When you hold a miniature book in your hand, it is like holding a jewel. A miniature book is usually no bigger than three inches (76 millimeters) tall, and although some need magnification to be viewed properly, most can be read with the naked eye. Dating as far back as 2500 BCE, Sumerian clay tablets with cuneiform writing are considered the prototype for miniature books ...
Read more about Miniature Books
Our miniature books are listed below. You may also browse our miniature books by publisher or by century.
Venice: Ongania, Ferd. 1879. Two miniature volumes bound as one. 354; 231; (6)pp. One of 1,000 numbered copies. This is copy number 1, and it is signed by Ongania below the limitation statement. With two portrait frontispieces and numerous, exquisite engraved vignettes throughout. Includes six sonnets which had recently been..... More
Venice, FL: Opuscula Press, 1983. 61pp. One of 250 copies. Signed the author, Dunbar, and the printer, Robert Hanson. Frontispiece photograph of Steinbeck, plus tipped-in rendering of Steinbeck's signature flying pig. An overview of directions for collecting Steinbecks many works, including galley proofs, magazine publications, and special purpose books. Bound..... More
Paris: Pairault & Cie, 1898. 64pp. One of 150 copies. All volumes in this turn-of-the-century miniature series are illustrated in black & white by contemporary French artists, in this case Charles Jouas. Bound in printed rose wrappers with a glassine dust wrapper. Some light toning to title page and final..... More
Pasadena, CA: Permanent Press, 1975. 69pp. One of 250 copies. Full-page illustrated initials open each of the five chapters of this first volume. The first half of Lathourakis' biography of the infamous Rasputin. Bound in black polished cloth over boards. Lacking second volume, but fine otherwise. (2 11/16 by 2..... More
Chicago: Petit Oiseau Press, 1954. 7pp. Although the limitation is not printed in the book, this is one of 100 copies. Doris Welsh's second book, published before she began to use the "Petit Oiseau" imprint. Illustrated with a drawing of the Mayflower as the frontispiece. Bound in purple cloth-backed decorated..... More
Chicago: Petit Oiseau Press, 1963. 21pp. One of fifty copies. An amusing story about trying out a typewriter. Very fine in cloth-backed blue boards. (Bradbury, p. 179). (1 7/8 by 1 1/2; 48x38mm). More
East Greenwich, RI: River's Edge Studio, 1970. 45pp. From an edition of 500 copies, this is one of 300 bound in Beau Brilliant cover paper. Illustrated with sixteen tipped-in U.S. stamps, all featuring flowers or plants. Printed by Enschedé in the Netherlands. Fine in stiff green wrappers with gilt titling..... More
East Greenwich, RI: River's Edge Studio, 1970. 45pp. From an edition of 500 copies, this is one of 300 bound in Beau Brilliant cover paper. Illustrated with sixteen tipped-in U.S. stamps, all featuring flowers or plants. Printed by Enschedé in the Netherlands. Fine in stiff green wrappers with gilt titling..... More
Los Angeles: Plantin Press for Dawson's Book Shop, 1973. (xxxviij), 61pp. From an edition of 500 copies, this is one of thirty of a special printing by Saul and Lillian Marks at the Plantin Press, featuring a deluxe binding by the firm Patron & de la Mauviniere and a wood..... More
Boston: Bromer, Anne & David, 1981. (36)pp. One of 115 copies. Signed by Linnea Gentry of the Amaranth Press, who printed and illustrated the book. Printed in two colors. An extremely fine copy in violet pastepaper boards with title stamped in silver to front cover, author to spine. Prospectus laid..... More
(Berkeley, CA): Poole Press, 1988. (13)ff. One of 75 copies, signed by Maryline Poole Adams. The illustrator meets the challenge of depicting the Bisky Bat, the Fimble Fowl, the Pobble who has no toes, and all of Edward Lear's other characters through the medium of woodcuts. Very fine in patterned..... More
Nappanee: Press of the Indiana Kid, 1976. (10)pp. One of forty-five copies. A miniature recollection of the printer's brief correspondence with George Bernard Shaw. Bound in leather-backed marbled boards lightly rubbed, else near fine. (2 3/4 by 1 7/8; 70x48mm). More
(Tarzana, CA): Raheb, Barbara J., 1984. (28)pp. One of 300 copies signed by Barbara Raheb, who calligraphed and illustrated the text of what was a medieval illuminated manuscript. The borders of each page are colored gold. Bound in gilt-decorated black pyroxylin leather, with title in gilt to a red morocco..... More
(Van Nuys, CA): Raheb, Barbara J., 1984. Two volumes, housed in a tiny wooden box with a sliding lid. On the lid is a pictorial printed label. The two volumes are: The Sugar Plum Tree. Poems by Eugene Field. (16)ff. From an edition of 300 copies, this is one of..... More
(Van Nuys, CA: Raheb, Barbara J., 1980). 35pp. Second edition. From an edition of 300 numbered copies signed by Barbara Raheb, this is one of an unknown number of hand-colored copies. With five full-page illustrations and three decorations, all delicately colored by Raheb. Bound in gilt-stamped black pyroxylin, with a...... More
(Van Nuys, CA: Raheb, Barbara J., 1981. (84)pp. One of 300 numbered copies, signed by Barbara Raheb. With black & white illustrations throughout. Some wear to spine and front board, else near fine in gilt-stamped blue leather. Bookplate to front paste-down. (Bradbury, p. 211). (15/16 by 3/4; 24x18mm). More
(Tarzana, CA): Raheb, Barbara J., 1982. 45pp. One of 300 numbered copies signed by Raheb. With six hand-colored illustrations and title-page vignette. Minor bowing to boards, else fine in brown pyroxylin-backed cork boards, with printed label, and marbled endpapers. (Bradbury, p. 212). (1 11/16 by 1 1/4; 43x31mm). More
(Van Nuys, CA: Raheb, Barbara J., 1981). (72)pp. One of 300 numbered copies. With black & white illustrations throughout. Fine in a variant binding of gilt-stamped white cloth. Bookplate to front paste-down. (Bradbury, p. 213). (1 by 3/4; 25x18mm). More
(Hyattsville, MD): Rebecca Press, 1989. (30)pp. One of 250 copies, signed by Rebecca Bingham. Illustrated with three full-page wood engravings and engraved endpapers by Sarah Chamberlain. A book of poetic thoughts by the famous playwright. Bound in cherry wood with a leather spine, the front cover being a miniature front..... More
(Hyattsville, MD): Rebecca Press, 1991. (18)ff. A special edition published to mark the birth of a daughter to the printer, Rebecca Bingham. Fine in blue and white handmade paper boards, with a birth announcement tipped-onto the front cover. (2 1/2 by 2 7/8; 63x74mm). More
Baltimore: Xavier Press, 1993. 19pp. A timeless essay by Lewis Carroll on the art of correspondence, illustrated with two pasted-in postage stamps promoting letter-writing and a fold-out sample of a letter by the author. In a designer binding by Dominic Riley featuring gilt-tooled envelopes and abstracted stamps in onlays of..... More
Worcester, MA: Commonwealth Press, 1932. One of 250 copies. Known at the time as the smallest book in the world, this tiny book is part of a set, which includes a miniature edition of the book (1 3/4 by 1 1/2; 44x37mm), showing, in addition to the text, an explanatory..... More
Evanston, IL: Schori Press, (1965). 45pp. One of 500 copies. Nostalgic snippets of poetry by various authors, from Shakespeare to A. E. Housman. The page numbers and other little accents are printed in turquoise. Very fine in black boards with gold decoration. (1 3/4 by 2 1/4; 44x55mm). More
Evanston, IL: Schori Press, (1965). 45pp. One of 500 copies. Nostalgic snippets of poetry by various authors, from Shakespeare to A. E. Housman. The page numbers and other little accents are printed in turquoise. Very fine in black boards with gold decoration. (1 3/4 by 2 1/4; 44x55mm). More
Evanston: Schori Press, 1965. viii, 47pp., frenchfold. From an edition of 600 copies, this is one of 500 on Bible paper. Illustrated by Andre Chappaz and Ron Solms. Text, including an Introduction, printed in brown and drawings in ochre. Fine in dark blue morocco, painted and gilt-tooled to show a...... More
