Oxford, MS: 1950. First edition. An original copy of Faulkner's famous "Beer Broadside" containing four arguments for legalizing the sale of beer in Oxford, Mississippi. This was Faulkner's direct challenge to an earlier broadside distributed by a group of clergy calling for the sale of beer to remain illegal. Contains..... More

Houston, TX: Ganzeer, 2020. Original illustration, signed by the artist, Ganzeer. Produced for his op-ed, “The Fate of Egypt,” which ran in Middle East Eye in February 2020, the illustration shows a diverse array of Egyptians protesting the dictatorial regime of President Abdel Fattah el-Sisi, who rose to power in..... More

(n.d.). A woodcut print on India paper of a girl and her woodland entourage. Fine. (Image measures 3 1/2 by 4 1/4 in.; 90x109 mm). More

(n.d.). A woodcut print on India paper of a shepherd carrying a lamb, evocative of Gaskin's illustrations for the Kelmscott Press' Shepheardes Calendar. Signed and titled in pencil by Gaskin. Fine. (Image measures 3 11/16 by 2 1/2 in.; 94x63 mm). More

1926. A woodcut print on Japanese paper of a couple in romantic embrace. Signed, dated, and titled in pencil by Gaskin. Fine, matted. (Image measures 5 1/2 by 2 13/16 in.; 141x71 mm). More

1926. A woodcut print on India paper of two sisters embracing. Signed, dated, and titled in pencil by Gaskin. Shade of foxing, else near fine. (Image measures 2 7/8 by 1 15/16 in.; 74x50 mm). More

Northampton, MA: Gehenna Press, 1963. Elephant folio. (24)pp. One of 150 copies, signed by the illustrator, Rico Lebrun, and by the engraver, Leonard Baskin, below the colophon and on the prints. Lebrun's illustrations evoke the raw emotion and bare-bones humanity and animality of Melville's tale. Pages held loose in unbound..... More

Ditchling: 1919. Two prints by Gill. The first appears to be perhaps a ghost monotype, printed on tissue; it shows black in the quadrants divided by the crucifix where other printings show white (or neutral). The second is a variant, likely an early mockup toward the finished product and lacking..... More

(N.p. 1921, but later). Reproduction of a pencil sketch on paper. Gill here has represented a pensive David Jones in profile. Jones was perhaps the most famous of Gill's acolytes and one of the members of the Ditchling community. Trace faint foxing, else fine. Matted. (Mat measures 15 by 13..... More

Waltham St. Lawrence: Golden Cockerel Press, 1925. Four woodcut initials, separately matted and framed, from the Golden Cockerel Press edition of Jonathan Swifts' Gulliver's Travels. The "I", "A", "O", and "T" appear as part of symmetrical black-and-white designs, with lines falling in simple sweeps and patterend with dots and stars..... More

Piggots, High Wycombe: 1930. Pen and ink over graphite on single sheet measuring 5 15/16 by 4 7/8 inches. Signed and dated "7.8.30." Gill depicts the front view of the Wife of Bath astride a horse in this design, which appeared on the upper cover of the third volume of..... More

(Ditchling, East Sussex: c. 1938). Wood engraving on paper. One of ten copies, signed and numbered by Gill. This is a separately-issued print of one of Gill's illustrations for Shakespeare's Henry the Eighth, commissioned by the Limited Editions Club and published in 1939. The book was one volume of a...... More

(Ditchling): c. 1914. Graphite on tracing paper measuring 6 1/2 by 4 1/2 inches. Image appears over a grid-rule, also done in graphite by Gill. Together with: a proof of the engraving made from this image. Both show identical rust stains in the upper left margin, suggesting they were pinned..... More