The bridge between the book and the human body traverses language and feeling. We describe backs as supple, heads and feet as sure or firm, a lip as stained or rough. Is it any wonder that a poetry of words so readily can meet the poetry of the body? Our current e-catalog embraces that intimate and inimitable connection that brings a vocabulary to the shape of ourselves.
(Pigotts: Rene Hague & Eric Gill, 1930). 24mo. (8)pp. One of 225 copies. The first piece of letterpress printing produced by René Hague and Eric Gill, copies of this booklet were distributed privately. The tale of Amnon's rape of his half-sister Tamar actually appeared in the Second Book of Samuel..... More
Huddersfield, West Yorkshire: Fleece Press, 2000. Quarto. 87 pp. One of 44 deluxe copies with a print pulled from John Buckland Wright's copper plates entitled "Nymphe Surprise No.II", engraved during his period at the Atelier 17. It was a previously un-editioned copper engraving, printed by the Black Star Press and..... More
(N.p. Golden Cockerel Press, 1981). One of three known copies of Josef Herman's lithographs, gathered as a suite and intended to illustrate the Golden Cockerel Press's final book. The book was never published and the lithographs languished until their discovery some twenty years later. Printed in blue and black, the..... More
London: Gogmagog Press, (1977). Octavo. (30)pp., frenchfold. One of 90 copies printed on handmade mingei paper, and signed by the author/artist. Illustrated with four dramatic two-page colored intaglio prints by Cox, showing Victorian death scenes, two of them somewhat surrealist in influence. Cox's poems offer a modern twist on sentimental..... More
London: Gogmagog Press, 1978. Quarto. (13)pp., + (24)ff. plates. From an edition of 75 copies signed by the author and the artist/printer, this is one of thirty copies with a signed original drawing as a frontispiece. The plates are reproductions in intaglio plates of images drawn by Cox with his..... More
London: Golden Cockerel Press, 1955. Small quarto. 127pp. Of an edition of 550, this is one of 105 specially bound in white alum-tanned sheepskin and accompanied by eight extra plates. Signed by the illustrator at colophon. Richly illustrated with color-collotype reproductions of Flint's watercolor paintings and crayon drawings of women..... More
(c. 2009). Quarto. Eight-panel, life-sized self-portrait of fiber artist Sheryl Jaffe. Numbered "1/1" and signed by Jaffe to the interior of the box. In this "sculptural artist book," Jaffe is drawn lying on her back, nude, against a background of earthy greens, sunny yellows, and liquid blues. Climbing over the..... More
Cambridge, MA: Bow & Arrow Press, 1993. Small quarto. (iv), 16pp. Deluxe edition, one of fifty copies, signed by the author, Melinda Marble, and artist, Michael Mazur, and with two original drypoint etchings. This first book by Marble is the haunting tale of a girl troubled by her origins, and..... More
Waltham Saint Lawrence: Golden Cockerel Press, 1931. Octavo. 66pp. One of 500 copies, signed by Powys. Five intertextual wood engravings by Nash. Backed in blue morocco with pattered paper covers. Spine somewhat sunned, faint edgewear, else near fine. (Chanticleer 76). More
Verona: Officina Bodoni, 1968. Folio. (96) (iv) pp. From an edition of 114 copies, this is one of 105 on Magnani paper, signed by the artist, Giacomo Manzù, on the colophon page. This copy also bears a contemporary inscription from Manzù on the front endpaper. Illustrated with seven full-page etchings..... More
