When you hold a miniature book in your hand, it is like holding a jewel. A miniature book is usually no bigger than three inches (76 millimeters) tall, and although some need magnification to be viewed properly, most can be read with the naked eye. Dating as far back as 2500 BCE, Sumerian clay tablets with cuneiform writing are considered the prototype for miniature books ...
Read more about Miniature Books
Our miniature books are listed below. You may also browse our miniature books by publisher or by century.
Japan: Miyako Akai, 2008. (62)pp. From an edition of 100 copies, this is one of 90 regular copies. An original story about a winter trip written in Japanese by Miyako Akai, who also designed the book, with editing and translation into English by Larry Seidman. Circles have been cut out... More
Marcham, Oxford: Alembic Press, 1995. (20)pp. One of 110 copies. Six woodcuts by Brett, printed in burgundy and black. These punctuate the Te Deum hymn, which is tidily presented using type from St. Mary's Press, the private press of the Community of St. Mary the Virgin). The music rests on... More
London: Allied Newspapers, (ca.1932). 40 volumes. Each volume has a frontispiece illustration. Includes a volume of Sonnets and a Glossary and Bibliography. This set was printed in Scotland to commemorate the opening of the Royal Shakespeare Theater in Stratford-upon-Avon. Typically encountered in a binding of black imitation leather, and housed... More
Wein (Vienna): Weidman, J., (1886). (68)pp. Begins with eleven portraits of famous women, including the ballerina Fanny Elssler, the opera singer Amalie Materna, and the actress Charlotte Wolter, each accompanied by a caption. The rest of the almanac provides charts of saints' days, a list accounting the number of years... More
Neutitschein: L. V. Enders'schen K.-A. (c. 1917). (26)pp. A miniature German calendar, printed in red and black. Housed in a dark green leather portfolio, decorated with a gilt-stamped four-leaf clover to the upper cover. Loose in the portfolio, and pencil markings to two pages, else fine. (2 7/8 by 1 3/8; 73x36mm). More
London: (Company of Stationers), 1866. (40)pp. Half-page engravings across first two sets of facing pages. In addition to the expected calendrical information, this almanac also provides a table of British rulers' reigns through Queen Victoria, lists of the royal family, members of the cabinet, Lord Mayors, and the current sheriffs... More
(20)ff. One of the copies in which the pages have been folded vertically and bound into "finger" format. Entirely engraved. Contains the usual lists of royals, officers of state, bank days, Saints' Days, eclipses, and the like. Bound in full dark green morocco. Very fine in a matching slipcase that... More
London: Company of Stationers, 1820. (24)pp. One engraving of "The London Institution, Moorfields," which spans four pages. The almanac's calendar records the times of sunrise and sunset, as well as various saints' days and term times for academic institutions. The volume also provides a table of the reigns of the... More
London: Printed for the Company of Stationers, (1822). (21)ff. The pages are entirely engraved, with the arms of the Stationers on the title page. Contains the usual lists of kings, royals, officers of state, bank days, etc. Red leather binding in wallet shape, with flap to close and pocket for... More
London: Printed for the Company of Stationers, (1836). (22)ff. The pages are entirely engraved, with the arms of the Stationers on the title page and another coat-of-arms on the second leaf. Contains the usual lists of kings, royals, officers of state, bank days, etc. Black leather binding in wallet shape... More
(Austin: Amistad Press, 1981). (20)pp., frenchfold. One of 300 copies, signed by the publisher, Yolanda Carter. A sage anonymous poem that appeared in an Ann Landers column published in the Austin American-Statesman on September 14, 1977. Printed in green. Fine in pale green cloth with printed dust wrapper. (7/8 by 3/4; 22x19mm). More
(Austin, TX: Amistad Press, 1977). (40)pp. One of 75 copies. Illustrated throughout in blue and gray. A collection of poems by Martha D. Fletcher, a poet and teacher from Alabama, that reflect on the natural world. Fine in gilt-stamped navy blue leatherette. (Bradbury, p. 4). (1 7/16 by 1 1/8; 36x30mm). More
Austin: Amistad Press, (1983). (40)pp., frenchfold. From an edition of 250 copies, this is one of an unknown number bound in leather, signed by Yolanda Carter. Contains many black & white illustrations of dragons from various cultures, reprinted from the 1981 edition of "Treasury of Fantastic and Mythical Creatures," by... More
South Freeport, ME: Ascensius Press, 2009. 19pp. One of fifty copies, signed by the author, James Lewis, in pencil. The story of the bookplate used by the distinguished collector Estelle Doheney. Tipped in is an example of Mrs. Doheney's bookplate, designed by Rivière & Sons: an elaborately gilt-decorated oval of..... More
South Freeport, ME: Ascensius Press, 2009. 19pp. One of fifty copies, signed by the author, James Lewis, in pencil. The story of the bookplate used by the distinguished collector Estelle Doheney. Tipped in is an example of Mrs. Doheney's bookplate, designed by Rivière & Sons: an elaborately gilt-decorated oval of..... More
N.p. (1930). (28)ff. An informative watercolor manuscript describing the wing and rudder markings of aircraft from the United States, Latin America, Asia, and Europe. Most of the markings date from around the end of World War I, charting the rise of military aviation. The wing marking included under the description... More
Bristol: Wright & Albright, (c. 1840's). 27pp. An extract from the Biblical Book of Daniel. Bound in glazed brown wrappers, embossed to a woven design. Fine. (1 5/16 by 1 1/16; 33x26mm). More
Limoges: Dalpayrat et Depelley, (1886). Three 16mo. volumes, each with an engraved frontispiece of Christ on the Cross. 124; 124; 124pp. The text blocks are bordered on two sides by engraved devices with a floral and animal motif. The first and third volumes are beautifully bound in blue morocco with... More
London: Wells Gardner, Darton & Co., 1901. 149pp. + (1)p. ads. One of the "Midget" series of miniature books published by Wells Gardner, Darton & Co. With portrait frontispiece and fifteen plates. Light soiling to cover, small ownership inscription to front endpaper, else fine in cream boards with red and... More
Skokie, IL: Black Cat Press, (1976). (30)pp. One of 249 copies. Printed in red and black. Faint crease to leather of front board, else fine in maroon leather with single gilt rule border and titling on the front. (1 1/4 by 1; 31x25mm). More
Chicago: Black Cat Press, 1962. 84pp. One of 300 copies, designed and with typography by Norman Forgue. A humorous essay about famous book collectors, many of them authors, who allowed their delight in collecting to carry them beyond the limits of moderation into gluttony. Very fine in gilt-stamped green leather... More
Chicago: Black Cat Press, (1962). 32pp., frenchfold. One of 275 copies. The book consists of quotations from participants of the War. A fine copy in gilt stamped blue leather. (2 5/8 by 2; 67x51mm). More
Chicago: Black Cat Press, (1971). (x)pp., (16)ff., (6)pp., frenchfold. One of 200 copies, with an introduction by the proprietor of the Press, Norman W. Forgue. Printed on Japanese paper with the fifteen Bewick vignettes printed from the original blocks in the collection of R. Hunter Middleton. This title is the... More
Chicago: Black Cat Press, (1966). 76pp. One of 250 copies with photographic illustrations throughout. Born out of Norman Forgue's interest in trains, both small and large, and written by his daughter's father-in-law, this was the only miniature book on railroading at the time of its publication. Very fine in full... More
(Los Angeles: Blau, Bela, 1965). 47pp. One of 1,000 copies printed on pure vellum by Bela Blau. With a frontispiece portrait of Kennedy, and with each page handsomely printed within a gold-ruled frame. Very fine in gilt-stamped vellum, with a vellum-covered slipcase, which has a split starting to one corner... More
