A designer binding is the most visible of all the book arts. To those artists whose medium is the binding of a book, the old adage that you can't judge a book by its cover is untrue. From colored leathers and gold foil, vellum and exotic woods, the artistry of a book is vividly ...
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East Aurora, NY: Roycrofters, 1907. Octavo. (vii), 67, (2)pp. One of 203 copies, signed by Hubbard. Frontispiece reproduction of a bas relief portrait of William Morris, executed by Jerome Conner. Between pages 20 and 21 is inserted a two-page facsimile of a letter written by Morris. A laudatory project by..... More
London: Basilisk Press, 1979. Quarto. 180pp., + (10)ff. From an edition of 500 copies, this is one of twenty-five with ten original wood engravings bound-in subsequent to the text, five of which are signed by the book's illustrator, Edward Gordon Craig. For decades, Craig nurtured an interest in Daniel Defoe's..... More
(Rockport, ME): Gehenna Press, 1998. Folio. (65)pp. From an edition of fifty, this is one of ten deluxe copies, accompanied by a page of Hecht's manuscript, three watercolor drawings by Baskin, one of the original woodcut blocks, and a suite of woodcuts printed in black with several hand-colored by Baskin..... More
Los Angeles: 1993. 26pp. One of 90 copies issued as a keepsake for the Zamorano Club. A touching memorial to renowned miniature-binder Bela Blau upon his death. Published privately by his wife Mariana, who also bound the book and wrote the dedication. Eulogies by Francis Weber, Glen Dawson, and others..... More
Los Angeles: Mariana Blau, 1993. 26pp. One of 90 copies issued as a keepsake for the Zamorano Club. A touching memorial to renowned miniature-binder Bela Blau upon his death. Published privately by his wife Mariana, who also bound the book and wrote the dedication. Eulogies by Francis Weber, Glen Dawson..... More
Los Angeles: Mariana Blau, 1993. 26pp. One of 90 copies issued as a keepsake for the Zamorano Club. A touching memorial to renowned miniature-binder Bela Blau upon his death. Published privately by his wife Mariana, who also bound the book and wrote the dedication. Eulogies by Francis Weber, Glen Dawson..... More
London: Sampson Low, Son, and Marston, 1870. 16mo. iii, (1), 199pp. Engraved portrait of Napoleon at title page, along with head- and tailpieces throughout the text. Third edition. Resplendant in a Cosway binding by Rivière & Son in full blue morocco with a matching design to both covers: gilt rule..... More
Leipzig: Insel Verlag, 1907-1908. Five small octavo volumes. xvi, 498; (v), 573; (v), 582; xvi, 453; (iii), 383pp. One of 100 copies. Three volumes of the set are devoted to Don Quixote; the other two contain Cervantes' novellas. Each receives a matching—save for the text—double-page title spread of a black..... More
(London): Essex House Press, 1902. Small quarto. 87pp. One of 250 copies on paper. Each of the 150 Psalms opens with a woodcut initial, often related to the theme of the particular passage. A court jester stands around a "T" at Psalm 53, which proclaims that "the foolish body hath..... More
Paris: Moreau, (1983). Oblong 12mo. (26) pp. Illustrated by Baltazar. From an edition of 220 copies, this is one of forty signed by the author and by the illustrator, and hand-colored. Reproduced entirely by serigraphy, the text is from the author's own manuscript. The abstract black and white illustrations have..... More
Paris: Chez F.-L. Schmied, (1929). Quarto. (126)pp. One of 150 copies, signed by Schmied. Illustrated throughout with color wood engravings, executed in tones of brown, orange, and blue, including twelve full-page illustrations, each one signed by Schmied. This is a work that Ward Ritchie called "ingenious in its design, one..... More
Coaraze: Les Editions Coaraze, 1955. 16mo. 30, (2)pp., + 3 inserted plates. From an edition of twenty-four copies, this is one of twelve printed on Alfa Ivoire paper and labeled for a month of the year. Signed by Arman, the illustrator, on the colophon page. Arman's contributed plates offer a...... More
Colombes, France: Collectif Génération, 1990. Square octavo. (15)ff. One of 60 copies, signed by the author, Marcelin Pleynet, and the illustrator, Bertrand Dorny. With imaginative engraved and blind-stamped illustrations throughout, to accompany Pleynet's modernist text. Many of the pages fold out to give the reader the feeling of discovery and..... More
(London): Doves Press, (1908). Two large octavo volumes. 192; 200pp. One of 250 copies. Printed in red and black by T. J. Cobden-Sanderson and Emery Walker. This collection of Browning's poems explores the many aspects of love between men and women. The colophon is beautifully inscribed in red: "Flourished by..... More
Barcelona: José Porter, 1945. Octavo. xvi, 96pp + 50 plates. One of 330 copies. Brugalla's treatise on bookbinding, illustrated with both in-text figural drawings and color plates of bindings, offers an educated and thorough historical and technical analysis of the craft. Brugalla demonstrates his own skill on this copy's binding..... More
Paris: Gruel Engelmann, 1870; 1889. Three 12mo. vols, each a distinct copy of Engelmann's production; one from the 1870 first issue, and two from the later 1889 issues. (iv), 628; (xii), 649, (ii); (vi), 649, (2)pp. Two- and three-line initials, woodcut illustrations in the fashion of medieval religious imagery, and..... More
Newtown: Gregynog Press, 1931. Octavo. (10), 25, (3)pp. From an edition of 250 copies, this is one of twenty-five printed on Japanese vellum and bound after a design by Blair Hughes-Stanton himself. It marks Hughes-Stanton's first contribution to the Press' run of special bindings, and the advent of a shift..... More
Alford, MA: 1962. Small quarto. 28ff. One of forty copies. Etched title page and twenty-six fine etchings by Fink, ranging thematically from portraits to botany to insects. Many of Fink's etchings have a decidedly Baskinesque aesthetic, but Fink's circle centered primarily in New York, where he was friendly with Jack..... More
London: Oxford University Press, (1925). Octavo. (ix), 1456, (iv), (130)pp. Later printing. With a large fore-edge painting by Miss C. B. Currie, which, according to the signed statement on the front endleaf, depicts "(a) view of the entrance to the avenue from Clare Hall Piece, Cambridge." It is identified as..... More
NY: Dodd, Mead, 1899. Three quarto volumes. xxvi, 330pp. From an edition of 268, this is one of thirty copies on Imperial Japon. In addition, this is a unique copy with an extra set of the 126 color photogravure plates printed on white satin and backed in celadon silk. The..... More
Madrid: Editorial Voluntad, 1927. Quarto. (vi), (121)ff., + 120 plates. Each plate shows a drawing by de Azpiazu, who in each captures the beauties of Spanish architecture, life, and landscape. The Quinteros provide commentary for each, and Serafina Alvarez Quintero contributed the frontispiece portrait of de Azpiazu. The book is..... More
London: Saunders and Otley, 1836-38. Three octavo vols. 304; 304; 304pp. Engraved titles with vignettes, as well as nearly 150 engravings throughout the set. A testament to British literature and artistry, with the poetic pillars of Chaucer, Spenser, Donne, Shakespeare, Dryden, Burns, Wordsworth, Shelley, Coleridge, and myriad other writers comprising..... More
Paris: Louis Janet, (c. 1830). 48mo. 48pp., + engraved title page and six plates of engravings. A collection of titularly genteel love poetry, mostly penned by “Bernard,” whose brief biography appears as an introduction. The inserted plates show lovers in pastoral settings. Bound in a glass binding, with spine and..... More
(Vancouver, B.C.): Heavenly Monkey Editions, 2012. Square octavo. (45)pp. One of thirty copies. This third collaboration on the various aspects of color theory has been signed by both Cohen and Hodgson. The present work examines color as employed by seventeen occupations, including architect, illuminator, printer, opthamologist, dyer, and chemist. In..... More
(New Britain, CT): Robert E. Massmann, 1980. (6); (6); (10)ff., frenchfold. One of 68 copies printed at Art Press. Fascinating in form and content, this book addresses two great papermakers in an octagonally-shaped book bound as a triple dos-à-dos. The first part is about Hunter, the second about Elliott. The..... More
