Dallas: Arion Press, 1980. Quarto. xiv, 270pp. One of 300 copies, printed by the Arion Press for Neiman Marcus. Maps and diagrams throughout, including one fold-out, by David Fuller, and a portrait of Dobie by Andrew Hoyem. Printed in black and red with gold initials drawn by Sumner Stone. An..... More
San Francisco: Arion Press, 2016. Folio. 225, (2)pp. One of 300 copies. Introduction and translation by Mark Polizzotti. In this, Flaubert's comedic final novel, two mid-nineteenth century copyists begin to conduct improbable experiments based on misinformation gathered from random readings. Reflecting the occupations of the heroes, all pages of the..... More
San Francisco: Arion Press, 1997. Quarto. 68pp. One of 200 copies, signed by Jim Dine. Illustrated with a photogravure by Dine from the portfolio of the "Ape & Cat" series. A very fine copy in cloth. Prospectus laid in. (Arion Bibliography 52). More
San Francisco: Arion Press, 2005. Oblong octavo. 18pp. One of 350 copies. Illustrated throughout with ten prints made by scratching ink printed from a block onto frosted mylar, which is then used as a negative to produce a photopolymer plate. "The Tulipomania" is a chapter from Memories of Extraordinary Popular..... More
San Francisco: Arion Press, 1992. Quarto. 117pp. One of 400 copies, signed by the author and the artist. Illustrated with five wood engravings, four of them full page, by Michael McCurdy. The first play in the Arion Press drama series. A fine copy in blue-green cloth with a ring of..... More
San Francisco: Arion Press, 1991. Octavo. 82pp. One of 750 copies, of which this is one of 250 copies bound in boards. Frontispiece portrait of the author tipped in, along with a reproduction of a Carl R. Martin drawing on the final page. A fine rendition of the author's first..... More
San Francisco: Arion Press, 1990. Elephant folio. 44ff., + 24pp. booklet. From an edition of 180 copies, this is one of only a few that has been hand-colored "at the heart of the book" (leaf 27) by the artist, Jim Dine. Signed by Dine on the colophon page. Illustrated with..... More
San Francisco: Arion Press, 1995. Octavo. 430pp. One of 300 copies, signed by the author. Illustrated with forty-eight vintage photographs gathered from the Museum of the City of New York, the Ellis Island Immigration Museum, and the George Eastman House that were taken during the approximate period in which the..... More
San Francisco: Arion Press, 2003. Octavo. 12pp. One of 500 copies. A talk presented by John T. Shawcross at the Arion Press on January 29, 2003, during its celebration of the publication of a new edition of John Milton's Paradise Lost. Bound in gray paper wrappers. Fine. (Arion Bibliography, p...... More
San Francisco: Arion Press, 1993. Large quarto. 143pp. One of 300 copies, signed by the author and the artist. Illustrated throughout with fifteen drawings by Stan Washburn. The second in Arion's drama series. A very fine copy in pictorial boards and goatskin spine, with a mylar wrapper. Lacks accompanying CD..... More
San Francisco: Arion Press, 2001. Oblong folio. xvi, 115pp. One of 400 copies, signed by the author, Tom Stoppard, and the artist, William Matthews. Illustrated with four reproductions of watercolor views showing the manor and landscape as they change over the course of the play. Foreword by the author. A...... More
San Francisco: Arion Press, 2015. Quarto. 169pp. One of 400 copies, signed by the illustrator. The sixty-seven images created by William Kentridge depict figures created by brush and ink over dictionary pages, which could then be spread over a stage scene or rearranged to suggest new positions or gestures. Some..... More
San Francisco: Arion Press, 2008. Octavo. 330pp. One of 300 copies. Illustrated by Stan Washburn utilizing etchings on film which are then transferred to polymer plates. A fine edition of Wells' under-appreciated novel about a fictional patent medicine, loosely based on perhaps one of the most successful such elixirs of..... More
South Freeport, ME: Ascensius Press, 2015. Small quarto. 44ff. From an edition of forty-one, this is one of twenty-six lettered copies, bound in full calf. Frost's second book of poetry is here published in a centenary edition by Scott Vile of the Ascensius Press. In homage to Joseph Blumenthal, Frost's..... More
South Freeport, ME: Ascensius Press, 2009. 19pp. One of fifty copies, signed by the author, James Lewis, in pencil. The story of the bookplate used by the distinguished collector Estelle Doheney. Tipped in is an example of Mrs. Doheney's bookplate, designed by Rivière & Sons: an elaborately gilt-decorated oval of..... More
Chelsea: Ashendene Press, 1922. Octavo. viii, 239pp. One of 240 copies, printed entirely by hand, with titles in red and chapter initials in blue. Illustrated with 53 wood engravings cut by J. B. Swain after drawings by Charles M. Gere. Bound in limp vellum with ribbon ties and gilt titling..... More
(Los Angeles: Dawson's Book Shop, 1961). Small folio portfolio. One of seventeen portfolios distributed by Dawson's Book Shop. Contains Dawson's contents sheet, plus 20 leaves of proof, trial, and discarded sheets, which were purchased from the daughter of C. H. St. John Hornby. These are: an eight-page signature from The..... More
Chelsea: Ashendene Press, (1906). Small quarto. 161pp. One of 100 copies. Printed in red and black with initials by Eric Gill. This is the first book by the Ashendene Press with marginal notes printed in red. Featuring a designer binding by Franklin Mowery of black morocco blind-tooled with an intersecting..... More
(Chelsea): Ashendene Press, 1896. 24mo. 30pp. One of 154 copies. This is the third book of the Press. Transcribed from Pepys's diary by John Todhunter. Also listed after the main text are the current officers and members and past presidents of the Sette of Odd Volumes. In original printed paper..... More
Garden City: Doubleday & Co., 1954. First edition. Publisher’s file copy with statement stamped on front free endpaper. A science fiction murder mystery in which a robot detective is teamed with a human counterpart. Although Asimov is best known for his science fiction work, he also dabbled in mystery. A...... More
NY: Gnome Press, 1951; 1952; 1953. First editions of the Foundation Trilogy. All of the books are in first issue bindings and bright, unrestored dust wrappers. The third volume is inscribed by the author: “Best wishes / Isaac Asimov.” The Foundation Trilogy is perhaps the best-known science fiction series and..... More
(Strasbourg: Mathis, 1933). (1)ff., folded into sixths. Printed in bright color on both sides, the poster depicts a variety of four- and six-cylinder cars available from the French automaker Mathis for the 1934 model year. These include the EMY4 and EMY6, available in the convertible St. Moritz, Deauville coupe, and..... More
Paris: (Illustra E. Vidal, 1922). Oblong folio. (11)ff. A deluxe catalogue for the French automaker Panhard & Levassor illustrated with bright color plates depicting their latest models, mounted on pages of heavy tan card. On the facing pages are dramatic views of famous French locales by Georges Dorival, the renowned..... More
(Paris: Société des Moteurs Salmson, 1934). Quarto. (8)ff. Catalogue promoting the Salmson S4D, from French automaker Société des Moteurs Salmson, illustrated throughout with black & white photographs depicting the interior, exterior, motor, and chassis of the vehicle. At the center of the booklet are five loose color posters with illustrations..... More
N.p. (1930). (28)ff. An informative watercolor manuscript describing the wing and rudder markings of aircraft from the United States, Latin America, Asia, and Europe. Most of the markings date from around the end of World War I, charting the rise of military aviation. The wing marking included under the description..... More
