(London/Andoversford): Acorn Press/Whittington Press, 1975. Oblong quarto. (28)ff., frenchfold. One of 60 copies signed by the artist, Hellmuth Weissenborn. Illustrated with twenty-seven linocuts printed in two colors. Weissenborn's colorful alphabet is accompanied by quotations about various aspects of printing from philosophical and literary luminaries, such as Byron, Nietschze, and Southey... More

Beaverton, OR: Beaverdam Press, 1981. (20)ff. From an edition of 326, this is one of twenty-six special copies on Hosho paper, with an extra copy of Barry Moser's wood engraved frontispiece portrait of Morris signed by the printer, Earl Enness, and by Barry Moser. A selection of quotations about William... More

(North Hills): Bird & Bull Press, 1967. Octavo. 121pp. From an edition of 500 copies, this is an out-of-series copy in a 1968 trial binding by Jean Millard. According to a penciled note on the front endpaper, there were two copies bound thus, and the note mentioned that "L. Schlosser... More

Parma: Bodoni, 1800. Folio. Three parts in one. 8, xxvii; 14, xliii; 11, xxxiii pp., + (35)ff. Contains thirty-five stipple-engraved plates, all but one in sepia, showing frescoes by the famed Renaissance painter Correggio at the Monastero de San Paolo in Parma. The engravings were done by Francesco Rosaspina after... More

London: Henry G. Bohn, 1864. Six 12mo. volumes. xii, 1-576; 577-1156; 1157-1756; 1757-2400; 2401-3028; v, 1-336pp. New edition, revised, corrected and enlarged, with an Appendix relating to the books of literary and scientific societies. Lowndes's bibliography, first published in 1834, was the first systematic work of its kind, taking fourteen... More

(London): Fortune Press, (1922). One of 100 deluxe copies with a limited, signed color etching. Warmly inscribed by Jean de Bosschère, "with greetings of spiritual brotherhood." With a color frontispiece, twenty-one full-page plates printed in black & white and sanguine, and numerous black & white illustrations throughout. The volume opens... More

Bromer Booksellers. (96) pp. Our most ambitious catalogue to date, featuring fifty exemplary works in literature, illustration, miniature and children's books, fine printing and artistic bindings. Includes many rare, unique, and autographed items from the 16th century to the present. More

Glasgow: David Bryce & Son, (c. 1901). 876pp. Printed on India paper and illustrated with black & white plates. Bound in full brown leather stamped in blind on the covers and lettered in gilt on the spine, with a pocket inside the rear cover containing a leather-bound magnifying glass. Attached... More

Darmstadt: (N.P.), 1775. Oblong quarto. 31pp. First edition. An instructional book for calligraphy, with an ornate engraved title page followed by thirty plates of calligraphic examples by Johann Menzzer. The plates demonstrate a variety of hands using quotations, biblical passages, and alphabets in Latin, French, and German, and include elaborate... More

Nuremberg: Johann Petrus, 1549. Quarto. (20)ff. First edition. The book opens with a wood-engraved title and is illustrated with a folding plate of a calligraphic alphabet, as well as numerous calligraphic illustrations in the text. This is the first edition of the first comprehensive textbook for the art of calligraphy... More

Utrecht: Catharijne Press, 1988. (34)pp. From an edition of 165 copies, this is one of fifteen deluxe copies hand-colored by Luce Thürków and with the Art Nouveau initials beautifully heightened with gold. Extremely fine in full green limp suede with gilt-stamped label on the front cover. Housed in original green... More

Boston: L. Prang, 1876. Octavo. xxxiii, 274pp., + thirteen plates. American edition, revised and enlarged by the author. With an introduction by Edward C. Pickering, a professor of Physics at MIT. Illustrated throughout with many woodcuts, as well as the thirteen chromolithograph plates. The first plate depicts the spectra of... More

Antwerp: J.E. Buschmann, 1896. Octavo. 61pp. From an edition of 112, this is one of twelve copies for private circulation, and signed by the printer, Buschmann. Illustrated throughout by with eight fine full-page woodcut plates, several text figures, head- and tailpieces, and decorated initial letters printed in black and brown... More