(London/Andoversford): Acorn Press/Whittington Press, 1975. Oblong quarto. (28)ff., frenchfold. One of 60 copies signed by the artist, Hellmuth Weissenborn. Illustrated with twenty-seven linocuts printed in two colors. Weissenborn's colorful alphabet is accompanied by quotations about various aspects of printing from philosophical and literary luminaries, such as Byron, Nietschze, and Southey... More

(France / China: c. 1900). Octavo. (22)pp. Album of Chinese landscapes in original watercolors, facing depictions of women's antique costumes painted on silk, interleaved with tissue. "Chinoiserie" refers to European art characterized by imagery of a romanticized China, a notion that similarly underpins the genre of costume books, which presented... More

Beaverton, OR: Beaverdam Press, 1981. (20)ff. From an edition of 326, this is one of twenty-six special copies on Hosho paper, with an extra copy of Barry Moser's wood engraved frontispiece portrait of Morris signed by the printer, Earl Enness, and by Barry Moser. A selection of quotations about William... More

Paris: Gumuchian, (c. 1930s). Quarto. (181)pp. + 135ff. of plates. One of 1000 copies. A catalogue of fine bindings from this famed Parisian bookseller, profusely illustrated with full-page black and white illustrations including XX color plates. In original dust wrapper, with the English titling: "Fine Bindings." This title also appears... More

North Hills: Bird & Bull Press, 1964. Octavo. 91pp. One of 200 copies. A biography on the life and work of Thomas Bird Mosher, the remarkable New England publisher and literary pirate. The Passionate Pirate is one of Morris's earlier titles. In making it, he was plagued with both papermaking... More

Parma: Bodoni, 1800. Folio. Three parts in one. 8, xxvii; 14, xliii; 11, xxxiii pp., + (35)ff. Contains thirty-five stipple-engraved plates, all but one in sepia, showing frescoes by the famed Renaissance painter Correggio at the Monastero de San Paolo in Parma. The engravings were done by Francesco Rosaspina after... More

London: Harding & Lepard, 1827. Two octavo volumes. xiii, 562; 579pp. Fourth edition, greatly enlarged and corrected. Inscribed by the book collector and businessman Albert M. Todd of Kalamazoo, Michigan, to noted librarian William Warner Bishop, who was head of the Bentley Historical Library at the University of Michigan from... More

San Francisco: Lawton Kennedy, 1958. Small quarto pamphlet. (6)ff. One of 175 copies. A tongue-in-cheek guide to the lexicon of the rare book trade. For example, the entry for "Fore-Edge Painting" states "These are always 'exquisitely executed' even when done by someone's Aunt Esmerelda on a wet Sunday afternoon." Fine... More

Boston, MA: Bromer Booksellers, (c. 1991). Small quarto. (56)pp. With photographic reproductions throughout in black & white. Catalogue number 66 issued by Anne and David Bromer of Bromer Booksellers. This catalogue, released in conjunction with a lecture delivered by Anne Bromer and an exhibition, celebrates "the fine art of calligraphy... More

Watertown, Mass. Bromer, Anne & David, 1978. 30pp. One of 150 copies printed at the Bird & Bull Press and signed by Henry Morris. This was the first—and last—miniature to be printed at the Bird & Bull Press, and the first Bird & Bull checklist to appear in print. Fne... More

Nuremberg: Johann Petrus, 1549. Quarto. (20)ff. First edition. The book opens with a wood-engraved title and is illustrated with a folding plate of a calligraphic alphabet, as well as numerous calligraphic illustrations in the text. This is the first edition of the first comprehensive textbook for the art of calligraphy... More

Utrecht: Catharijne Press, 1988. (34)pp. From an edition of 165 copies, this is one of fifteen deluxe copies hand-colored by Luce Thürków and with the Art Nouveau initials beautifully heightened with gold. Extremely fine in full green limp suede with gilt-stamped label on the front cover. Housed in original green... More

Boston: L. Prang, 1876. Octavo. xxxiii, 274pp., + thirteen plates. American edition, revised and enlarged by the author. With an introduction by Edward C. Pickering, a professor of Physics at MIT. Illustrated throughout with many woodcuts, as well as the thirteen chromolithograph plates. The first plate depicts the spectra of... More