(N.p. Flagless Editions, 1984). 16mo. (21)pp. One of 167 copies. Cover illustration based on an unfinished series of lithographs by Yoko Ono and John Lennon. The text of this unusual alphabet poem was written by John Lennon in February 1969 for inclusion in the portfolio Bag One. Designed and printed..... More
Lexington, KY: Anvil Press, 1993. Octavo. x, 107pp. One of 40 copies in bindings hand-painted by Carolyn Hammer and Paul Holbrook, from an edition of 75 copies printed by Hammer, in Victor Hammer's American Uncial typeface, the rest (in marbled boards) of which were given away as gifts. With initialed..... More
San Francisco: Arion Press, 2016. Folio. 225, (2)pp. One of 300 copies. Introduction and translation by Mark Polizzotti. In this, Flaubert's comedic final novel, two mid-nineteenth century copyists begin to conduct improbable experiments based on misinformation gathered from random readings. Reflecting the occupations of the heroes, all pages of the..... More
San Francisco: Arion Press, 1992. Quarto. 117pp. One of 400 copies, signed by the author and the artist. Illustrated with five wood engravings, four of them full page, by Michael McCurdy. The first play in the Arion Press drama series. A fine copy in blue-green cloth with a ring of..... More
San Francisco: Arion Press, 1995. Octavo. xxiv, 131pp. Illustrated with a frontispiece engraved portrait of Melville by Barry Moser. One of 26 lettered copies, each signed by the artist. Edited and with an Introduction by Helen Vendler. The edition was designed to mirror the Arion Press' sixth publication, Moby-Dick, produced..... More
San Francisco: Arion Press, 1993. Large quarto. 143pp. One of 300 copies, signed by the author and the artist. Illustrated throughout with fifteen drawings by Stan Washburn. The second in Arion's drama series. A very fine copy in pictorial boards and goatskin spine, with a mylar wrapper. Lacks accompanying CD..... More
San Francisco: Arion Press, 2001. Oblong folio. xvi, 115pp. One of 400 copies, signed by the author, Tom Stoppard, and the artist, William Matthews. Illustrated with four reproductions of watercolor views showing the manor and landscape as they change over the course of the play. Foreword by the author. A...... More
South Freeport, ME: Ascensius Press, 2015. Small quarto. 44ff. From an edition of forty-one, this is one of twenty-six lettered copies, bound in full calf. Frost's second book of poetry is here published in a centenary edition by Scott Vile of the Ascensius Press. In homage to Joseph Blumenthal, Frost's..... More
Garden City: Doubleday & Co., 1954. First edition. Publisher’s file copy with statement stamped on front free endpaper. A science fiction murder mystery in which a robot detective is teamed with a human counterpart. Although Asimov is best known for his science fiction work, he also dabbled in mystery. A...... More
NY: Gnome Press, 1951; 1952; 1953. First editions of the Foundation Trilogy. All of the books are in first issue bindings and bright, unrestored dust wrappers. The third volume is inscribed by the author: “Best wishes / Isaac Asimov.” The Foundation Trilogy is perhaps the best-known science fiction series and..... More
London: Constable, (1920). Small quarto. (76)ff. One of fifty copies printed on Japon, signed by the artist, and with an extra hand-colored illustration. Illustrated with six full-color plates and thirty-two in black & white, some of which have touches of color, as well as numerous smaller line drawings throughout. Balfour's..... More
1934, 1950. (1)ff. autograph letter, dated July 25th, 1934. A letter from J. M. Barrie to William Maldon "Bill" Woodfull, the Australian cricketer who captained both the Victoria and Australia cricket teams. Barrie comments on the fourth game of the 1934 Ashes series, in which Australia played against England, saying..... More
NY: G. P. Putnam's, 1899. First edition, first issue. A collection of 243 "updates" of many classic fables, including a section titled "Aesopus Emendatus." Inscribed in pencil by Bierce to Dr. J. W. Robertson, noted bibliographer of Edgar Allan Poe, in the year of publication. Robertson was a prominent physician..... More
San Francisco: W. E. Wood, 1903. First edition, second issue. A collection of Bierce's later poems. Inscribed in pencil by Bierce to Dr. J. W. Robertson in the month of publication. Robertson was a bibliographer of Edgar Allan Poe and a prominent physician in Livermore, California, whose daughter married Edwin..... More
(North Hills): Bird & Bull Press, 1980. Octavo. 40pp. One of 350 copies, each copy numbered "1". A clever and entertaining spoof by Henry Morris of several contemporary private presses, including his own Bird & Bull. Fine in cloth-backed decorated boards. More
Port Clarendon: Bird & Bull Press, 1978. Small quarto. (8)pp., with ten double-page samples. One of 400 copies, all numbered Copy 1. Printed by San Serriffe Publishing Company, Henry Morris's fictitious press based in the "Republic of San Serriffe." Wrappers fairly sunned, else near fine. More
Newtown: Bird & Bull Press, 1990. Quarto. 64pp. One of 230 copies. A miscellany of amusing satires on many aspects of the world of fine printing, with cartoon-like line drawings. Includes "Meet Me at the Fair" and "Scouts' Honor" by Sidney Berger, both of which are signed by the author..... More
NY: Null-Q Press, 1968. First American edition. One of 250 copies printed on a mimeograph machine on pulp paper, and stapled. This copy is inscribed and signed by Blish. This novel was first published in the U.K. in 1964, and because no American imprint would agree to publish it in..... More
NY: Ballantine Books, (1953). First edition. One of a likely 50 copies bound in red cloth, stamped in gold, intended for Bradbury’s personal use. Card inscribed by the author laid in. Fahrenheit 451—the temperature at which paper burns—has long been regarded as a high point of the science fiction genre..... More
Garden City: Doubleday & Co., 1950. First edition of Bradbury’s magnum opus. The Martian Chronicles consists of a string of episodes originally published separately. All of them relate to the colonization and exploration of Mars and result in a compelling narrative. Bradbury’s mixture of science fiction and fantasy is first..... More
(Munich): Bremer Presse, (1923-1924). Two folio volumes. 486; 372pp. One of 615 copies printed in Greek with titles by Anna Simons. These beautiful volumes are printed on Zanders handmade paper in a 16-point Greek type designed for the Press. Colin Franklin describes the Bremer "Homerou poiesis" as “magnificent examples of..... More
Munich: Bremer Presse, (1923-1924). Folio. (482)pp. One of 615 copies. Printed entirely in Greek, save the appended commentary and colophon. Colin Franklin describes the book as a "magnificent example of controlled printing." Bound in full calf with gilt rules to covers and spine. Fine. Top edge red. (Franklin p.163). More
Niles, IL: Dark Harvest, 1986. Two quarto volumes. First edition. One of 52 copies signed by the author and the illustrator, Paul Sonju. A collection of short stories including the 1984 Hugo Award-winning "The Crystal Spheres." Each story features an illustration by Sonju. A very fine copy in bronze paper..... More
San Francisco: Amber House Press, 1964. Small quarto. (42)pp. First edition of Corrington's third published book of poetry. Illustrated with drawings by Ann Parisi, printed in silver, including a stylized skeleton across the covers. With an Introduction and cover blurb by Charles Bukowski. Printed by Frank Westlake at the Bindweed..... More
Boston: New York Graphic Society, (1980). Quarto.165pp. One of 750 deluxe copies, signed by the artist and by Jane Langton, who compiled the book and wrote the appreciation to Dickinson. Illustrated with eleven beautiful full-page reproductions of watercolors by Nancy Eckholm Burkert. The eleventh color plate, showing the sun behind..... More
