Bromer Bookseller has always held the aesthetic of letterpress printing as the finest technique in which to present the written word. We offer many fine examples of printing from the eighteenth to the twentieth centuries, as well as earlier printed items. On our shelves, you will the find traditional, restrained typography of Bruce Rogers and John Baskerville, as well as more experimental work from such modern practitioners as Gunnar Kaldewey. Other leading printers represented in our stock include ...
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NY: Henry Holt, 1947. First edition. One of 751 copies signed by Frost. Title page decoration by Loren MacIver. In a review in the June 1, 1947 issue of the New York Times, Randall Jarrell singles out “Directive,” an early poem in Frost’s penultimate collection, for possessing “so much longing... More
(N.p. 2008). Small quarto. 32ff. One of five copies, signed by the artists, noted bookbinder, typographer, and illustrator Eri Funazaki and Danny Flynn, a fellow typographer who also wrote the text. Each letter was printed using different wood and metal types, many of which were altered by the artists or... More
(Northampton, MA: Gehenna Press, 1967). Quarto. (31)ff. One of 250 copies, this one inscribed in pencil from Leonard Baskin to Ben Tighe, a well-known bookseller in the Northampton area. The inscription is curiously dated "1947" in Baskin's hand. Using the collection of type ornaments owned by Bruce Rogers, Baskin has... More
Northampton, MA: Gehenna Press, 1969. Folio. (70)pp. From an edition of 200 copies, this is an out-of-series printer's copy inscribed by Leonard Baskin to Arno Werner, who bound the book. One of the major productions of Baskin's Gehenna Press. Illustrated with ten etchings by Baskin, nine of which are signed... More
(Northampton, MA): Gehenna Press, 1958. Small quarto. (12)pp. One of 100 copies. Signed by George Lockwood, who contributed the wood-engraved frontispiece. Leyda's poem about Emily Dickinson's Amherst, Massachusetts home is interspersed with the words from the deed, which are printed in red. An uncommon Gehenna title, this copy shows some... More
(Leeds, MA): Gehenna Press, 1989. Quarto. (13)pp, (25)ff. One of thirty-eight copies. A collection of etchings of cats by the Italian artist Anna Maria Bartolini, some of which are printed on pink mulberry paper and tipped in. All are signed by the artist in graphite. Some of the cats are... More
Victoria, Australia: 2010. Square 32mo. (14)pp., accordion-fold, decorated on both sides of the page. An original artist's book by Jennifer Gibney, with hand-drawn text and pen illustrations in black, sepia, and sanguine ink, housed within a hand-painted and decorated wooden box. The story concerns a jester-like character who is overwhelmed... More
Capel-y-ffin, Abergavenny: Francis Walterson, 1927. Octavo. (vii), 46pp. One of 200 copies printed at the Shakespeare Head Press for Francis Walterson, signed by both Eric Gill and David Jones. This was the only book to be issued signed by the two. Illustrated with a frontispiece engraved by David Jones titled... More
London: Sheed & Ward, (1931). Octavo. iv, 121 pp. First edition. One of 500 copies signed by Eric Gill and Rene Hague and printed by Hague & Gill. This is a presentation copy, inscribed on the colophon. Illustrated with twenty-five figures, including ten type specimens and four illustrations from wood... More
(Ditchling: St. Dominic's Press, 1929). 32mo. (5)pp. With a cover illustration, dragon headpiece, and four square vignettes by Eric Gill, depicting a child's encounter with night-time fears. In this poem by Press founder Hilary Pepler, a boy asks his nurse if dragons, ghosts, and goblins exist as he is tucked... More
Boston: David R. Godine, 1966. Octavo. 75pp. From an edition of 500, this is one of 40 copies printed on heavy yellow Fabriano paper, and one of the few printed entirely on the same color sheet. Godine's first book, it was suppressed at the time of publication due to copyright... More
(Boston, MA): David R. Godine, 1967. Small quarto. (4)ff. A booklet of seven poems: "To Lucia at Birth," by Robert Graves; "White in the Moon," by A. E. Housman; "Ship Islands Trees," by Lawrence Durrell; "Do Not Go Gentle Into That Good Night," by Dylan Thomas; "New Hampshire," by T.... More
Boston: David Godine, 1979. Octavo. 30, (7)pp. One of 650 copies. Thoreau's classic work of political commentary, printed in red and black with a gold initial. Bound in quarter green cloth with brown paper over boards and paper label to spine. Housed in brown slipcase. Fine. Signature of previous owner on front pastedown. More
Berkeley, CA: Pacific Film Archive, 1973. Broadside measuring 24 by 18 1/4 inches. One of 500 copies. Designed by California artist David Lance Goines and printed in 10 colors, this advertisement for a film series at the Pacific Film Archive features an image of Veronica, daughter of Solome, who took... More
Oakland, CA: Karl Kardel Co., 1974. Broadside measuring 24 by 18 1/4 inches. One of 1,850 copies. Designed by California artist David Lance Goines and printed in 8 colors, this advertisement for Karl Kardel Co. features a bumblebee over an ochre background. The design was inspired by an unknown philosopher's... More
(London): Golden Cockerel Press, 1934. Tall octavo. (16)pp. One of 500 numbered copies. Illustrated with one full-page wood engraving and a four-line initial capital by Gill. This edition of Gill's "sermon," reflecting on the 136th Psalm, marks the first use of Gill's Perpetua Roman and Felicity Italic typefaces. Bound in... More
London: Golden Cockerel Press, 1952. Tall quarto. 80pp. From an edition of 360 copies, this is one of 60 signed by the artist and author. Illustrated by John Buckland Wright with eight aquatints, printed from the copper plates. Only the deluxe copies had the illustrations printed intaglio; the regular copies... More
London: Golden Cockerel Press, 1955. Small quarto. 127pp. Of an edition of 550, this is one of 105 specially bound in white alum-tanned sheepskin and accompanied by eight extra plates. Signed by the illustrator at colophon. Richly illustrated with color-collotype reproductions of Flint's watercolor paintings and crayon drawings of women... More
(London): Golden Cockerel Press, 1948. Tall octavo. 28pp. From an edition of 750, this is one of 100 copies specially bound and with an extra engraving. The twelve engravings by John Buckland Wright perfectly complement Swinburne's long erotic poem. In full brown morocco with a black onlay to the upper... More
San Francisco: Book Club of California, 1959-1965. Folio. Four volumes: "Figure Prints of Old Japan." 1959. (110)ff., + 52 plates. One of 400 copies. "Landscape Prints of Old Japan." 1960. (110)ff., + 50 plates. One of 450 copies. "Ukiyo-e: The Floating World." 1962. (92)ff., + 28 plates. One of 400... More
San Francisco: Grabhorn Press, 1949. Quarto. (xiv) ,42, (ii) pp. One of 390 copies. Illustrations throughout, mostly printed in red, include the Estienne family tree, and printer's devices. Contains three leaves, representing a sample of the work of Henri, Robert, and Henry II Estienne. Henri's leaf features a noble woodcut... More
San Francisco: Grabhorn Press, 1955. Small quarto. 109pp. One of 180 copies. Second in a series of nine Shakespeare plays printed by the Grabhorn Press and illustrated with color woodcuts by Mary Grabhorn. Bound in parchment-like boards with the front panel exhibiting a medallion-shaped onlaid illustration by Grabhorn. Spine gilt-stamped... More
San Francisco: Grabhorn Press, 1956. Quarto. 115pp. One of 185 copies. With colored drawings and gold initials by Mary Grabhorn. One of the finest volumes in the Grabhorn Shakespeare series. Scant foxing to endpapers, rubbing to head and tail of spine, else near fine in quarter red morocco and patterned... More
(Austin): Book Club of Texas, 1989. Quarto. 237pp. One of 550 copies. Signed by Graves at the end of his Preface. Illustrated with Graves' own photographs of his journey along a portion of Texas' Brazos River, along with brown initials by Penny Moran and a folding map by Barbara Whitehead... More
North Wales: Gregynog Press, 1991. Folio. 72pp. One of 450 copies. Contains a frontispiece portrait of the author and seven more large wood engravings in color by Gaylord Schanilec. Cut with exquisite precision, and printed in deep, strong colors, this suite of realistic illustrations suits the powerful sequence of Civil... More
