Oxford, MS: 1950. First edition. An original copy of Faulkner's famous "Beer Broadside" containing four arguments for legalizing the sale of beer in Oxford, Mississippi. This was Faulkner's direct challenge to an earlier broadside distributed by a group of clergy calling for the sale of beer to remain illegal. Contains..... More
(N.p.): Letterpress Guild of New England, 1992. Octavo. (10)ff., + 13pp. booklet. All gathered in a portfolio, designed by Dorothea Black and limited to 200 copies. Pillars of the New England letterpress printing community here contribute broadsides—or, in the case of John Kristensen, a folio, and in that of Scott..... More
Print Club of Cleveland, 1950. Woodcut measuring 21 by 14 1/2 inches. One of 250 copies, signed and dated by Antonio Frasconi, an artist born in Uruguay and known for his distinctive woodcuts and numerous illustrated books for children. In this depiction of Aesop’s fable, a hungry, curvaceous crocodile tempts..... More
(n.d.). A woodcut print on India paper of a kneeling figure overlooking a view of hills. Spot of foxing, else fine. (Image measures 5 7/8 by 5 13/16 in.; 150x148 mm). More
(n.d.). A woodcut print on India paper of a girl and her woodland entourage. Fine. (Image measures 3 1/2 by 4 1/4 in.; 90x109 mm). More
(n.d.). A woodcut print on India paper of an agricultural farming village, with bales of hay, thatch-roofed homes, and hills in the background. Fine. (Image measures 4 by 5 in.; 102x128 mm). More
(n.d.). A woodcut print on India paper of a shepherd carrying a lamb, evocative of Gaskin's illustrations for the Kelmscott Press' Shepheardes Calendar. Signed and titled in pencil by Gaskin. Fine. (Image measures 3 11/16 by 2 1/2 in.; 94x63 mm). More
1926. A woodcut print on India paper of a woman clambering into bed. Signed, dated, and titled in pencil by Gaskin. Fine, affixed to mat. (Image measures 3 1/2 by 4 in.; 92x102 mm). More
1926. A woodcut print on Japanese paper of a couple in romantic embrace. Signed, dated, and titled in pencil by Gaskin. Fine, matted. (Image measures 5 1/2 by 2 13/16 in.; 141x71 mm). More
1926. A woodcut print on Japanese paper of a woman, fitted out in frock and hat, in white figure against a black background. Signed, titled, and dated in pencil by Gaskin. Few spots of inconsequential foxing, else near fine. (Image measures 4 13/16 by 2 3/8 in.; 122x60 mm). More
1926. A woodcut print on India paper of two sisters embracing. Signed, dated, and titled in pencil by Gaskin. Shade of foxing, else near fine. (Image measures 2 7/8 by 1 15/16 in.; 74x50 mm). More
(n.d.). A woodcut print on India paper of a winter storm settling over a tree-embraced homestead. Signed, titled, and dated in pencil by Gaskin. Fine. (Image measures 4 by 5 in.; 102x128 mm). More
(n.d.). A woodcut print on India paper of three geese settled before a fence. Fine. (Image measures 3 9/16 by 3 1/2 in.; 90x89 mm). More
Bob Ziering, 2009. Pastel on paper. Signed and dated by the artist, Bob Ziering. Original exploratory artwork for the gay 2010 American short film Curious Thing directed by Alain Hain. This bold, emotional piece is Ziering at his most authentic; a celebrated commercial illustrator, it was only after more than..... More
Berkeley, CA: Pacific Film Archive, 1973. Broadside measuring 24 by 18 1/4 inches. One of 500 copies. Designed by California artist David Lance Goines and printed in 10 colors, this advertisement for a film series at the Pacific Film Archive features an image of Veronica, daughter of Solome, who took..... More
Oakland, CA: Karl Kardel Co., 1974. Broadside measuring 24 by 18 1/4 inches. One of 1,850 copies. Designed by California artist David Lance Goines and printed in 8 colors, this advertisement for Karl Kardel Co. features a bumblebee over an ochre background. The design was inspired by an unknown philosopher's..... More
1993. Watercolor and ink on paper, measuring 7 by 6 inches. Matted and framed. This illustration appeared on page 21 of the July 19, 1993 issue of Sports Illustrated. The image served as the lead-in to the "Anniversary" section, and it depicts an obscure baseball moment from 1893, when former..... More
1980. Original artwork. Pen, ink, watercolor, graphite, and wash on stiff card. The bereaved gather around the deceased's coffin as the undertaker pulls back a veil to reveal a will, taped as a video message. The mourners are a typically Gorey-esque cast of characters, including a shrouded widow, a man..... More
Woods Hole, MA: 1987. Broadside poster. Signed by Gorey, and illustrated by him with the errant shoelaces draped over the title lettering and artfully and abstractly folded napkins punctuating the poster's relevant information. Another in the series of boldly illustrated posters advertising theatrical productions in the vicinity of Cape Cod..... More
(N.p. c. 1976). Sixteen engraved illustrations altered by hand in pen-and-ink on paper, designed by Gorey for his collaborative publication with Samuel Beckett of the latter's All Strange Away. The images each deliver on Gorey's signature penchant for the uneasy and uninterpretable. They bear shapes and features that are to..... More
London: 1990. Poster. Agatha Christie's name and her centenary dates (1890-1990) border a clever central motif of question marks circling a single point. Heavily autographed by various actors and contributors to Christie productions, among them Maggie Smith, Lauren Bacall, Pauline Moran, Mia Farrow, David Suchet, Peter Ustinov, and Edward Gorey..... More
c. 1970. Pen-and-ink on three leaves measuring 8 1/2 by 11 inches. The first sheet, on pale yellow stock folded into fourths, contains a panel of six roughed-out storyboards, a more detailed drawing of what became the cover of the published work, and in the upper left, a series of..... More
Warsaw: Wydanictwo Prasa Wojskowa, 1950. Quarto. (8)ff., loose. Eight woodcuts depict various actions of the Gwardia Ludowa, or the People’s Guard, an underground Polish communist resistance force. Most of the Gwardia’s operations focused on sabotage, ambush, and other guerrilla tactics. These included disassembling train tracks, bombing German-frequented coffee houses, and..... More
1972. An original illustration capturing a moment of protest by the black community, showing a black man being dragged away by an armed police officer, with the expressions of other protestors in the background. Jarring in its continued relevancy, the illustration is finely executed in mixed media, including tempera, watercolor..... More
1971-72. An original illustration showing an ensemble of images emblematic of the early 1970s social movements: a hand forming a peace sign, various illicit drugs, a revolver labeled “Saturday Night Special,” a sign demanding “End the War,” a couple on a motorcycle, a white woman wearing a fierce expression gripping..... More
