Paris: Meynial, 1924. Small quarto. 12pp., + (12)ff. colored plates. One of 600 copies. Art Deco legend George Barbier contributed fashion plates to several albums and almanacs starting in 1912 before finally starting his own publication in 1922 titled Falbalas et Fanfreluches. Each annual issue included an almanac for the... More
Paris: Meynial, 1923. Small quarto. 12pp., + (12)ff. colored plates. One of 600 copies. Art Deco legend George Barbier contributed fashion plates to several albums and almanacs starting in 1912 before finally starting his own publication in 1922 titled Falbalas et Fanfreluches. Each annual issue included an almanac for the... More
(Paris): M. François Bernouard, (1919-1920). Small quarto. 11 fasicles, each one of out of 800 copies. Complete, with 60 hors-texte plates by George Barbier, Umberto Brunelleschi, Domergue, Cadogan, Bonnette, Blanche, A. Rome, Cito, Tacquoy, Wegener, Vallée, and other leading Art Deco designers and illustrators. In addition to the plates, there... More
1934, 1950. (1)ff. autograph letter, dated July 25th, 1934. A letter from J. M. Barrie to William Maldon "Bill" Woodfull, the Australian cricketer who captained both the Victoria and Australia cricket teams. Barrie comments on the fourth game of the 1934 Ashes series, in which Australia played against England, saying... More
1973. Lithographic print, 22 inches tall by 16 inches wide, printed on Arches paper. One of fifty, signed by the artist. Leonard Baskin was an American artist, sculptor, and printmaker. He founded the Gehenna Press while still a student at Yale, and he taught at Smith College in Massachusetts from... More
Alnwick: W. Davison, (c. 1820). 24mo. A single sheet of card folded into three panels. Illustrated throughout with wood engravings, including a hunting scene and a depiction of a man giving alms to a beggar. On the inside are two lessons in one-syllable words, Roman capital and lowercase letters, a.... More
London: Leonard Smithers, 1898. Quarto. xlv, 193pp. From a total edition of 1,100 copies, this is one of 100 deluxe copies bound in full vellum, with an extra, enlarged set of the five pictorial initials tipped-in. Out of the 24 drawings planned, Beardsley lived only long enough to complete five... More
London / Boston: Elkins Mathews & John Lane / Copeland & Day, 1894. Small quarto. (x), 66, (2)pp., + 13ff. plates. First English and first illustrated edition. One of 125 copies on Japan vellum. In addition to the ten black & white plates after drawings by Aubrey Beardsley listed at... More
London: C. W. Beaumont, 1924. Octavo. (iv), 32, (2)pp. One of 110 copies printed as a deluxe edition with signatures of both author and illustrator. Illustrations throughout, three of which are full-page images, all with the same green, red, yellow, and light brown color palette. The story, set during the... More
Beaverton, OR: Beaverdam Press, 1981. (20)ff. From an edition of 326, this is one of twenty-six special copies on Hosho paper, with an extra copy of Barry Moser's wood engraved frontispiece portrait of Morris signed by the printer, Earl Enness, and by Barry Moser. A selection of quotations about William... More
Milwaukee, WI: Milwaukee WPA, (c. 1935). Quarto. 14ff. First and presumably only edition. Title-page vignette and eleven brightly colored prints by Kendrick Bell. The accompanying rhyming verse touches upon each animal depicted. The Milwaukee Handicraft Project was an offshoot of the WPA that was founded by a faculty member of... More
(c. 1956). Watercolor and ink on paper, measuring 11 by 8 1/2 inches (28x22cm). Matted and framed. Signed by Bemelmans. This shoulder-length portrait of Bemelmans’s most enduring character is done in the later, bold style encountered in Madeline and the Bad Hat, and it shows red-headed Madeline wearing her characteristic... More
Chicago: Shasta Publishers, (1953). First edition. Award-winning science fiction author Poul Anderson’s copy, with his signature on the front flyleaf. A science fiction detective novel set in the 24th century in which the most talented mutant law enforcer, or Esper, in the world is matched against the richest man in... More
Piccadilly: John Stockdale, 1797. 24mo. 99, (iv)pp. A "new edition," with twenty-three woodcuts. Illustrated throughout with a frontispiece and woodcuts showing scenes from Little Jack’s life by John Bewick, the younger brother of the famed wood engraver and illustrator Thomas Bewick. John Bewick was apprenticed to his brother for five... More
Bristol: Wright & Albright, (c. 1840's). 27pp. An extract from the Biblical Book of Daniel. Bound in glazed brown wrappers, embossed to a woven design. Fine. (1 5/16 by 1 1/16; 33x26mm). More
Glasgow: David Bryce and Son, 1894. Quarto. xvi, 316, 24, 24pp. First edition. This reference book on hieroglyphic Bibles, where words have been replaced by symbols, is illustrated with black & white facsimile pages. Hieroglyphic Bibles were meant to visually capture the interest and curiosity of children, leading them to... More
NY: G. P. Putnam's, 1899. First edition, first issue. A collection of 243 "updates" of many classic fables, including a section titled "Aesopus Emendatus." Inscribed in pencil by Bierce to Dr. J. W. Robertson, noted bibliographer of Edgar Allan Poe, in the year of publication. Robertson was a prominent physician... More
San Francisco: W. E. Wood, 1903. First edition, second issue. A collection of Bierce's later poems. Inscribed in pencil by Bierce to Dr. J. W. Robertson in the month of publication. Robertson was a bibliographer of Edgar Allan Poe and a prominent physician in Livermore, California, whose daughter married Edwin... More
Davis, CA: Library Associates, University Library, University of California, Davis, 1979. Two copies of a poster designed by Richard Bigus announcing the "Five Fine Printers" exhibit and related events at the Memorial Union Art Gallery at the University of California, Davis. The exhibit ran from February 22 to April 10... More
Richard Bigus, 1978. Broadside measuring 21 3/8 by 14 3/4 inches. From an edition of 200 copies, this is a proof copy signed by Richard Bigus. Designed and printed by Bigus in two colors. Fine. More
(Moscow): 1904. Bright postcard, lithographed in color, showing a cemetery with a wooden structure behind it. Ivan Bilibin first trained as a lawyer, but after traveling through Europe, he became attracted to the art world. He began to draw and became highly successful as a theatrical designer. Besides work for... More
Paris: Gumuchian, (c. 1930s). Quarto. (181)pp. + 135ff. of plates. One of 1000 copies. A catalogue of fine bindings from this famed Parisian bookseller, profusely illustrated with full-page black and white illustrations including XX color plates. In original dust wrapper, with the English titling: "Fine Bindings." This title also appears... More
Limoges: Dalpayrat et Depelley, (1886). Three 16mo. volumes, each with an engraved frontispiece of Christ on the Cross. 124; 124; 124pp. The text blocks are bordered on two sides by engraved devices with a floral and animal motif. The first and third volumes are beautifully bound in blue morocco with... More
London: Wells Gardner, Darton & Co. 1901. 149pp. + (1)p. ads. One of the "Midget" series of miniature books published by Wells Gardner, Darton & Co. With portrait frontispiece and fifteen plates. Light soiling to cover, small ownership inscription to front endpaper, else fine in cream boards with red and... More
(N.p. c. 1886). A signed original drawing in ink over pencil by Birch, who is best known for illustrating Burnett’s classic work for children, Little Lord Fauntleroy, published in 1886. Fauntleroy is immediately recognizable in his plumed hat and lace-trimmed velvet suit, standing near a little girl in a costume... More
