Bromer Bookseller has always held the aesthetic of letterpress printing as the finest technique in which to present the written word. We offer many fine examples of printing from the eighteenth to the twentieth centuries, as well as earlier printed items. On our shelves, you will the find traditional, restrained typography of Bruce Rogers and John Baskerville, as well as more experimental work from such modern practitioners as Gunnar Kaldewey. Other leading printers represented in our stock include ...
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(Santa Barbara, CA): Simplemente Maria Press, 2020. Octavo volume and strand of ten paper prayer flags. (22)ff. + 20ff. One of twenty copies. Signed by Heebner. Heebner's flags bear her five invocations to a distressed planet, with one prayer for each element: fire, earth, air, water, and aether. Written in..... More
Santa Barbara, CA: Simplemente Maria Press, 2000. One of fifty copies. Twelve prints from Heebner's Isla Negra series of paintings appear in the center of trifolded sheets, with twelve of Neruda's poems of the sea tipped in on either side: the original Spanish at the right, and Alastair Reid's English..... More
(N.p. Golden Cockerel Press, 1981). One of three known copies of Josef Herman's lithographs, gathered as a suite and intended to illustrate the Golden Cockerel Press's final book. The book was never published and the lithographs languished until their discovery some twenty years later. Printed in blue and black, the..... More
(Boston: Godine Press, c. 1970). Framed etching measuring 11 by 8 inches. One of an unknown number of copies; the edition was probably no greater than 200. An image of an early flying machine crashed and abandoned in a field of clover, printed in green with a caption printed in..... More
Poestenkill, NY: Edition Kaldewey, 2000. Folio. (20)pp. One of seven deluxe copies, specially bound and with an extra suite of etchings on yellow Chinese paper. Signed by composer, Bun-Ching Lam. Lam had been commissioned to compose a piece for the Cross Sound Festival in Alaska, and took inspiration from three..... More
(Salem: Colonial Society, 1939). First separate edition, which consisted of fewer than 100 copies. A single folded sheet with one page of type, printed by Dard Hunter II at the MIT Paper Museum Press. Inscribed by Frost to Martin K. Howes at foot of poem. Frost read this delightful piece..... More
Chillicothe: Mountain House Press, 1981; 1983. Two folio volumes. 198; (131)pp. One of 150 copies signed by the author. Volume I contains numerous specimen woodcuts, title pages, advertisements, letterheads, and color photographs tipped or bound in, all showing various aspects of Hunter's non-papermaking work, including enamel, stained glass, and his..... More
East Aurora: Roycroft Press, 1905. Small octavo. xx, 48pp. Signed by Dard Hunter, who completed the title-page decoration and initials for the volume. A gloriously quaint edition paying suitable homage to the classic folktale. Bound in limp red suede impressed in black. Expected toning to endpapers and edges of text..... More
(New Britain, CT): Robert E. Massmann, 1980. (6); (6); (10)ff., frenchfold. One of 68 copies printed at Art Press. Fascinating in form and content, this book addresses two great papermakers in an octagonally-shaped book bound as a triple dos-à-dos. The first part is about Hunter, the second about Elliott. The..... More
(San Francisco & Santa Barbara: Paul Elder & Co., 1909). Quarto. Frenchfold. 22ff. First and only edition. Pictorial title page and colophon, decorated copyright page, and 19 illustrations by Robert Wilson Hyde, all printed in color and gold. Considered one of the highlights of Paul Elder's publications, this is one..... More
NY: William Heinemann Ltd., 1931. Two large octavo vols. lxxii, 235; xxii, 336pp. One of 525 copies, signed by the illustrator and the translator below the limitation statement. Gooden's twenty-six copper engravings punctuate this pleasing pair of volumes with fantastic weight and imagination. Both volumes bound in full vellum with..... More
(Houston, TX: ImpPress, 1965). Small octavo. (12)ff. One of 150 copies, signed by the artist and printer, Dugald Stermer. A quirky type specimen book printed on various colors of paper, in many colors of ink. With full-page illustrations, including a cartoonish frontispiece of a man with a printing press in..... More
Sweden, ME: Ives Street Press, 1991. 16mo. (19)pp. One of 100 copies. Signed the printer and artist, Barbara Cash, at the colophon, and this copy with a signed holiday note from her laid in. Very first leaf sports a delicate array of pressed flowers, set within a double-rule border printed..... More
Boston: David R. Godine, 1993. Oblong folio. One of 250 copies of the deluxe edition, containing an original print by Peter Milton, who has signed both the print itself and the edition statement. Milton also provides an Afterword, in which he describes his inspiration for his illustrations, each of which..... More
Newark, VT: Janus Press, 2011. Twenty-four 16mo. chapbooks, housed in quarto trifold portfolio. Each chapbook (8)ff. One of 120 copies, signed by Peter Schumann, whose charcoal-and-ink drawings illustrate the interiors and whose crayon drawings grace the covers. Here, Schumann explores the format of Latin American cordells, chapbooks traditionally sold by..... More
(N.p. Janus Press, 1955; 1980. Small octavo. (vi), 45, (2)pp. Inscribed twice by the author. The first book of the Janus Press, with a frontispiece woodcut and two additional cuts by Claire Van Vliet, whose imagery adopts a classical motif to echo the highbrow sentiments of Theobald's verses. A promising..... More
London: Clover Hill Editions, 1979. Quarto. 19pp. One of 100 copies, printed on Barcham Green’s RWS handmade paper by Will Carter at the Rampant Lions Press, with an extra set of the engravings on japon. Illustrated with thirteen wood engravings by David Jones, several of which frame the text. Jones..... More
London: Clover Hill Editions, 1977. Quarto. 30, (5)pp. One of 80 copies, printed by Will Carter at the Rampant Lions Press on Barcham Green handmade paper, watermarked "Clover Hill." Illustrated with ten wood engravings by David Jones, this title is considered by many to be the artist's most important work..... More
(Wales): 1980. Print measuring 20 by 17 inches. One of 50 copies. A delicate eight-pointed star radiates light, in shades of blue and tan. Signed by the artist. A renowned Welsh book artist, Jones has dedicated herself to the art of printing both words and images. With a blue mat..... More
(Wales): 1980. Print measuring 20 by 17 inches. One of 50 copies. A luminous print in green and violet of a hyacinth, signed by the artist. The flower blooms against layers of overlapping leaves, which lighten into transparency as they extend upwards. A renowned Welsh book artist, Jones has dedicated..... More
(Wales): 1980. Print measuring 20 by 17 inches. One of 50 copies. A bold color aquatint in brown, yellow, and tan, signed by the artist. This slightly abstracted sunflower is subtly shaded and textured. The flower's head is cradled within two outstretched leaves. A renowned Welsh book artist, Jones has..... More
Poestenkill, NY: Edition Kaldewey, 1994. Six loose sheets on architect's vellum, plus two printed posters on onion skin paper, plus six original objects by David Ireland, plus several photos and Kodaliths of Ireland's work. One of forty-six copies. Signed by both Ashbery and Ireland. David Ireland had transformed the house..... More
Hamburg: Kaldewey Press, 1977-1978. Folio. One of fifty copies of Kaldewey's second artist's book and the first book bearing the Kaldewey Press imprint. This copy warmly inscribed from Kaldewey to "friends of the Kaldewey Press for many years" on the colophon page and dated "15/6/95." Illustrated with color Xerox copies..... More
Postenkill, NY: Edition Kaldewey, 1986 (but 1992). Folio. 20pp. One of seven copies, the smallest limitation of the Press. Images pulped into the paper show the outline of a face in red and, in blue, the Chinese name of Bun-Ching Lam. The accompanying text is a short, but poetic, statement..... More
(Düsseldorf: Kaldewey Press, 1981-1982). Thin oblong folio. (26)pp. From an edition of 60, this is one of thirty in German. Each leaf is printed on thin aluminum with illustrations of clouds, the letterpress text printed in blue above the clouds. This innovative and effective conjunction of images and words is..... More
