Chicago: Black Cat Press, 1962. 84pp. One of 300 copies, designed and with typography by Norman Forgue. A humorous essay about famous book collectors, many of them authors, who allowed their delight in collecting to carry them beyond the limits of moderation into gluttony. Very fine in gilt-stamped green leather... More
Chicago: Black Cat Press, (1962). 32pp., frenchfold. One of 275 copies. The book consists of quotations from participants of the War. A fine copy in gilt stamped blue leather. (2 5/8 by 2; 67x51mm). More
Chicago: Black Cat Press, (1971). (x)pp., (16)ff., (6)pp., frenchfold. One of 200 copies, with an introduction by the proprietor of the Press, Norman W. Forgue. Printed on Japanese paper with the fifteen Bewick vignettes printed from the original blocks in the collection of R. Hunter Middleton. This title is the... More
(San Francisco: Black Stone Press, 1980). Oblong 24mo. (30)pp. One of fifty copies, signed by author Kate Pond and printer Shelley Hoyt-Koch. Each letter, printed in red, is accompanied by an illustration in black. Rhymes by Kate Pond, clever and at times unexpected, run across each page spread (e.g. "HORSE... More
(NY): Center for the Book Arts, (2007). Octavo. 18ff. One of thirty-nine copies. A collection of thirteen poems from Blake’s Songs of Innocence and Experience, beautifully printed by nine compositor-printers at the Center for the Book Arts. Each printer’s work occupies a single bifolium sheet, forming nine loose signatures. All... More
(Los Angeles: Blau, Bela, 1965). 47pp. One of 1,000 copies printed on pure vellum by Bela Blau. With a frontispiece portrait of Kennedy, and with each page handsomely printed within a gold-ruled frame. Very fine in gilt-stamped vellum, with a vellum-covered slipcase, which has a split starting to one corner... More
Los Angeles: Cheney, William, 1965. 8pp. First edition. Printed by Cheney and bound by Bela Blau for Roy V. Boswell as a keepsake for the Banqueteers Fifth California Antiquarian Book Fair, 1965. Bound in brown calf, gilt-stamped to front cover and spine. A fine copy of a scarce modern miniature... More
1986. Original ink designs for an alphabet formed from cats, signed and dated by the artist. Blegvad was a prolific children's book artist, whose atmospheric ink drawings are often compared to Gorey and Sendak. His illustrations graced more than 100 picture books, of which the best known is probably Mary... More
NY: Null-Q Press, 1968. First American edition. One of 250 copies printed on a mimeograph machine on pulp paper, and stapled. This copy is inscribed and signed by Blish. This novel was first published in the U.K. in 1964, and because no American imprint would agree to publish it in... More
Parma: Bodoni, 1800. Folio. Three parts in one. 8, xxvii; 14, xliii; 11, xxxiii pp., + (35)ff. Contains thirty-five stipple-engraved plates, all but one in sepia, showing frescoes by the famed Renaissance painter Correggio at the Monastero de San Paolo in Parma. The engravings were done by Francesco Rosaspina after... More
(Parma: Stamperia Reale, 1779). Octavo. xii, 296pp. First edition. Illustrated with a frontispiece portrait of the poetess crowned with a laurel wreath, eleven beautifully-engraved vignettes and twelve culs-de-lamp. This elegantly-printed volume was published in commemoration of the coronation of poet Maria Maddalena Morelli Fernandez with laurels on the Capitol in... More
London: Harding & Lepard, 1827. Two octavo volumes. xiii, 562; 579pp. Fourth edition, greatly enlarged and corrected. Inscribed by the book collector and businessman Albert M. Todd of Kalamazoo, Michigan, to noted librarian William Warner Bishop, who was head of the Bentley Historical Library at the University of Michigan from... More
London: Henry G. Bohn, 1864. Six 12mo. volumes. xii, 1-576; 577-1156; 1157-1756; 1757-2400; 2401-3028; v, 1-336pp. New edition, revised, corrected and enlarged, with an Appendix relating to the books of literary and scientific societies. Lowndes's bibliography, first published in 1834, was the first systematic work of its kind, taking fourteen... More
(Rosemead, CA): Bookhaven Press, 1968. 48pp. One of 500 numbered copies. Illustrated in black & white, with decorations and initials printed in teal. The second publication of the Bookhaven Press, operated by Pall W. Bohne, who wrote, illustrated, printed, and bound the book. Fine in gray mottled paper boards backed... More
San Francisco: Lawton Kennedy, 1958. Small quarto pamphlet. (6)ff. One of 175 copies. A tongue-in-cheek guide to the lexicon of the rare book trade. For example, the entry for "Fore-Edge Painting" states "These are always 'exquisitely executed' even when done by someone's Aunt Esmerelda on a wet Sunday afternoon." Fine... More
(Winterport, ME): Borrower's Press, 1974. 18pp. Though not in the book, Bradbury notes that this was an edition of 200 copies. The first book of the Borrower's Press. Fine, in full red morocco with gilt-titling to front and decorated endpapers. Bookplate to front paste-down. (Bradbury, p. 31). (1 by 7/8; 25x22mm). More
Winterport, ME: Borrower's Press, 1978. 55pp. One of 300 copies numbered and signed by Jane Bernier, being a collection of selected psalms. Slightest rubbing to edges of covers, else fine in burgundy morocco, with a gilt cross on the front and gilt titling on the spine. (Bradbury, p. 32). (13/16 by 5/8; 21x16mm). More
Winterport, ME: Borrower's Press, 1981. 53pp. One of 350 copies signed and numbered by Jane Bernier, the proprietor of the Press. With nineteen full-page hand-colored illustrations of sample quilt patterns. Bound in blue cloth with a hand-colored pictorial label. Labels show the slightest amount of wear, else fine. Bookplate to... More
Winterport, ME: Borrower's Press, 1977. (36)pp. One of 250 copies signed and numbered by the publisher, Jane Bernier. With eighteen hand-colored illustrations of wildflowers by Jane Conneen. Bookplate to front paste-down and small repair to head of spine, else near fine in gilt-stamped red leather. A hard-to-find early Borrower's Press... More
Belfast, ME: Borrower's Press, 1986. 40pp. One of 150 copies signed and numbered by Jane Bernier, the printer. With original illustrations by Amanda Epstein, which have been hand-colored. Very fine in gilt-decorated brown leather. (Bradbury, p. 35). (3/4 by 9/16; 19x15mm). More
Cleveland Heights, OH: Borrower's Press, 1983. 14pp., frenchfold. One of 200 copies signed and numbered by Jane Bernier, the printer. Printed in red and black, with a frontispiece portrait of President Lincoln. Bookplate to inside front cover. Fine in turquoise leather with gold titling. (Bradbury, p. 34). (13/16 by 9/16; 20x15mm). More
Winterport, ME: Borrower's Press, 1975. 31pp. One of 250 copies, signed and numbered by the printer-illustrator Jane Bernier. An essay on Longfellow, with excerpts from his works. This is the third Borrower's Press publication. Very fine in leather-backed tan cloth. (Bradbury, p. 31). (15/16 by 7/8; 25x21mm). More
Winterport, ME: Borrower's Press, 1976. (22)pp. One of 275 copies, signed and numbered by Jane Bernier, the proprietor of the Press. The sixth book of the Borrower's Press. Fine, in full morocco with gilt-titling to front and decorated endpapers. Bookplate to front paste-down. (Bradbury, p. 32). (15/16 by 3/4; 23x20mm). More
(London): Fortune Press, (1922). One of 100 deluxe copies with a limited, signed color etching. Warmly inscribed by Jean de Bosschère, "with greetings of spiritual brotherhood." With a color frontispiece, twenty-one full-page plates printed in black & white and sanguine, and numerous black & white illustrations throughout. The volume opens... More
NY: Ballantine Books, (1953). First edition. One of 200 numbered copies bound in full asbestos and signed by the author. Bradbury’s first and best-known novel, Fahrenheit 451—the temperature at which book paper ignites—envisions a dystopian world in which reading is considered a subversive activity and books are burned by “firemen”... More
