Bromer Bookseller has always held the aesthetic of letterpress printing as the finest technique in which to present the written word. We offer many fine examples of printing from the eighteenth to the twentieth centuries, as well as earlier printed items. On our shelves, you will the find traditional, restrained typography of Bruce Rogers and John Baskerville, as well as more experimental work from such modern practitioners as Gunnar Kaldewey. Other leading printers represented in our stock include ...
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Grasmere: The Wordsworth Trust, 2007. Small quarto. 376pp. One of 200 copies. Frontispiece and thirteen additional watercolors by Esslemont. Wordsworth's spiritual autobiography, presented in epic style, receives reverent treatment. Though it is, as Wordsworth's final line states, "of substance and of fabric more divine" than that which shapes and binds... More about The Prelude
California: Ettan Press, 1978. Octavo. 17pp. One of 90 copies. Six color engravings by von Mengershausen, all numbered and signed with the artist's monogram. These illustrations, with earthy colors washed over classical imagery - a bas-relief, an amphitheater, statuary, and geological outcroppings - emphasize Holderlin's belief in the connection between... More about Der Archipelagus
(Oakland: Eucalyptus Press, 1989). Folio. (6)ff. One of seventeen copies. Illustrated throughout with linoleum block prints altered so that the images in each book are slightly different. One two-page spread depicts the foolish villagers peeking over the edge of the soup pot with surprised expressions on their faces. Printed, illustrated... More about Stone Soup
(Santa Cruz, CA): Lime Kiln Press, 1981. Folio. 37pp. One of 115 copies printed, illustrated, and signed by William Everson. This book was Everson's final offering as Master Printer of the Lime Kiln Press. Illustrated with two woodcuts, and printed in black with red and blue initials on paper specially... More about American Bard. Being the Preface to the First Edition of Leaves of Grass Now Restored to its...
Milan: Ing. C. Olivetti & C., 1978. Quarto. lxx, (36), 109, (5)pp. One of 250 copies. From the series "Documenti sulle arti de libro", of which this is number twelve. A studious discussion of manuscripts, with Bussi's introduction in Italian followed by facsimile manuscript pages and transliterations in Latin. Bound... More about Prefazioni alle Edizioni di Sweynheym e Pannartz
(N.p. Ferguson, William, n.d.). Print measuring 10 1/4 by 13 inches. One of 76 copies. A windmill design in green and brown, with the words "arena," "monte," "cielo," and "nieve" on the four blades. SIgned by the artist. Fine. More about Para un Molinero de Vientos
(Hammersmith: Kelmscott Press, 1896). Folio. (556)pp. One of 425 copies. Contains 87 wood-engraved illustrations designed by Sir Edward Burne-Jones. William Morris, in addition to the "Chaucer" type designed expressly for this book, provided 26 nineteen-line initials, and numerous foliate and floral borders and initials. Burne-Jones called the book "a pocket... More about The Works of Geoffrey Chaucer now Newly Imprinted
(Northampton, MA): Cheloniidae Press, 1986. 12mo. (34)pp., accordion-fold. From an edition of 200 copies, this is one of five unnumbered artist proofs. Calligraphic letters, designed by Suzanne Moore, are blind-stamped one to a page of this lovely panorama, which folds out to over seven feet long. Bound by Claudia Cohen... More about A Blind Alphabet
Club of Printing House Craftsmen, 1940-1949. Eleven 48mo. volumes. Variously paginated. Each volume was produced as a limited edition keepsake for the area's club members. Most of the clubs represented are on the West Coast. The titles include: Pioneer Printers of the Far West (San Francisco, 1940), The Spirit of... More about Set of eleven Club of Printing House Craftsmen books
Alford, MA: 1962. Small quarto. 28ff. One of forty copies. Etched title page and twenty-six fine etchings by Fink, ranging thematically from portraits to botany to insects. Many of Fink's etchings have a decidedly Baskinesque aesthetic, but Fink's circle centered primarily in New York, where he was friendly with Jack... More about 26 Etchings by Shelly Fink
Boston: The Gripping Beasts, 2007. Octavo. (x), 77pp. One of 100 copies printed at the Firefly Press. A collection of Amory's original poems, followed by his translations of Aeschylus, Boris Pasternak, Euripides, and Christoforo Landino. Minor soiling to upper cover, else fine in blue wrappers. More about Poems & Translations
(N.p.): Kallistos Press, 1985. Octavo. (viii), 13pp. One of 150 copies printed at the Firefly Press. Signed by the printer, John Kristensen. Engraved frontispiece by "Phiz," from the first edition of The Pickwick Papers, depicting a sexton caught off guard by an imposing goblin. Fine in green printed wrappers, which... More about The Story of the Goblins Who Stole a Sexton
NY: Vincent FitzGerald & Co., 1987. Quarto. (17)ff. One of 75 copies, signed by the translator, Michael Feingold, and the artist, Neil Welliver, whose five color etchings and double-page fold-out lithograph were printed by Shigemitsu Tsukaguchi. The translator served as the lead drama critic for the Village Voice until it... More about Poems
NY: Vincent FitzGerald & Co., 1989. Folio. (32)pp. One of fifty copies, signed by the artist, Susan Weil. Throughout the text are scattered collages, papers, and etchings that work together to create an interactive, multimedia experience for the reader. In this way, the reader physically engages with the work in... More about Giacomo Joyce
(Wakefield, Yorkshire): Fleece Press, (1986). Large quarto. (10)pp., + (19)ff. One of 200 copies printed from the original blocks on handmade paper. Illustrated with twenty wood engravings by Underwood that were cut in the 1920s and 1930s. Underwood's Brook Green School produced a great many accomplished wood engravers, among them... More about Leon Underwood: His Wood Engravings
Denby Dale: Fleece Press, (1995). Folio. 80pp. One of 240 copies. When John Buckland Wright died in 1954 his studio contained a number of his engraved woodblocks, mostly those for which he had a particular fondness. This volume publishes "all the engravings of bathers or of women in watery landscapes... More about Baigneuses. Introduced by Christopher Buckland Wright
Huddersfield, West Yorkshire: Fleece Press, 2000. Quarto. 87 pp. One of 44 deluxe copies with a print pulled from John Buckland Wright's copper plates entitled "Nymphe Surprise No.II", engraved during his period at the Atelier 17. It was a previously un-editioned copper engraving, printed by the Black Star Press and... More about Surreal Times. The Absract Engravings and Wartime Letters of John Buckland Wright
(Wakefield): Fleece Press, 1984. 16mo. 8ff. One of 250 copies. With seven wood engravings by Peter Forster, including cover label. Reprints a passage from Marvell's "The Rehearsal Transpros'd," published in 1672. Fine in marbled wrappers by Mark Whittaker. (Rogerson 6). More about The Press, That Villainous Engine
(Wakefield, West Yorkshire): Fleece Press, 1993. Octavo. 28pp., + 42ff. One of 206 copies. Illustrated with forty-one plates of Buckland Wright's wood engravings, which represent a cross-section of his work in white line and silhouette engraving between 1929 and 1954. Extremely fine in vellum-backed Japanese wood veneer paper boards, housed in publisher's slipcase. More about Bathers and Dancers. The White Line and Silhouette Engravings of John Buckland-Wright. With an...
London: Florence Press, 1915. Two octavo volumes. xviii, 338; viii, 371pp. One of 250 copies. Keats' entire corpus, including an appendix for "Verses jocular or trivial" extracted from letters and notes. All are lovingly printed on hand-made paper, with sharp black ink and two-line initials to start each poem. With... More about The Poems of John Keats. Arranged in Chronological Order
London: Folio Society, 2016. Folio, plus accompanying octavo volume. 153; 32pp. The folio is a full-sized facsimile, true in printing and binding, of one of the extremely rare signed first printings of the edition produced by Grant Richards in 1915 in London. The facsimile includes reproductions of Coburn's forty photographs... More about The Door in the Wall
Northridge, CA: Lord John Press, 1981. 29pp. One of 400 copies, signed by President Gerald R. Ford. The text is an address given to the Visa International Convention in Quebec, in September 1980, in which Ford advocates for world peace for economic purposes. He was the only president to collaborate... More about Global Stability
Northridge, CA: Lord John Press, 1981. 29 pp. From an edition of 400, this is one of 100 copies specially bound by Bela Blau. Signed by President Gerald R. Ford. The text of a September 1980 address given to the Visa International Convention in Quebec encouraging world peace for economic... More about Global Stability
Glasgow: Robert and Andrew Foulis, 1756-58. Four quarto volumes. xi, 312; (iv), 336; (vii), 297; (iv), 336pp. Edited by Professors James Moor and George Muirhead, and printed throughout in Greek. This is the magnum opus of the Press. The brothers Foulis had a special font of Greek type cut by... More about Works
1984. Wood-engraved color print. Signed. (16 by 12 in.). More about All Joy Was But a Mockery
