy of Coriolanus printed in red..... More
(Hammersmith): Doves Press, 1914. Large octavo. 181pp. One of 200 copies. Printed in red and black. This collection was first mentioned as a tentative future project along with the collection by Keats in March 1913, with a publication date set for June 1914. After T. J. Cobden-Sanderson's long illness, he..... More
Harper Woods: Adagio Press, 1969. Folio. 54pp. With a Preface by Strouse and a Note by the Printer, Leonard F. Bahr. From an edition of 329, this is one of ten copies made up of leftover sheets from the original printing. It contains three leaves: and octavo sheet from Tasso..... More
(Hammersmith: Doves Press), 1909. Octavo. 26pp. One of 300 copies printed in red and black. Bound in vellum-backed blue paper over boards. Corners and upper edge bumped, boards and fore-edge of a few pages soiled, else very good. Bookplate from the training department of the Lakeside Press, Chicago on front..... More
