Bromer Bookseller has always held the aesthetic of letterpress printing as the finest technique in which to present the written word. We offer many fine examples of printing from the eighteenth to the twentieth centuries, as well as earlier printed items. On our shelves, you will the find traditional, restrained typography of Bruce Rogers and John Baskerville, as well as more experimental work from such modern practitioners as Gunnar Kaldewey. Other leading printers represented in our stock include ...
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Berkeley: Peter Koch, (1991). Square 16mo. (34)pp., frenchfold. One of 126 copies. Each letter of this alphabet was printed by Peter Koch from a photo-engraving of the original papercut. Bound by the artist in black cloth-covered stab-sewn boards with title label to front cover, and alphabetic paste-paper paste-downs. Very fine. More
London: Verona Press, (1939). Quarto, (x), 315pp. One of 1,200 copies designed by Hans Mardersteig and printed at the Officina Bodoni. Illustrated with sixteen original color lithographs by Marie Laurencin. Bound in paste-paper-covered boards with a gilt-stamped cloth label on spine. Faintest scattered foxing, minimally affecting a couple of the... More
Los Angeles: Kenneth Karmiole, Bookseller, 1981. Quarto. 28pp. One of 164 copies. Scriptores Astronomici Veteres is a collection of Greek and Roman astrological texts, of which the most important is Maternus's Mathesis, the most extenstive astrological book from antiquity. Here, the original leaf is from Liber Octavus, printed by Aldus... More
NY: Society of Foliophiles, (1925). Quarto. One of 200 copies printed for the Society of Foliophiles, containing 20 original leaves from notable books of English literature from the 16th to the 20th centuries. Unbound, as issued, with each leaf in its respective, annotated folder measuring 12 1/2 by 9 1/2... More
San Francisco: Grabhorn Press, 1938. Quarto. 53pp. One of 297 copies printed for the Book Club of California by Edwin and Robert Grabhorn. Tipped-in is a leaf from the Polycronicon, with a rubricated initial on the recto and verso. It contains a passage on the campaigns of Cyrus the Great... More
San Francisco: Grabhorn Press, 1938. Quarto. (2)ff.,15pp. One of 260 copies. The original leaf is from folio ccxiii of the Pynson 1509 edition. The essay by James D. Hart is decorated on each page with charming color-printed facsimiles of woodcut fools. Leaf lightly stained, else fine. Bound in linen-backed printed... More
San Francisco: (Grabhorn Press), 1939. 12mo. (9)pp. One of 55 copies. Tipped in after the title page, the leaf features a large woodcut of John Heywood at his desk. On the window behind him, several spiders observe a fly trapped in a web. On the verso of the page are... More
San Francisco: Peregrine Press for the Porpoise Bookshop, 1962. Quarto. 20pp. One of 76 copies printed and illustrated by Henry Evans at the Peregrine Press for the Porpoise Bookshop. With illustrations throughout in pale terracotta. This leaf book explores the contents of a journal recording the business transactions of a.... More
Los Angeles: Plantin Press for Bernard Rosenthal and Zeitlin & Ver Brugge, 1971. Folio. 13pp. One of 193 copies printed for Bernard Rosenthal and Zeitlin & Ver Brugge at the Plantin Press, with an original leaf printed on vellum by Peter Schoeffer at Mainz in 1472. It is one of... More
Austin: W. Thomas Taylor, 1995. Quarto. lxxxiv, 242pp., leaf tipped in at rear. One of 100 copies of the special first edition distributed for the Friends of the Brigham Young University Library by W. Thomas Taylor. Specially bound in quarter goatskin, with an original leaf from the 1524 Colines edition... More
San Francisco: Grabhorn Press for David Magee, 1958. Octavo. 30pp. One of 200 copies printed for David Magee at the Grabhorn Press. This original leaf from a Book of Hours was likely written and illuminated in Paris during the first portion of the fifteenth century. It bears four initials accented... More
Los Angeles: Plantin Press for Dawson's Book Shop, 1950. Tall quarto. 62pp. One of 300 copies printed by the Plantin Press for Dawson's Book Shop. The leaf is from the portion of the Chronicle on the sixth age of the world. It bears two woodcuts on the recto and six... More
(Fullerton, CA): Stone & Lorson, 1985. Folio. 23pp. From an edition of 115 copies, this is one of 89 copies quarter-bound in vellum, together with an original bifolium leaf from the edition of 1619. This copy contains a full hand-colored map of Palatinatus Bavariae in southwestern Germany, complete with text... More
Oxford: Plough Press, 1986. Folio. (6)pp., followed by ten annotated folders containing type and paper specimens. One of 110 copies. This collection of leaves was compiled to demonstrate some of the most important characteristics of nearly two hundred years of printing in England and Scotland. Leaves include The Optick Glasse... More
Los Angeles: Plantin Press for Dawson's Book Shop, 1956. Folio. 31pp. One of 290 copies printed at the Plantin Press for Dawson's Book Shop. Though this title usually only includes one original leaf, this particular copy contains two, one from the Book of Proverbs and another from the Book of... More
(Rochester, NY): Leopard Studio Editions, 2014. (24)pp., accordionfold, with two four-page inserts sewn in. One of five copies, signed and numbered by the artist. A miniature artist's book by Sue Huggins Leopard based on the poem by Emily Dickinson, which reads: "Love is anterior to life, / Posterior to death... More
Brisbane: Locks' Press, 1979. Folio. (10)ff. One of 60 copies, signed by illustrator and Locks' Press co-founder Margaret Lock. Eight black & white engravings accompany Lear's nonsense poem about a man who has his toes stolen (possibly by mermaids) while swimming across the Bristol Channel. This is the first book... More
Boston: Impressions Workshop Inc./Cricket Press, 1965. Square quarto. (16)ff. One of 150 copies, signed on the colophon page by the poet, Bernard Bockes, and the illustrator, George Lockwood. Illustrated with fifteen fanciful woodcuts by Lockwood depicting insects, bats, dragons, and mythical beasts. Some are monochromatic prints, but others incorporate many... More
(Cambridge, MA): Houghton Library, 1994. Square octavo. (26)pp. One of 500 copies. Warmly inscribed by Lorenz to Anne & David Bromer. A catalogue for an exhibition of artist's books by Angela Lorenz held at Harvard University's Houghton Library in September 1994, featuring full-page photographs of the books and detailed descriptions... More
(Malente-Gremsmühlen): Turmpresse, 1930. Folio. 30ff. One of twenty-five copies. All pages with beautiful, brightly hand-colored woodcuts by Karl Lorenz, and all but the outer leaves are signed and dated by him in graphite. In this work, Lorenz takes on the twenty-six letters of the alphabet, and his thickly textured woodcuts... More
NY: Glenn Horowitz, 1986. Two copies. 16mo. 27pp. Each one of 150 copies. Both signed by all authors at colophon, and inscribed by Horowitz at front free endpaper. Printed at the Kelly Winterton Press. A collection of transcripts of speeches given in memory of Bernard Malamud, the novelist and short... More
Worcester: Stanbrook Abbey Press, 1965. Small quarto. 81pp. One of 500 copies beautifully printed in red, black, and green on handmade paper. Title-page decorations by Margaret Adams. Lithographed portrait of the author tipped in. With an English translation on each page facing the original French text by Raissa Maritain, who... More
St. Paul: Midnight Paper Sales Press, 1987. Small quarto. (ii), 19, (1)pp. One of 174 copies. Signed by Gaylord Schanilec on the colophon with his chopmark. As a witness to the region from which it originates, this piece documents the lifespan of the High Bridge, which spanned the Mississippi River... More
(London: Java Head Bookshop, 1948). 79pp. One of 500 copies. Illustrated with plates reproducing pages from important miniature books in black & white, including the Pickering Diamond Classics Odyssey. A concise history of miniature books from the 16th to 19th centuries, and a tribute to the joys of collecting miniature... More
(Minneapolis): Minnesota Center for Book Arts, 2005. Tall quarto. (48)pp. From an edition of 226, this is one of 26 lettered copies, specially bound and with tipped-in editioned prints by five Minnesota artists. An anthology of original poetry from twelve Minnesota writers, including Robert Bly, Adrian Louis, Susan Steger Welsh... More
