Bromer Bookseller has always held the aesthetic of letterpress printing as the finest technique in which to present the written word. We offer many fine examples of printing from the eighteenth to the twentieth centuries, as well as earlier printed items. On our shelves, you will the find traditional, restrained typography of Bruce Rogers and John Baskerville, as well as more experimental work from such modern practitioners as Gunnar Kaldewey. Other leading printers represented in our stock include ...
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Sydney, Australia: Beacon Press, 1948. Folio. 53pp. One of forty deluxe copies, signed by the author. A lovely production, illustrated with thirty-six color plates. The plates are genuine prints: beautifully made modern reproductions of the originals, done in Japan. The text traces the rise and fall of the Ukiyo-ye school..... More
Oxford: Jericho Press, 1995. Octavo. v, 29pp. One of 240 copies. Inscribed by Roger Stoddard, former Curator of Rare Books in the Harvard College Library. A history of Harvard University's arms, with examples of each. Fine in suitably crimson cloth. More
Oxford: Jericho Press, 1998. Octavo. iii, 44pp. One of 150 copies. Translated from the Latin by Rodney G. Dennis, printed and edited by J. F. Coakley. Begins with the purported work of Rabbi Neumia ben Haccana expounding on prophetic biblical texts concerning the coming Messiah. De Heredia's own writings detail..... More
London: Clover Hill Editions, 1979. Quarto. 19pp. One of 100 copies, printed on Barcham Green’s RWS handmade paper by Will Carter at the Rampant Lions Press, with an extra set of the engravings on japon. Illustrated with thirteen wood engravings by David Jones, several of which frame the text. Jones..... More
Waltham St. Lawrence: Golden Cockerel Press, 1925. Four woodcut initials, separately matted and framed, from the Golden Cockerel Press edition of Jonathan Swifts' Gulliver's Travels. The "I", "A", "O", and "T" appear as part of symmetrical black-and-white designs, with lines falling in simple sweeps and patterend with dots and stars..... More
London: Clover Hill Editions, 1977. Quarto. 30, (5)pp. One of 80 copies, printed by Will Carter at the Rampant Lions Press on Barcham Green handmade paper, watermarked "Clover Hill." Illustrated with ten wood engravings by David Jones, this title is considered by many to be the artist's most important work..... More
Poestenkill, NY: Kaldewey Press, 1990. Tall folio. (32)pp. From an edition of 55, this is one of twenty deluxe copies. Illustrated with ten paper pulp images of Jewish symbols, such as the Star of David, the Torah pointer, and the shofar. The text of the Song of Songs is printed..... More
Poestenkill, NY: Kaldewey Press, 1998. Quarto. 28pp., frenchfold. One of forty copies, signed by the author/artist/printer, Gunnar Kaldewey. This book is inspired by the notion of "nature as art," and was created after Kaldewey spent three months living in a traditional Japanese wooden house in Kyoto, studying the art of..... More
(Postenkill, NY: Kaldewey Press, 1987). Folio. (36)pp. One of forty-five copies in a plexiglass binding by Christian Zwang of Hamburg. Signed by the author/artist/printer, Gunnar Kaldewey. With numerous monochromatic and two-tone illustrations. Written, illustrated, designed, and printed by Gunnar Kaldewey as Volume 5 of the Kaldewey Press series. In 1977..... More
(Poestenkill, NY: Kaldewey Press, 1999). Large quarto. 6ff., accordion-fold. One of thirty-eight copies on handmade paper, signed by the artist/printer, Gunnar Kaldewey. In contrast to his previous work, 15 Kyoto Gardens, Kaldewey focuses on the phenomenon of Japan's gambling halls and Pachinko parlors. This was the first book of the..... More
Poestenkill, NY: Kaldewey Press, 1989. Oblong folio. 106pp. One of twenty deluxe copies printed on papier de Chine and bound in flexible blue textured leather by Christian Zwang. With twenty-five linoleum cuts in several colors by Kim Keever. Signed by the artist. Keever's linocuts draw directly from the theme of..... More
Postenkill, NY: Kaldewey Press, 2018. Quarto. (12)pp., accordion-fold. One of only fourteen copies. Kaldewey’s interpretation of Rilke’s poem invokes the transformative power of music by showcasing the German text, which is deeply imprinted in yellow ink. The lines are paired with bright watercolors that amplify the atmospheric and affective quality..... More
Poestenkill, NY: Kaldewey Press, 2013. Oblong elephant folio. (14)ff., accordion-fold. One of thirty-six copies. Printed in silver ink, with illustrations of elephants, on deep red handmade paper. The text is a poem written in Thai, and an English translation is provided on a separate sheet of paper accompanying the book..... More
NY: Kaldewey Press, 2011. Small quarto. (18)ff. One of thirty-five copies, inscribed by the artist and printer, Gunnar Kaldewey. Kaldewey's seventy-fifth publication, lovingly detailing the origins of his press and its evolution over time. Bound as loose sheets on aqua-colored cotton rag paper made by Gangolf Ulbricht, interleaved with thin..... More
Poestenkill, NY: Kaldewey Press, 2016. Quarto. (12)ff., + 4 full-page illustrations from watercolors by Gunnar Kaldewey. One of only ten copies comprising the deluxe edition, which is specially bound and adds three original watercolors. The 84th publication of the Kaldewey Press presents a poem by the 12th-century troubadour, Jaufre Rudel..... More
Cambridge, MA: Kat Ran Press, 2014. Octavo. (16)pp. One of forty-five copies of the deluxe edition, bound by Sarah Creighton in red and orange paste paper-covered boards, and including two mint stamps designed by the author. Contains fourteen full-color reproductions of collages by Chermayeff -- faces with features crafted from..... More
Bainbridge, PA: Katydid Press, 1956-1960. A selection of eleven titles from the Katydid Press. Titles include: George Washington, by Thomas Jefferson. 1956. 16mo. (14)pp. From an edition of sixty copies, this is one of forty-eight on Basingwerk parchment. Frontispiece woodcut of Washington. Bound in printed paper over boards. Tanned, with light..... More
Philadelphia: J. B. Lippincott Company, 1898. Small quarto. (55)pp. Eight woodcut illustrations and each page with black floral borders. A fine rendering of John Keats's poem adapted from Boccacio's Decameron. In it, a young woman engaged to marry a nobleman falls in love with a commoner. When her brothers discover..... More
Hammersmith: Kelmscott Press, 1896. Octavo. (iv), 82pp. One of 350 copies. Frontispiece cut after designs by Edward Burne-Jones. Borders and initials by William Morris. This is the second of three medieval romances printed by Morris. Bound in holland-backed blue boards, with faint soiling to boards and some foxing to the..... More
(Cambridge): Rampant Lions Press, 1986. Octavo. 58pp. From an edition of 505 copies, this is one of fifty copies on Barcham Green Canterbury handmade paper. Inscribed by the author, Colin Franklin. An exploration by Colin Franklin of the pre-Kelmscott inspirations for Morris and his fine book production thereafter. Bound in..... More
(Hammersmith: Kelmscott Press, 1893). Octavo. xiv, 282pp. One of 300 copies. Printed in Chaucer and Troy type in red and black. With woodcut initials and opening grapevine border. Edited by F. S. Ellis and with a Foreword by William Morris. Text is mostly unopened and very clean and crisp. Original..... More
(Hammersmith: Kelmscott Press, 1897). Quarto. (xii), 340, (viii)pp. One of 250 copies on paper. With numerous initials and ornaments. Printed in Chaucer type, with chapter titles and marginal notes in red. Each of the six parts begins with a wide border and a fourteen-line initial block containing the entire first..... More
Hammersmith: Kelmscott Press, 1894. 16mo. 68pp. One of 500 copies. Decorated with a woodcut title page and facing page with full woodcut border, plus three-, seven- and thirteen-line initials throughout. Printed in Chaucer type in black, with shoulder notes and colophon page in red. Boards slightly toned, some rubbing to..... More
(Hammersmith: Kelmscott Press, 1893). One of 500 copies printed by William Morris at the Kelmscott Press. This is the second issue, with four cancellans leaves replacing pp. 15-16, 19-20, 25-26, and 69-70. With wide leaf and blossom borders to the opening page and to the title-page, which is printed against..... More
(Pasadena, CA): Kerberos Press, 2011. Octavo. 28ff. One of twenty copies, signed by the printer, Vance Studley, and the designer, Tom Mossman, on the colophon page. An unbound collection of detail illustrations of twelve different species of solitary bees, each with an accompanying description of its physical and social characteristics..... More
