(London/Andoversford): Acorn Press/Whittington Press, 1975. Oblong quarto. (28)ff., frenchfold. One of 60 copies signed by the artist, Hellmuth Weissenborn. Illustrated with twenty-seven linocuts printed in two colors. Weissenborn's colorful alphabet is accompanied by quotations about various aspects of printing from philosophical and literary luminaries, such as Byron, Nietschze, and Southey... More about Picture Alphabet, with Quotations in Praise of Print

Kenfield, CA: Allen Press, 1974. Large quarto. (86)pp. One of 140 copies. Illustrated with a woodcut portrait of St. Anthony and numerous woodcuts throughout the text. Flaubert's text, based on a fifteenth-century Persian motif, is translated by Lafcadio Hearn, and edited by Francis Carmody. Minor glue offsetting to endleaf gutters... More about The Temptation of Saint Anthony

San Francisco: Arion Press, 1996. Folio. (50)pp. One of 200 copies, signed by the translator and the artist. Michael Mazur has supplied a single etching as the frontispiece. Translated by Robert Alter from Hebrew into English, with facing text from Biblia Hebraica Stuttgartensia (1967). Fine with minimal edgewear in purple... More about Genesis

San Francisco: Arion Press, 1999. Folio. (164)pp. One of 200 copies, signed by the artist. Illustrated with twelve images by Wayne Thiebaud reproduced on transparent mylar sheets using different ink colors. The colors are matched to the sheet underneath so that the images are revealed only when the transparent sheet... More about Invisible Cities

San Francisco: Arion Press, 1993. Large quarto. 143pp. One of 300 copies, signed by the author and the artist. Illustrated throughout with fifteen drawings by Stan Washburn. The second in Arion's drama series. A very fine copy in pictorial boards and goatskin spine, with a mylar wrapper. Lacks accompanying CD... More about A Lie of the Mind. A Play in Three Acts

NY: Parke-Bernet Galleries, Inc., 1957. Small quarto. (43)pp. Auction catalogue for a March 5, 1957 auction of the estate of Mrs. Edward J. Pearson. Ink and pencil markings, a dog-eared page, and wear to covers. Very good, in green wrappers. Typed letter laid in, on the stationary of booksellers Charles... More about First Editions, Autograph Letters, & Mss, Limited Editions Club Publications, Books...

Mission, British Columbia, Canada: Barbarian Press, 2013. Folio. (50)pp., + 134ff. plates. One of 120 copies of the regular edition. Illustrated with 134 examples of Brett's wood engravings. Number four in the Barbarian Press Endgrain Edition series of books on individual wood engravers. This volume includes an autobiographical Introduction by... More about Simon Brett: An Engraver's Progress. A Selection of Engravings with an Introduction by the...

North Hills: Bird & Bull Press, 1979. Small quarto. 120pp. One of 300 copies printed on handmade Bird & Bull "Nagashuzuki" paper. Illustrated with twenty-four drawings by Richard Flavin and fourteen 4" x 5" samples of paper. Fine in quarter-morocco and floral decorated Japanese paper. (Bird & Bull Bibliography A22). More about Nagashizuki, The Japanese Craft of Hand Papermaking

(North Hills): Bird & Bull Press, 1967. Octavo. 121pp. From an edition of 500 copies, this is an out-of-series copy in a 1968 trial binding by Jean Millard. According to a penciled note on the front endpaper, there were two copies bound thus, and the note mentioned that "L. Schlosser... More about Omnibus

North Hills: Bird & Bull Press, 1964. Octavo. 91pp. One of 200 copies. A biography on the life and work of Thomas Bird Mosher, the remarkable New England publisher and literary pirate. The Passionate Pirate is one of Henry Morris's earlier titles. In making it, he was plagued with both... More about The Passionate Pirate

Parma: Bodoni, 1800. Folio. Three parts in one. 8, xxvii; 14, xliii; 11, xxxiii pp., + (35)ff. Contains thirty-five stipple-engraved plates, all but one in sepia, showing frescoes by the famed Renaissance painter Correggio at the Monastero de San Paolo in Parma. The engravings were done by Francesco Rosaspina after... More about Pitture di Antonio Allegri detto Il Correggio esistenti in Parma nel Monistero di San Paolo

London: Henry G. Bohn, 1864. Six 12mo. volumes. xii, 1-576; 577-1156; 1157-1756; 1757-2400; 2401-3028; v, 1-336pp. New edition, revised, corrected and enlarged, with an Appendix relating to the books of literary and scientific societies. Lowndes's bibliography, first published in 1834, was the first systematic work of its kind, taking fourteen... More about The Bibliographer's Manual of English Literature, containing an account of rare, curious, and...

(London): Fortune Press, (1922). One of 100 deluxe copies with a limited, signed color etching. Warmly inscribed by Jean de Bosschère, "with greetings of spiritual brotherhood." With a color frontispiece, twenty-one full-page plates printed in black & white and sanguine, and numerous black & white illustrations throughout. The volume opens... More about The World of Jean de Bosschère