Bromer Bookseller has always held the aesthetic of letterpress printing as the finest technique in which to present the written word. We offer many fine examples of printing from the eighteenth to the twentieth centuries, as well as earlier printed items. On our shelves, you will the find traditional, restrained typography of Bruce Rogers and John Baskerville, as well as more experimental work from such modern practitioners as Gunnar Kaldewey. Other leading printers represented in our stock include ...
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(North Hills): Bird & Bull Press, 1967. Octavo. 121pp. From an edition of 500 copies, this is an out-of-series copy in a 1968 trial binding by Jean Millard. According to a penciled note on the front endpaper, there were two copies bound thus, and the note mentioned that "L. Schlosser..... More
(N.p.): Cheloniidae Press, 1991. Quarto. (89)pp. One of 210 copies, inscribed by Harold McGrath. Signed sheet with autographs of contributors laid in. Illustrated throughout with head- and tail-pieces by Robinson, as well as an example of calligraphy by Suzanne Moore and one by Elizabeth Curtis. A celebration of McGrath upon..... More
North Hills: Bird & Bull Press, 1964. Octavo. 91pp. One of 200 copies. A biography on the life and work of Thomas Bird Mosher, the remarkable New England publisher and literary pirate. The Passionate Pirate is one of Henry Morris's earlier titles. In making it, he was plagued with both..... More
Alford, MA: 1962. Small quarto. 28ff. One of forty copies. Etched title page and twenty-six fine etchings by Fink, ranging thematically from portraits to botany to insects. Many of Fink's etchings have a decidedly Baskinesque aesthetic, but Fink's circle centered primarily in New York, where he was friendly with Jack..... More
Boston: The Gripping Beasts, 2007. Octavo. (x), 77pp. One of 100 copies printed at the Firefly Press. A collection of Amory's original poems, followed by his translations of Aeschylus, Boris Pasternak, Euripides, and Christoforo Landino. Minor soiling to upper cover, else fine in blue wrappers. More
(N.p.): Kallistos Press, 1985. Octavo. (viii), 13pp. One of 150 copies printed at the Firefly Press. Signed by the printer, John Kristensen. Engraved frontispiece by "Phiz," from the first edition of The Pickwick Papers, depicting a sexton caught off guard by an imposing goblin. Fine in green printed wrappers, which..... More
NY: Vincent FitzGerald & Co., 1987. Quarto. (17)ff. One of 75 copies, signed by the translator, Michael Feingold, and the artist, Neil Welliver, whose five color etchings and double-page fold-out lithograph were printed by Shigemitsu Tsukaguchi. The translator served as the lead drama critic for the Village Voice until it..... More
NY: Vincent FitzGerald & Co., 1989. Folio. (32)pp. One of fifty copies, signed by the artist, Susan Weil. Throughout the text are scattered collages, papers, and etchings that work together to create an interactive, multimedia experience for the reader. In this way, the reader physically engages with the work in..... More
(Wakefield, Yorkshire): Fleece Press, (1986). Large quarto. (10)pp., + (19)ff. One of 200 copies printed from the original blocks on handmade paper. Illustrated with twenty wood engravings by Underwood that were cut in the 1920s and 1930s. Underwood's Brook Green School produced a great many accomplished wood engravers, among them..... More
Huddersfield, West Yorkshire: Fleece Press, 2000. Quarto. 87 pp. One of 44 deluxe copies with a print pulled from John Buckland Wright's copper plates entitled "Nymphe Surprise No.II", engraved during his period at the Atelier 17. It was a previously un-editioned copper engraving, printed by the Black Star Press and..... More
(Wakefield): Fleece Press, 1988. Tall octavo. (78)pp. + 16ff. First edition. One of 300 copies. Illustrated with four tipped-in photographic plates, 59 wood engravings printed in various colors, and 16 copper engraved bookplates printed by the Meriden-Stinehour Press. Fine in cloth backed pastepaper boards, housed in cloth slipcase. (Rogerson 18)..... More
(Wakefield): Fleece Press, 1984. 16mo. 8ff. One of 250 copies. With seven wood engravings by Peter Forster, including cover label. Reprints a passage from Marvell's "The Rehearsal Transpros'd," published in 1672. Fine in marbled wrappers by Mark Whittaker. (Rogerson 6). More
London: Florence Press, 1915. Two octavo volumes. xviii, 338; viii, 371pp. One of 250 copies. Keats' entire corpus, including an appendix for "Verses jocular or trivial" extracted from letters and notes. All are lovingly printed on hand-made paper, with sharp black ink and two-line initials to start each poem. With..... More
(Berkeley, CA): Foolscap Press, 2019. The tale of Mandeville's travels in search of the fabled Prester John is at once an ethnographic study, religious treatise, and heroic narrative. The pages feature elaborate borders of gilt vines and all manner of creatures and vessels: hippos, parrots, Eastern ships, giants, dwarfs, and..... More
Cincinnati, OH: Press on Scroll Road, 2002. Octavo. (22)pp. One of 102 copies. Inscribed by the author. Three engravings by Abigail Rorer accompany Colin Franklin's compassionate and pastoral account of beekeeping activities. One five-line initial and two three-line initials, printed in red. Bound in quarter silk with decorative paper covers..... More
(Dallas: Ondine Press, 1977). Octavo. 19pp. One of 145 copies. Highlights an address given by Franklin at Perkins Chapel to mark the acquisition of the Sir Emery Walker copy of the Doves Press Bible printed on vellum by the Bridwell Library. Few marks to rear board, else fine in cream..... More
NY: Henry Holt, 1947. First edition. One of 751 copies signed by Frost. Title page decoration by Loren MacIver. In a review in the June 1, 1947 issue of the New York Times, Randall Jarrell singles out “Directive,” an early poem in Frost’s penultimate collection, for possessing “so much longing..... More
London: Ganymed Original Editions Limited, 1963. Folio. 109pp. One of 275 copies. Signed by the illustrator on the limitation page. Illustrated by Oskar Kokoschka with sixteen black & white lithographs. Kokoschka's expressionist interpretations of Shakespeare's text successfully translate the psychology of the text into image. The shadowy lithographs, set against..... More
(Northampton): Gehenna Press, 1965. 16mo. (14)ff. One of 100 copies, signed by Leonard Baskin. After acquiring several Jan van Krimpen fonts in three sizes, modeled on chancery script, Baskin designed this book. It contains eleven mottos, each decoratively printed with different sizes of type in subtle variations of color. One..... More
(Northampton, MA: Gehenna Press, 1967). Quarto. (31)ff. One of 250 copies, this one inscribed in pencil from Leonard Baskin to Ben Tighe, a well-known bookseller in the Northampton area. The inscription is curiously dated "1947" in Baskin's hand. Using the collection of type ornaments owned by Bruce Rogers, Baskin has..... More
(Northampton: Gehenna Press, 1969). Octavo. 25ff., housed in paper wrapper. One of 250 copies. With 21 woodblock illustrations of creatures fantastic and familiar printed in a variety of colors on nine different oriental papers, each print signed by the artist, Wang Hui-Ming. Box shows some rubbing, but sheets all pristine..... More
(Northampton, MA): Gehenna Press, 1958. Small quarto. (12)pp. One of 100 copies. Signed by George Lockwood, who contributed the wood-engraved frontispiece. Leyda's poem about Emily Dickinson's Amherst, Massachusetts home is interspersed with the words from the deed, which are printed in red. An uncommon Gehenna title, this copy shows some..... More
(Leeds, MA): Gehenna Press, 1989. Quarto. (13)pp, (25)ff. One of thirty-eight copies. A collection of etchings of cats by the Italian artist Anna Maria Bartolini, some of which are printed on pink mulberry paper and tipped in. All are signed by the artist in graphite. Some of the cats are..... More
Northampton, MA: Gehenna Press, 1964. Quarto. 84pp + 21 inserted plates. One of 300 copies. Signed by Cornell twice at the colophon and under each illustration, and by Leonard Baskin, who designed the book. The plates, printed on blue paper, bear twenty-one different portraits of the major players in Babeuf's..... More
(Verona: Plain Wrapper Press, 1980). Quarto. 7, (1)pp. One of 155 copies signed by the author. Inscribed by the author to the distinguished New York antiquarian bookseller John Fleming in 1981: "For John Fleming, who is no more in need of instruction in the art of wooing than was J...... More
