Bromer Bookseller has always held the aesthetic of letterpress printing as the finest technique in which to present the written word. We offer many fine examples of printing from the eighteenth to the twentieth centuries, as well as earlier printed items. On our shelves, you will the find traditional, restrained typography of Bruce Rogers and John Baskerville, as well as more experimental work from such modern practitioners as Gunnar Kaldewey. Other leading printers represented in our stock include ...
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Portland, OR: Relay Replay Press, 2011. Wang’s book unfolds through layers of memory in a most literal way, containing within its small self a multitude of images and textures to mimic the scrapbook recollections of a human mind. This particular mind is that of Arnie Metz, one of five seniors..... More
(Vancouver, BC): Heavenly Monkey, 2020. Octavo. 112, (2) + 8 proofs bound-in at rear. One of fifteen deluxe copies, bound by Claudia Cohen in full limp vellum, with a matching box and the addended proofs. Initials throughout are simplified variations of Griffo's type for Ottaviano Petrucci's 1513 Paulina de recta..... More
(Vancouver, BC): Heavenly Monkey, 2013. Small quarto. (18), (8)ff. One of twenty copies comprising the regular edition. This work celebrates the many varieties of metal type "purchased for, adopted by, & abandoned at Heavenly Monkey during the studio's first fifteen years" and is printed on a selection of nine different..... More
(Vancouver, BC): Heavenly Monkey, 2013. Small quarto. (26), (9)ff. From an edition of thirty-five copies, this is "not Rollin's." This work celebrates the many varieties of metal type "purchased for, adopted by, & abandoned at Heavenly Monkey during the studio's first fifteen years" and is printed on a selection of..... More
(Vancouver): Heavenly Monkey, (2015). Two large quarto volumes. (55); (50)ff. From an edition of thirty-six copies, this is one of thirty, signed by the two authors. Binder Claudia Cohen and book designer Barbara Hodgson, makers of The WunderCabinet, Cutting Paper, and a four-part series on color, come together once again..... More
Vancouver, BC: Heavenly Monkey, 2003. Octavo. (11)pp. One of 75 copies. A loving reproduction, printed in blue from polymer plates, of a letter from the late Carl Dair lauding the paper mills of Amalfi to Will Carter of Rampant Lions Press. With Introduction and Afterword by Robert Reid. Bound in..... More
Vancouver, BC: HM Editions, 2015. Small octavo. 16, (6)pp., + 11 plates, + (4)pp. One of six A. P. copies. Signed by the contributors: Barbara Hodgson (author, illustrator, and designer), Rollin Milroy (printer), and Claudia Cohen (binder). An exploration, in theory and practice, of the intersection of art and science..... More
Vancouver: Heavenly Monkey, 2005. Octavo. (20)pp., + tipped-in reproduction of the original letter. One of fifty copies. Illustrated with a wood-engraved frontispiece by George Kuthan; the block was borrowed from the University of British Columbia's Special Collections Library. Signed by Jeremy Wilson and Don Stewart, authors of the Preface and..... More
Vancouver, BC: Heavenly Monkey, 2010. Quarto. (20)pp., + 6 plates. The printer's copy, outside an edition of twenty-six lettered copies. A bibliography of works published from 2000-2010 by Rollin Milroy's two printing ventures, Heavenly Monkey and A Lone Press. Sample sheet from six Heavenly Monkey books append the volume. Printed..... More
Vancouver, BC: Heavenly Monkey, 2013. Octavo. (12)pp. One of fifty copies. A compilation of several works, poetic and in prose, all with illustrations of varying techniques. The contributors—Harold Budd, Scott Morgan, Briony Morrow-Cribbs, Barbara Hodgson, and Hermann Ihlenburg—all would be working with Heavenly Monkey on projects over the coming year..... More
(Vancouver): Heavenly Monkey, (2008). Quarto. 13pp. One of five hors de commerce copies, with a piece of Doves Press ephemera printed on paper in place of the vellum leaf described on the title page. Hand-set and printed on dampened paper by Rollin Milroy. Bound and tooled by Claudia Cohen in..... More
Vancouver, B.C. Heavenly Monkey, 2019. Tall quarto. 18, (10)pp., + two tipped-in leaves. From an edition of 55 copies, this is one of twenty comprising the "Written" issue, featuring original calligraphy by Martin Jackson on the printed pages. Signed by Jackson on the colophon page. The text is Alfred W...... More
(Vancouver, B.C.): Heavenly Monkey, 2010. Broadside measuring 22 by 15 inches. One of thirty copies—this copy marked "Position proof." Unsigned. With full-page illustration of a hermaphroditic figure, titled "The Botanist," and two smaller text figures of mushrooms, all from drawings by Atsushi Fukui. Sylvian was the former frontman for the..... More
(Vancouver, BC): Heavenly Monkey, 2011. Quarto. 96pp. From an edition of thirty copies, this is one of two optioned for a test binding. Signed by the author/illustrator, Jim Westergard. Illustrated with forty wood engravings immortalizing infamous people, ranging from well-known oddballs such as Lizzie Borden and Hunter Thompson, to more..... More
Santa Barbara, CA: Simplemente Maria Press, 2010. Quarto. (13)ff. One of sixty copies. Signed by the artist at colophon, as well as on verso of each pigment print. The prints have been hand-touched with watercolor and are individually enclosed in over-beaten abaca paper folios on which twelve poems written by..... More
(Santa Barbara, CA): Simplemente Maria Press, 2020. Octavo volume and strand of ten paper prayer flags. (22)ff., + 20ff. One of twenty copies, signed by the artist. Mary Heebner's flags bear her five invocations to a distressed planet, with one prayer for each element: fire, earth, air, water, and aether..... More
(Santa Barbara, CA): Simplemente Maria Press, 2020. Octavo volume and strand of ten paper prayer flags. (22)ff. + 20ff. One of twenty copies. Signed by Heebner. Heebner's flags bear her five invocations to a distressed planet, with one prayer for each element: fire, earth, air, water, and aether. Written in..... More
Santa Barbara, CA: Simplemente Maria Press, 2000. One of fifty copies. Twelve prints from Heebner's Isla Negra series of paintings appear in the center of trifolded sheets, with twelve of Neruda's poems of the sea tipped in on either side: the original Spanish at the right, and Alastair Reid's English..... More
(N.p. Golden Cockerel Press, 1981). One of three known copies of Josef Herman's lithographs, gathered as a suite and intended to illustrate the Golden Cockerel Press's final book. The book was never published and the lithographs languished until their discovery some twenty years later. Printed in blue and black, the..... More
(Boston: Godine Press, c. 1970). Framed etching measuring 11 by 8 inches. One of an unknown number of copies; the edition was probably no greater than 200. An image of an early flying machine crashed and abandoned in a field of clover, printed in green with a caption printed in..... More
(Salem: Colonial Society, 1939). First separate edition, which consisted of fewer than 100 copies. A single folded sheet with one page of type, printed by Dard Hunter II at the MIT Paper Museum Press. Inscribed by Frost to Martin K. Howes at foot of poem. Frost read this delightful piece..... More
Chillicothe: Mountain House Press, 1981; 1983. Two folio volumes. 198; (131)pp. One of 150 copies signed by the author. Volume I contains numerous specimen woodcuts, title pages, advertisements, letterheads, and color photographs tipped or bound in, all showing various aspects of Hunter's non-papermaking work, including enamel, stained glass, and his..... More
East Aurora: Roycroft Press, 1905. Small octavo. xx, 48pp. Signed by Dard Hunter, who completed the title-page decoration and initials for the volume. A gloriously quaint edition paying suitable homage to the classic folktale. Bound in limp red suede impressed in black. Expected toning to endpapers and edges of text..... More
(New Britain, CT): Robert E. Massmann, 1980. (6); (6); (10)ff., frenchfold. One of 68 copies printed at Art Press. Fascinating in form and content, this book addresses two great papermakers in an octagonally-shaped book bound as a triple dos-à-dos. The first part is about Hunter, the second about Elliott. The..... More
Budapest: Borda Antikvárium, 1997. Slim octavo. (18)ff. One of 70 copies, signed by Regina Szász, who designed, illustrated, and bound the book. A charming, bilingual edition, printed in brown and black on colored papers, with a fold-out illustration for each fable. The Italian text is printed in such a way..... More
